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There were several processes all of which antedated Eastman Kodak which went commercial with paper-bac ked roll film in the late l880"s. Daguerrotype used metallic plates- (hence photographic plate) and some could be developed fairly rapidly- say five minutes after the shot using trick backs and in-camera development. exactly how this worked was a tightly-held trade secret- in this sense it was a forerunner of polaroid. I can remember an itinerant Daguerrotype artist making the rounds in Bronx Park as late as the very early sixties- and he had a stuffed horse as a prop for juvenile work. It was interesting to watch the process. immediately after the shot the operator took out the plate ( about , maybe exactly 4X5 horizontal) and dropped it into a chamber in the back of the camera- there was a timer and a buzzer and the process involved heat ( hot off the press) this would have used batteres to run a heating coil. It was an interesting throw-back to the classic era and survived as late as the sixties in Bronx Park. Ambrotype was a similar process but used plate glass negatives- forerunner of slides.

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