Winterset (1935), a play by Maxwell Anderson. [Martin Beck Theatre, 195 perf.; NYDCC Award.] Mio (Burgess Meredith) is certain that his anarchist father, Bartolomeo, was unjustly sentenced to death for the murder of a paymaster. He visits Judge Gaunt (Richard Bennett), who presided over the trial, but recognizes that the jurist has become mentally deranged. Mio concludes that his best hope for bringing the truth to light is Miriamne (Margo), whose brother witnessed the crime. Mio and Miriamne fall in love, and when the gangsters who were the real culprits kill Mio, she threatens to reveal the truth, and she, too, is killed. Gilbert W. Gabriel exemplified the generally enthusiastic response to this blank‐verse play when he wrote in the American, “It is, to date, Anderson's masterpiece. This, underneath all its full‐flower eloquence, is melodrama, right, tight, trig melodrama, and immensely exciting melodrama, too.” One of the most memorable aspects of the Guthrie McClintic production was Jo Mielziner's stunning scenery, in particular a street scene overshadowed by the Brooklyn Bridge. The play was Anderson's second attempt to dramatize the Sacco‐Vanzetti story. His earlier collaboration with Harold Hickerson, Gods of the Lightning (1928), had failed.




