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What is piena student violin model antonius stradivarius made in Czechoslovakia really worth?
Wiki User
∙ 12y ago
I have a piena student model made in Czechoslovakia. I had it set up etc about 10 years ago and was told it was a very nice violin and probably worthnabout £800 to £1000 so probably a bit more than that now..
Wiki User
∙ 12y ago
Wiki User
∙ 7y agoAnywhere from nothing to a few thousand. Without seeing it in person that's the best you'll get. Take it to a violin shop for an evaluation.
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Who invented the violin not who was the first maker?
Nobody really invented the violin. It originated from ancient Middle Eastern instruments that evolved as it traveled to Europe. The first person to create today's style of violin was Antonius Stradivarius.
Violin and it says antonius stradivarius cremonensis faclebat anno 1713 is the violin real?
Virtually all of Antonio Stradivarius' instruments that were built during what's considered his 'Golden Age' are known - either their current whereabouts or whether or not they were stolen at some point in history from the owner of the instrument. All Stradivarius instruments have provenance (it can be historically traced to the maker and previous owners). There are several Stradivari instruments that are still missing after being stolen or lost, and it's always possible to find one - one such violin was found to be in use by an amateur violinist. There of course were no charges filed, and a settlement was reached. But the best way to know is to contact the Stradivari Society. Given the small number of known Stradivari instruments (about 700) and the small number of those still missing, the odds of finding one of those missing instruments are pretty long. Since many manufacturers over the years, as well as forgers, have made copies and called them Stradivarius, it's more likely to have a copy than an original.
Antonius Stradivarius Cremonensis Faciebat Anno 1736?
Have you found a violin with the label "Antonius Stradivarius Cremonensis"? Keep cool. It's almost certainly a fake. In the past some restorers have stuck labels (genuine or forged) inside instruments of various origins and there has been a proper business in labels, apart from the selling of violins. There have also been cases of old-time violin makers who would put the names of other contemporary makers on their own violins. Factories in the late 19th and early 20th centuries also labeled instruments as such by the thousands.Nowadays, no violin expert would judge the value of a violin by its label.Labels such as "Antonius Stradivarius Cremonensis Faciebat Anno 17", followed or not by circles with crosses, initials or other particular signs are made (in series) to be completed before being stuck on the instrument: actually "... Anno 17" shows only the first two numerals of any year of the 18th century. A complete label should read "... Anno 1715" or "... Anno 1707", or at least an year of the 18th century.There are also cases where you can't even seriously talk of fakes. A label like the following: "Antonius Stradivarius Cremonensis / Faciebat Anno 1721 / Made in Bohemia" is a joke rather a fake, considering that Stradivari never learned English. However, if you wish to learn more about the quality of the instrument you should take it to a violin maker, who will let you know if it is a good quality instrument. He may not be able to give you details of the period or school, but will be able to tell you if it was made by a good craftsman or on an assembly line. The addresses of violin makers, under the headings of States, can be found in the Reports of magazines for enthusiasts such as "Strad" or "String".If, after the first check, the violin maker recognizes a particular quality in the instrument, it may be worth while asking for a specialist's appraisal (Expertise) on the part of an expert and connoisseur (usually a restorer or well-known maker) who will issue a certificate of attribution and an estimate of the instrument's value. The cost of the expert's survey is, as a rule, quite modest if it concerns merely a verbal evaluation. There is, instead, a fixed price and a percentage of the instrument's value when a certificate evaluation is wanted.If you so wish, you can have a first opinion from the expert violin makers of the Cremona School of Violin Making (Scuola di Liuteria) sending photographs or colour slides taken in the most professional manner, with shots of the whole instrument and of its details. The evaluation may not be infallible (to value an instrument is not the same thing as valuing its photo), but it is possible to get a general indication. It's the best that can be done without having the instrument to hand.
What is a Antonius Stradivarius Cremonensis Faciebat Anno 1734 made in japan really worth?
A real one is worth in the millions. However, the chance of finding a previously unknown Strad is astronomical whereas coming across a modern copy, worth less than $2000, is extremely common, just check out Ebay. Except for a few stolen Strads only 500 or so originals remain and their locations are known.
