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What was the result of artists studying and using techniques such as perspective?
KaChariYatesgp9725
Paintings no longer looked so flat or two dimensional. Perspective allowed for the illusion of space and three dimensions in a two dimensional form.
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Explain the artistic techniques of perspective and chiaroscuro?
Perspective is a method that makes a drawing or painting look three-dimensional. Artists had tried to use perspective before, but Renaissance artists perfected it. Using perspective, objects in a scene appear to be at different distances away from the viewer. The result is a more realistic image. To make their paintings more realistic, artists had also used a technique called chiaroscuro. Chiaroscuro softened edges by using light and shadows instead of stiff outlines to separate objects. In Italian, chiaro means "clear or light," and oscuro means "dark." Chiaroscuro created more drama and emotion in a painting.
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What happened to saul's spiritual perspective as a result of his encounter with Christ?
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most language researchers think the interactionist perspective offers the best explanation for language. what does this perspective say?
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What does renaissance mean in art terms?
The Renaissance patrons wanted art that showed joy in human beauty and life’s pleasures. Renaissance art is more lifelike than in the art of the Middle Ages. Renaissance artists studied perspective, or the differences in the way things look when they are close to something or far away. The artists painted in a way that showed these differences. As a result, their paintings seem to have depth.
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Why was the perspective ignored during the dark and middle ages?
Perspective was not ignored, exactly. It was different; it was just not linear perspective. There are a number of different types of perspective, and linear perspective is just one of them. One type of perspective, though not used much in Europe, makes understanding the difference easy; it is called aerial or atmospheric perspective. The Chinese used this often to separate the foreground, perhaps figures of travellers on a road walking by a tree, from the background, mountains in the distance. They are separated by a mist or haze which makes the distance apparent. The problem with linear perspective is that it required a mathematical type of discipline and training that medieval people were not prepared for. So it was lost for some centuries. Medieval artists used approximations of linear perspective, in which the treatment of perspective is unsystematic. The result was that object appeared warped, though there was a clear attempt to make them take on the appearance of distance or foreshortened. Medieval artists also sometimes used reverse perspective, a system in which objects appeared larger, rather than smaller, if they were more distant. Sometimes they used systems in which more important objects or people appeared larger than less important. The recovery of linear perspective required a systematic approach to the subject and a specific, disciplined study of it. This happened in the Late Middle Ages. There are links below.
