Yellowman is the stage name of Winston Foster, one of the biggest Jamaican reggae stars of the 1980s. Foster, an albino, grew up in Kingston institutions and overcame a rough childhood to become a swaggering DJ with a penchant for witty and sexually explicit lyrics and a stage show that made him a local star. He began recording in the early '80s and for the next several years released records at a furious pace, outselling every other reggae star except Bob Marley. In 1986 Yellowman was diagnosed with throat cancer and given a dire prognosis, but he bounced back and resumed his career in the '90s. His songs include "Mad Over Me," "Mister Chin" and "Blueberry Hill."
Jamaica's first dancehall superstar, Yellowman ushered in a new era in reggae music following Bob Marley's death. His early-'80s success brought the popularity of toasting -- the reggae equivalent of rapping -- to a whole new level, and helped establish dancehall as the wave of the future. For better or for worse, he also epitomized dancehall's penchant for "slack" lyrics -- that is, casual violence, sexism, homophobia, and general rudeness. Graphic sexuality was his particular forte, reaching levels of explicitness previously unheard in Jamaica. It brought him numerous detractors, but it was also a big reason for his early popularity. There was more to it than that, though; Yellowman was one of the most verbally nimble toasters of his time, with a loose, easy flow, a talent for improvisation, and a definite wit in his wordplay. Plus, all the boasting about his prowess on the mic or in the bedroom had to be over the top to be convincing: true to his stage name, Yellowman was an albino, which carries a tremendous social stigma in Jamaica. His rise to stardom was unlikely enough, but his transformation from untouchable outcast into sex symbol was staggering -- and may not even have taken place without his trademark lewdness. Shocking though it could be, it affirmed him as a sexual being just like his listeners, and was delivered with enough humor to let the audience know that he wasn't taking himself too seriously. Bouts with cancer pushed him into more thoughtful, socially conscious territory in the '90s, but his initial style remains the most influential, paving the way for countless dancehall toasters to follow.
Yellowman was born Winston Foster in Negril, Jamaica, in 1959 (some accounts say 1956). An early target for abuse because of his albinism, he grew up in an institution in Kingston, with little to keep him company besides music. Influenced by early toasting DJs like U-Roy, he practiced rhyming and got a job with the Gemini Sound System as a substitute DJ. Christening himself Yellowman and dressing in a bright yellow suit, he peppered his lyrics with jokes about his skin color and outlandish tales of his sexual conquests. In 1979, he won a landslide victory at the well-known Tastee Talent Contest, and within months he had become one of Jamaica's top concert draws, thanks to a dynamic, humorous stage show in which he often used the microphone to mimic his anatomical gifts.
Yellowman recorded prolifically in the early '80s, at one point flooding the Jamaican market with more than 40 singles. His first full-length album, Them a Mad Over Me, was recorded for Channel One in 1981 and featured the hit title track and the single "Me Kill Barnie," an answer record to Lone Ranger's hit "Barnabas Collins." He also scored with singles like "Operation Eradication" and the infamously slack "Shorties," which Peter Tosh condemned as degrading to women (hardly the first time such a criticism would be leveled at him). Despite this success, Yellowman didn't truly hit his stride on record until he hooked up with groundbreaking dancehall producer Henry "Junjo" Lawes. The 1982 LP Mister Yellowman kicked off their collaboration; released internationally by Greensleeves, it started to break him in the U.K. and U.S., and is still often acclaimed as his best album. It also launched a series of Jamaican hit singles over the next few years that included including "Yellowman Getting Married" (a rewrite of the My Fair Lady number "I'm Getting Married in the Morning"), "Mr. Chin," "Who Can Make the Dance Ram" (a rewrite of "The Candy Man"), "Zungguzungguguzungguzeng" (sampled by several hip-hop acts), "The Good, the Bad, and the Ugly," "Soldier Take Over," "Nobody Move Nobody Get Hurt," and "Wreck a Pum Pum," among others. Many of his recordings during this era featured vocal contributions from fellow DJ/toaster Fathead, whose specialty was punctuating lines with animal noises ("ribbit" and "oink" were his favorites).
After 1983's Zungguzungguguzungguzeng album, Yellowman signed a major-label deal with CBS Records, which encouraged him to maintain the stylistic versatility of his previous work. However, his lone album for the label, 1984's King Yellowman, sported mixed results, attempting everything from slack toasts to R&B and pop-tinged crossover tracks, including covers of "Sea Cruise" and "Take Me Home Country Roads," and the much-maligned fusion attempt "Disco Reggae." He subsequently released several albums on Shanachie, including 1984's Nobody Move Nobody Get Hurt, 1985's Galong Galong Galong, 1986's Going to the Chapel, and 1987's Don't Burn It Down. The latter found him delving more into social consciousness; the title cut was a pro-marijuana protest, while "Stop Beat Woman" condemned domestic violence, and "Free Africa" criticized apartheid. Around the same time, he suffered a bout with throat cancer, but fortunately recovered. He returned to action with the hit Fats Domino cover "Blueberry Hill," and moved to the Ras label to record the well-received Yellow Like Cheese album with producer Philip "Fatis" Burrell.
