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Columbia Encyclopedia: Olesha, Yuri,
1899–1960, Russian novelist and dramatist. In his novel Envy (1927; tr. 1936) and in his other writing, Olesha focused on the conflict between the demands of an industrialized world and human spiritual needs. He wrote in a vivid, highly metaphoric style distinctly different from orthodox Soviet socialist realism.

Bibliography

See Envy and other Works and Love and Other Stories (1967), The Complete Short Stories and Two Fat Men (1979), The Complete Plays (1983), and No Day Without a Line (essays, 1979); study by V. Peppard (1989).

 
 
Wikipedia: Yury Olesha
Yury K. Olesha
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Yury K. Olesha

Yury Olesha (Russian: Юрий Карлович Олеша, March 3 [O.S. February 19] 1899May 10, 1960) was a Russian novelist. He is considered to have been one of the greatest Russian novelists of the 20th-century, one of the few to have succeeded in writing works of lasting artistic value despite the stifling censorship of the era. His works are delicate balancing acts that superficially send pro-Communist messages but reveal far greater subtlety and richness upon a deeper reading. Sometimes, he is grouped with his friends Ilf and Petrov, Isaac Babel, and Sigismund Krzhizhanovsky into Odessa School of Writers.

Olesha was born in Elizavetgrad (now Kirovohrad, Ukraine). He was brought up in Odessa where he moved with the family in 1902, and he studied in the University of Novorossiya in 1916-1918. Three authors that influenced him most were HG Wells, Robert Louis Stevenson, and Leo Tolstoy. In Russia, Olesha's name is familiar for the fairy tale Three Fat Men (1924), which Aleksey Batalov made into a movie in 1967. In English-speaking countries, he has been known for two books of short-stories that have appeared in English, Love and Other Stories and The Cherrystone - both concerned with dreams of adolescence. But his artistic reputation rests primarily upon his 1927 novel Envy.

As Soviet literary policy became more and more rigid, the ambiguity in Olesha's work became unacceptable. Less than a decade after the publication of Envy, he was condemned by the literary establishment, and fearing arrest he ceased writing anything of literary value. Olesha died in 1960, too early to benefit from the later loosening of censorship. His remarkable diaries were published posthumously under the title No Day without a Line.

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Columbia Encyclopedia. The Columbia Electronic Encyclopedia, Sixth Edition Copyright © 2003, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Yury Olesha" Read more

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