What is the value of a used Bach Stradivarius trumpet?
This question really can't be answered without seeing the trumpet in person. A trumpet's value depends on its condition and playability. Your best bet would be to have it appraised. Depending on the age of the trumpet, it could be worth anywhere from $500-$1,500, but there is no way to tell without seeing it. Also, you would need to know what kind of Bach trumpet. If it's a Stradivarius, it will be worth more than a student model.
What is a Antonius Stradivarius Cremonensis Faciebat Anno 1713 made in czechslovakia really worth?
100,000
Who invented the violin not who was the first maker?
Nobody really invented the violin. It originated from ancient Middle Eastern instruments that evolved as it traveled to Europe. The first person to create today's style of violin was Antonius Stradivarius.
Violin and it says antonius stradivarius cremonensis faclebat anno 1713 is the violin real?
Virtually all of Antonio Stradivarius' instruments that were built during what's considered his 'Golden Age' are known - either their current whereabouts or whether or not they were stolen at some point in history from the owner of the instrument. All Stradivarius instruments have provenance (it can be historically traced to the maker and previous owners). There are several Stradivari instruments that are still missing after being stolen or lost, and it's always possible to find one - one such violin was found to be in use by an amateur violinist. There of course were no charges filed, and a settlement was reached. But the best way to know is to contact the Stradivari Society. Given the small number of known Stradivari instruments (about 700) and the small number of those still missing, the odds of finding one of those missing instruments are pretty long. Since many manufacturers over the years, as well as forgers, have made copies and called them Stradivarius, it's more likely to have a copy than an original.
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Antonius Stradivarius Cremonensis Faciebat Anno 1736?
Have you found a violin with the label "Antonius Stradivarius Cremonensis"? Keep cool. It's almost certainly a fake. In the past some restorers have stuck labels (genuine or forged) inside instruments of various origins and there has been a proper business in labels, apart from the selling of violins. There have also been cases of old-time violin makers who would put the names of other contemporary makers on their own violins. Factories in the late 19th and early 20th centuries also labeled instruments as such by the thousands.Nowadays, no violin expert would judge the value of a violin by its label.Labels such as "Antonius Stradivarius Cremonensis Faciebat Anno 17", followed or not by circles with crosses, initials or other particular signs are made (in series) to be completed before being stuck on the instrument: actually "... Anno 17" shows only the first two numerals of any year of the 18th century. A complete label should read "... Anno 1715" or "... Anno 1707", or at least an year of the 18th century.There are also cases where you can't even seriously talk of fakes. A label like the following: "Antonius Stradivarius Cremonensis / Faciebat Anno 1721 / Made in Bohemia" is a joke rather a fake, considering that Stradivari never learned English. However, if you wish to learn more about the quality of the instrument you should take it to a violin maker, who will let you know if it is a good quality instrument. He may not be able to give you details of the period or school, but will be able to tell you if it was made by a good craftsman or on an assembly line. The addresses of violin makers, under the headings of States, can be found in the Reports of magazines for enthusiasts such as "Strad" or "String".If, after the first check, the violin maker recognizes a particular quality in the instrument, it may be worth while asking for a specialist's appraisal (Expertise) on the part of an expert and connoisseur (usually a restorer or well-known maker) who will issue a certificate of attribution and an estimate of the instrument's value. The cost of the expert's survey is, as a rule, quite modest if it concerns merely a verbal evaluation. There is, instead, a fixed price and a percentage of the instrument's value when a certificate evaluation is wanted.If you so wish, you can have a first opinion from the expert violin makers of the Cremona School of Violin Making (Scuola di Liuteria) sending photographs or colour slides taken in the most professional manner, with shots of the whole instrument and of its details. The evaluation may not be infallible (to value an instrument is not the same thing as valuing its photo), but it is possible to get a general indication. It's the best that can be done without having the instrument to hand.
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What is a Antonius Stradivarius Cremonensis Faciebat Anno 1734 made in japan really worth?
A real one is worth in the millions. However, the chance of finding a previously unknown Strad is astronomical whereas coming across a modern copy, worth less than $2000, is extremely common, just check out Ebay. Except for a few stolen Strads only 500 or so originals remain and their locations are known.
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