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Johann Sebastian Bach composed the piece Prelude and Fugue, for keyboard No. 6 in D minor (BWV 875), which was published as part of the Well-Tempered Clavier (Book 2) in 1740.
The chorus part of the song (where the lyrics go: I'm sorry...etc) is based on J.S bach's 'Prelude and Fugue in F minor '(Book 2, No 12 BWV881). It is actually the main subject of the Prelude.
1. Brandenburg concerto no. 2: allegro 2.Air on G 3. Toccada and Fugue in d minor
Fugue #2 in C Minor" from The Well Tempered Clavier
Prelude No. 12 in F minor from The Well-Tempered Clavier Book 2
J.S. Bach's "Fugue #2 in C Minor" from The Well Tempered Clavier, Book 1.
Piano: Prelude in G minor. A perfect "snapshot" of Rachmaninoff's style. The done-to-death "Prelude in C# Minor" is OK, but the G minor is much better, in my opinion. Orchestra with piano: The Concerto #2 in C minor - all three movements, and the "Rhapsody on a Theme of Paganini". Those are the best introductory works.
In music, a form of composition in which the basic principle is imitative counterpoint of several voices. Its main elements are: (1) a theme, or subject, stated first in one voice alone and then successively in all voices; (2) the continuation of a voice after the subject, forming an accompaniment to the subject statements in the other voices and sometimes assuming sufficiently distinct character as to be called a countersubject; and (3) passages that are built on a motive or motives derived from the subject or the countersubject but in which these themselves do not appear. Those sections in which the subject appears at least once in all voices are called expositions; those in which it does not appear at all are called episodes. Expositions other than the opening one often modulate. The formal structure of any fugue is an alternation of exposition and episode, and an infinite variety of formal scheme is possible.The term fugue designates a contrapuntal texture which may be in any formal design. Imitation as the systematic basis for musical texture was first applied during the generation of Josquin Desprez, Loyset Compère, and others, c.1500. During the 16th cent. the technique was further developed in the instrumental ricercare and canzone. In Germany in the 17th cent. composers such as Sweelinck, Froberger, and Buxtehude developed contrapuntal pieces based on one subject, which led to the fugal style exemplified in the Art of the Fugue, the Goldberg Variations, and the Well-tempered Clavier of J. S. Bach, the master of fugue. After him fugue was adapted by Haydn, Mozart, and Beethoven to the classical style. Brahms was the chief composer to make use of the fugue in the romantic period. A contemporary volume of preludes and fugues is Paul Hindemith's Ludus Tonalis (1943). http://www.answers.com/topic/fugue
One that is very familiar is "Toccata and Fugue in D minor" which is widely used at Halloween and for horror films. Other contenders are "Jesu, Joy Of Man's Desiring" and "Air on a G String."
Prelude in C major op.3 no.2
no you cannot anymore because portal prelude was terminated
Felicity - 1998 The Fugue 1-16 was released on: USA: 2 March 1999 Japan: 30 July 1999