Career Highlights: The Thin Man, San Francisco, The Prizefighter and the Lady
First Major Screen Credit: Land of Long Shadows (1917)
Biography
W. S. "Woody" Van Dyke II inaugurated his career at age three as a stage actor, in the company of his widowed actress-mother. When acting jobs were scarce, young Van Dyke worked as a miner, electrician and (allegedly) a soldier-for-hire in Mexico during the 'teens. In 1916, he was hired as one of several assistants to director D.W. Griffith, working in this capacity on Griffith's mammoth Intolerance. After assisting director James Young at Paramount, Van Dyke was allowed to direct his first solo film in 1917. He spent most of the 1920s laboring on quickie Westerns, earning a reputation for speed and efficiency. In 1928, he was brought into MGM's troubled production White Shadows on the South Seas, which, under the snail's-pace direction of Robert J. Flaherty (a brilliant documentary maker whose skills at fictional filmmaking was slight), was running way behind schedule. When White Shadows opened to critical and audience approval, Van Dyke was elevated to Hollywood's A-list of directors, though even when handed huge budgets and big stars he never altered his rush-it-through directorial technique (the one exception to this was his year-long sojourn on Trader Horn [1931]). "One Take Woody" was often derided by his fellow MGM directors, who bemoaned Van Dyke's "carelessness" and "sloppiness." However, Van Dyke's best films -- The Thin Man (1934), San Francisco (1936), It's a Wonderful World (1939) -- hold up far better than the works of many of his more art-conscious colleagues. A favorite of no-nonsense leading men like Clark Gable and William Powell, Van Dyke was not held in as high esteem by certain actresses accustomed to being fussed over for hours before stepping in front of the cameras; still, he got along quite well with the temparamental Norma Shearer when he took over direction of the troubled Shearer epic Marie Antoinette (1938). Working at MGM until 1942, the year before his death, Van Dyke could take pride in the fact that virtually all his films made money for the studio -- and virtually none went over budget. ~ Hal Erickson, All Movie Guide
Born in San Diego, California, Van Dyke was a child actor on the vaudeville circuit, and in his early adult years was unsettled and moved from career to career until arriving in Hollywood. His first movie assignment was as an assistant director on the D. W. Griffith feature motion picture Intolerance (1916). During the silent era he learned his craft and by the advent of the talkies was one of MGM's most reliable directors.
Career
He came to be known as "One Take Woody" for the speed with which he would complete his assignments, and although not regarded as one of the screen's most talented directors, MGM regarded him as one of the most versatile, equally at home directing costume dramas, westerns, comedies, crime melodramas and musicals. Many of his films were huge hits and top box office in any given year. He received Academy Award for Best Director nominations for The Thin Man (1934) and San Francisco (1936). He also directed the Oscar winning classic "Eskimo/Mala the Magnificent" (see Ray Mala).
The earthquake sequence in San Francisco is considered one of the best special-effects sequences ever filmed. To help direct, Van Dyke called upon his early mentor, D.W. Griffith, who had fallen on hard times. Van Dyke was also known to hire old-time, out-of-work actors as extras; because of his loyalty he was much beloved and admired in the industry.
Van Dyke was known for allowing ad-libbing (that remained in the film) and for coaxing natural performances from his actors. He made stars of Nelson Eddy, James Stewart, Myrna Loy, Johnny Weissmuller, Eleanor Powell, Ilona Massey and Margaret O'Brien. He was often called in to work a few days (or more), uncredited, on a film that was in trouble or had gone over production schedule.
Promoted to Major prior to World War II, the patriotic Van Dyke set up a Marines recruiting center in his MGM office. He was one of the first Hollywood bigwigs to advocate early U.S. involvement, and he convinced stars like Clark Gable, James Stewart, Robert Taylor and Nelson Eddy to become involved in the war effort.
Final years and death
Van Dyke did not survive the war. Terminally ill with cancer and a bad heart, he managed to direct one last film to show America what it was fighting for, the children. Journey for Margaret was a heart-rending movie that made five-year old Margaret O'Brien an overnight star.