The rise of top-40 radio in the mid-1950s (preceded by ground-breaking white disc jockeys like Alan Freed who played black music for white audiences) was a major gift for black performers. Thanks to top-40, black entertainers like Fats Domino, Little Richard, the Platters, and many others, could be heard even in places that were still segregated, and their songs became hits nation-wide rather than just in the black community. Radio did not end segregation, but it certainly helped. The popularity of top-40 meant large numbers of kids wanted to hear the best songs, and many of those kids did not care what color the performer was. There was some resistance to black performers in certain Southern cities, and some of the owners tried to ban rock and roll, calling it the "devil's music." But there was so much demand for the hits that it was difficult to prevent young people from listening to their favorite radio station, or buying the songs they liked best.
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don't worry about it
The DJ who introduced thousands of white people to African-American music refers to Alan Freed. He was a radio disc jockey from 1945 to 65.
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For the money.
Pantsula dance was originally danced to live street music. As radio became more prevalent, it was danced to American and pop-style world music. After the 1990s, the main music became kwaito, which is multilingual music combining English and African cultures.
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She is an African-American on-air radio personality, who until recently was working at Atlanta radio station V-103.
Nat King Cole
Nate king cole
Nate king cole
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