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Renaissance artists used value and perspective to make their paintings look more realistic and dynamic and life like
In the Renaissance, paintings began to improve in perspective and the technique of foreshortening (the illusion of depth) was created.
The Mannerist technique is used in its depiction of the Madonna by Parmigianino is distortion.
The use of perspective, or depth, in the paintings. Instead of paintings being all flat and without real proportion, they began making objects in the back of the painting much smaller and objects in the front larger.
To give objects in paintings a more realistic form by outlining them in "haze" instead of thick black lines
distortion
Sensuality
Some form of oil painting was used for the first time to create Buddhist paintings in India and China, but the technique didn't really become popular until after the 15th Century, even becoming the most popular painting technique during the later Middle Ages and the Renaissance.
Perspective allowed the artists to create images that looked real. Artists were able to construct an image that appeared to have depth, meaning that is it did like look flat on the canvas. The technique of making objects in the background smaller than the objects in the foreground generates a realistic, lifelike look within the painting. This led to the beginning and growth of realistic artwork during the Renaissance.
Mezzotint was the printmaking technique commonly used to translate oil paintings to printed form.
Renaissance art differ from earlier periods in terms of painting technique Renaissance artists used oil paints on dry walls.
Underpainting