A CSS box shadow effect is applied to the outer layer of an element while the filter drop-shadow, an experimental property, follows the rendered shape of any element including pseudo elements, such as a tootip with an arrow. A filter drop-shadow also takes into account the transparent aspects of a .png image.
Text-shadow is a useful property that is implemented in most modern browsers. To use text-shadow in your CSS style sheets, there are four things you have to set when writing the declaration, how far to the right (or left) the shadow is from the actual text, how far below (or above) the shadow is from the text, how much blur the shadow should have, and finally what color the shadow should have. The first two declarations can be positive or negative; positive numbers cause the shadow to move to the right and below the text, while negative numbers cause the shadow to move to the left and above the text. Here's an example of how to use a text-shadow on an anchor when the user hovers over the anchor: a:hover { text-color: #FFFFFF; background-color: #0198E1; text-shadow: 2px 2px 2px #FFCC00; } When a user hovers over an anchor link the text color will turn white, the background will become a topaz blue, and will have a gold shadow around the text. You can declare multiple shadows on the same element if you want to have a cooler looking text-shadow. Here is an example: .cooltextshadow { text-shadow: 0 0 4px white, 0 -5px 4px #ff3, 2px -10px 6px #fd3, -2px -15px 11px #f80, 2px -25px 18px #f20; } This text-shadow declaration has 6 drop shadows declared each one offset from the previous one to make a really cool effect. Notice the negative numbers. This effect is mainly above the text and looks like the text is superheated or on fire.
I believe the Dutch Lap is the one with the beveled edge at the top of the board, which creates shadow lines. The board lays flat on the vertical. Lap siding has flat boards overlapping each other on an angle. Beaded lap has a rounded, beaded edging detail at the bottom of the board. The boards lay on a slight angle overlapping each other.
It depends on where the earthquake occurs.
It is known as the penumbra and the area in total shadow is the umbra
The reson behibd this is that when we stand in front of tube light because the length of tube light is much more than your width The light from the tube light are not paralel to each other. So they have a wide range. When you stand in front of a tube light we don not allow the rays to travel through us. But as I already mentioned that the rays are not parralel. As they are not parallel some of these ray cover the shadow which would have formed otherwise. But still there is a very dull shadow but we are not able to see it. But as you go away from the tube the shadowy portion starts to become darker and darker. Because the rays which would cover the shadow becomes less.
The difference between a morning shadow and a afternoon shadow is the face different ways and the opposite ways to the suns position.A morning shadow is very light but afternoon shadow is deep.
The VT700C is the Honda Shadow and the VF700C is the Honda Magna. The biggest difference between them is the Shadow has 2 cylinders and the Magna has 4.
Shadow Pokemon have the door to their hearts closed.
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that an internship is more involved
a shadow is cast when something comes in the path of light. darkness means with little or no light.
umbra is the shadow and penumbra is the part the umbra is in
A shadow is light being blocked by an object, reflection is light "bouncing" back off an object's surface.
In a solar eclipse, the Moon is between the Sun and the Earth, casting a shadow on the Earth. In a lunar eclipse, the Earth is between the Sun and the Moon, casting a shadow on the Moon.
The fuel filter is under the car, mounted in front of the fuel tank on a Dodge Shadow.
The Magna will blow it off the road.Wouldnt even be a race.
A shadow is the absence of light, a reflection is just that, the reflection of light. So a shadow comes from blocking a light source, a reflection comes from the bouncing of light of one source and on to another