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William Williams

 
 
Columbia Encyclopedia: William Williams
Williams, William, c.1710-c.1790, American painter, b. England. He probably led a seafaring life before settling (c.1747) in Philadelphia, where he was Benjamin West's first instructor in painting. He designed the building and in 1759 painted scenery for the first Philadelphia theater. After painting in New York City in 1775, Williams probably returned (c.1780) to England. He died in a Bristol almshouse, leaving a partly autobiographical manuscript, The Journal of Llewellin Penrose; this was published in 1815. His richly colored paintings have a lively naïveté and romantic charm; among those known to be his are portraits of Deborah Hall (Brooklyn Mus., N.Y.) and Benjamin Lay (Historical Society of Pennsylvania).

Bibliography

See study by D. H. Dickason (1970).

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Wikipedia: William Williams (artist)
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Deborah Hall, 1766, oil on canvas, in the Brooklyn Museum of Art

William Lewellin Williams (1727–1791) was an American painter. He was born in Caerphilly, Wales. He began residing in Philadelphia around 1747 and afterwards in New York City before returning to England about 1780, where he died in Bristol in the Merchants' and Sailors' Almshouse.

Williams is believed to have been a seafarer during the early part of his life. He wrote The Journal of Llewellin Penrose, believed to be partly autobiographical, about a sailor who is cast away in the New World.

He was also a teacher for artist Benjamin West. West credited Williams as giving him an interest in painting.

William Williams was the father of William Joseph Williams (1759–1823), another American painter.

Williams left his personal property to Thomas Eagles, a gentleman who helped him gain admission to the almshouse, where he lived until his death. The bequest included many books, a self-portrait (now in the Winterthur Museum) and the manuscript of Penrose. The Revd John Eagles, son of Thomas, prepared an edited copy of this for publication, including 37 watercolours mainly by Nicholas Pocock, intended for engraving. This Eagles version appeared in 1815, but without the illustrations, and in 2006 its manuscript was acquired by the National Maritime Museum, Greenwich, UK. Williams' original manuscript, bequeathed to Eagles senior, is in Indiana University, USA, and was only transcribed and published in 1969.

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