Not quite a traditional Workdogs album, 1993's Workdogs in Hell is obscure American lo-fi indie rock's idea of a remix album. These 11 tracks are taken from previous Workdogs releases and remixed/added to/reconstructed/just generally screwed with by a roll call of cult favorites ranging from New York post-punk royalty Lydia Lunch and Maureen Tucker to fetish filmmaker Richard Kern and Foetus mainstay James Thirlwell. Most of the guests just add on new tracks to the preexisting rhythm beds, from Lunch's primal caterwaul to Kern's typically skuzzy pretentiousness, but a few tracks, especially the trippy "*" and the TV-dialogue maelstrom "'A Litany of Complaints/Satan Is Real,'" turn everything inside out to create some genuinely startling sheets of noise. Weirder than their other albums by far, Workdogs in Hell is for devout fans only. ~ Stewart Mason, All Music Guide
Tracks
Track Title
Composers
Performers
Time
Eulogy Regrets
Workdogs in Hell
Little Boys With Big Guitars
Workdogs in Hell
More Than an Apology
Workdogs in Hell
970-DOGS
Workdogs in Hell
Realm of the Censors
Workdogs in Hell
Solo No. 8
Workdogs in Hell
Death of the Workdogs
Workdogs in Hell
The House That Drugs Built
Workdogs in Hell
Kill 'Em, Eat 'Em, Fuck 'Em
Workdogs in Hell
*
Workdogs in Hell
A Litany of Complaints/Satan Is Real
Workdogs in Hell
Credits
Yves Bisquet (Liner Notes), Byron McCay (Mastering), Byron McCay (Producer), Jim Fourniadis (Engineer), Jerry Williams (Engineer), Jerry Williams (Leader)
