Of course. You can have several subplots going at once.
Yes, a plot can have multiple sub-plots. Sub-plots are additional storylines that run alongside the main plot and often involve secondary characters or related themes. These sub-plots can add depth and complexity to the overall narrative.
No. A short story is too short to support several plot lines (typically).
Yes, but remember that the more complicated you make it, the more likely you are to confuse the reader and make them put the story down and find something easier to understand.
Of course. You can have several subplots going at once.
Yes, but remember it must not be too confusing or the readers will put it down and not read any more.
Yes
A subplot is a part of the narrative that is separate from the main plot of the story. It is a side story that usually related to the main plot but are not as important to the work.
The phrase 'the unravelling of a plot' is used to describe how a writer builds up a story. It is commonly used when describing how the structure of the writing or the vocabulary used reveal the plot of the writing (commonly a novel or a biography). The plot of some writing is the story behind it - an example of this is 'the Lord of the Rings', in which a fellowship of people go on a quest to destroy the 'One Ring'. That is the plot of the story. The plot can be unravelled using a series of subplots. In the Lord of the Rings, subplots include the heroes travelling through dangerous lands, fighting wars and falling in love.
The tragedies generally have one main plot, although there are diversions from it. Some of the comedies have two plots such as Much Ado About Nothing (the Beatrice/Benedick plot and the Claudio/Hero plot) and Merchant of Venice (the Bassanio/Portia plot and the Shylock/Antonio plot). A Midsummer Night's Dream has three plots. The plot structure of some of the history plays, particularly the Henry VI trilogy, is diffuse and difficult to unravel. The more popular history plays Richard III and Henry V have a more definable main plot. The plot of Pericles is rambling and episodic, but does not have strong subplots. On the other hand, the late play Cymbeline contains Shakespeare's most complex and tightly-written plot.
The author would use subplots and predicates to control emotional response.
There is no one single plot in the novel Sailor Song. Set sometime after the turn of the 21st century in a small Alaskan village, the entire novel is a series of small subplots that together make up the whole of the book.
The main plot is the revenge plot. Hamlet learns his father was killed by his uncle; he pretends to be crazy to get close to Claudius and does eventually kill him. There is a subplot about Ophelia. There is another subplot about his relationship with his mother. There is yet another about his relationship with Rosecrantz and Guildenstern.
SEFREVGE
Dude
You don't really want to add big plots to a story -- add subplots instead. Find a minor conflict about the characters or setting and set it up just like the main plot, only in the background. For example, while they are trying to solve the main plot, the characters can have to settle an argument, or one character can overcome a fear, or anything else you want to put into your story.
Plot isn't necessarily more important than characters. If you don't have good characters, the plot is going to fall flat and the story will be dull or confusing. Plot and character are the two halves of a story.
Parallel plot means that the author has two plot lines going at the same time. For example, in one of my stories, one plot has the characters working on a mystery for the government. A second plot that happens at the same time, parallel to the first, has them working at their security firm. Using parallel plots makes the story more interesting because there is more action.
Yes