Yellowman's recording career continued apace, as his sexual boasts and gay jokes kept getting raunchier and nastier. His popularity had slipped after 1985, due in part to less consistent material, and also in part to the emergence of a legion of new dancehall artists, many of whom harked back to his early material for inspiration. Things changed, however, after an early-'90s bout with skin cancer. Greatly shaken after this second life-threatening illness, Yellowman completely rethought his approach to music, and thereafter devoted himself almost exclusively to spiritual and social concerns. 1994's Prayer album (still on Ras) was the first effort in this new direction, and it was followed quickly by Message to the World in 1995. 1997's Freedom of Speech continued in a similar vein, after which Yellowman switched over to the Artists Only label. His first effort was 1999's Yellow Fever, which concentrated on conscious reggae but also featured some good-natured party tracks. New York followed in 2003, and Round 1 in 2005. ~ Steve Huey, All Music Guide
Yellowman (born Winston Foster in Negril, Jamaica in 1959) is a Jamaican reggae
(raggamuffin) and dancehalldeejay, widely known as King
Yellowman because he is the king of the dancehall. He was popular in Jamaica in the 1980s, coming
to prominence with a series of singles that established his reputation.
Career
Winston Foster grew up in a Catholic orphanage called Alpha Boys School and was antisocial due to being an albino which
are usually shunned or not socially accepted in Jamaica. It wasn't until the late 1970's when Yellowman first gained wide
attention when he won a contest event in Kingston, Jamaica called 'Tastee Patties'
where DJ's would perform toasting. Yellowman became the first dancehall artist to be signed to
a major American label by 1981 (CBS Records). Over time he became regarded by some as a sex
symbol and even managed to gain fortune and fame by directing attention to his physical skin complextion in several of his songs.
His first album release was in 1982 entitled "Mister Yellowman" followed by "Zungguzungguguzungguzeng" in 1983
earning instant success. Yellowman's sexually explicit lyrics in popular songs such as "Them a Mad Over Me" boasted of his
sexual prowess, like those of other reggae singers/deejays, earned Yellowman criticism in the mid-1980s. By the mid-1990s however, Yellowman released socially conscious material,
rising to international fame along with singers such as Buju Banton. Yellowman became the
islands most popular deejay despite being an albino who typically are social outcasts in Jamaica. During the early 1980s,
Yellowman had over 40 singles and sometimes produced five albums in one year. His success is seen by some as a rags to riches
story.
Yellowman performing with his Sagittarius Band, 2007
In 1986, Yellowman struggled with jaw cancer and it saw suspected that he'd have only 6 months
to live, luckily he had surgery. Yellowman had taken an extended leave from recording but came back with Blueberry Hill.
He re-invented himself with his 1994 album Prayer, and since the mid-1990s he has devoted his time to spiritual and other
social concerns. His latest records were New York in 2003 and Round 1 in
2005. Yellowman also was a guest singer in the Run-DMC track
"Roots Rap Reggae", where he did most of the singing. Yellowman continues to perform internationally with his band The
Sagitarious Band, and has toured through places such as Peru, Italy,
Germany, England, France, and
the United States. He is certainly one of the hardest touring artists in the reggae
industry.
Another similar albino Jamaican artist who followed Yellowman's musical style is the young deejayAl Beeno, also known as 'Prince Yellow'. Another would be deejay
Purpleman.
Notes
Yellowman attended Alpha Boys School in Kingston, an institution known for its
musical alumni. [1]
Possibly due to palatability and overall sweetness, the melody for Yellowman's 1982 "Zungazung" has been sampled and imitated
repeatedly since its release. By 1985, the tune had been used by artists like Sister Nancy,
Super Cat, and Ranking Toyan. The use of it in BDP's "Remix
for P is Free" in 1987 brought the melody to the (at least more) public eye, setting it up to be used quite frequently in more
Hip Hop and Rap oriented settings. The Zungazung melody went on to be used by artists such as Junior M.A.F.I.A., 2pac, Dead Prez
and even Christian rock band P.O.D.
A Brief (Incomplete) Timeline of the Zunguzung Meme[2]:
Yellowman, "Zunguzung" (see also, Live at Aces version, w/ Fathead)(1982)
Search for answers directly from your browser with the FREE Answers.com Toolbar! Click here to download now. Get Answers your way! Check out all our free tools and products.
.jpg)
