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What are two ways Shakespeare's work showed Renaissance influence?
Wiki User
∙ 6y ago
Masterful command of English language and a deep understanding of human beings.
Elenor Tillman
Wiki User
∙ 11y agoOne of the most important ways in which Shakespeare shows that he is a Renaissance figure is in seldom mentioning god in his work, and never suggesting that god takes an active role in human destiny.
Medieval literature took its Christianity very seriously, but god neither favours nor victimises Shylock in a play like The Merchant of Venice (a play which offers many opportunities for delivering a Christian message).
Shakespeare's great contemporary Christopher Marlowe was generally supposed to be an atheist, and the Renaissance in general was a time of deep religious doubt.
Shakespeare says nothing against the Christian god, but says nothing in favour of him either. This would hardly have been possible before the Renaissance, and was still fairly radical even in Shakespeare's era.
Wiki User
∙ 10y agoShakespeare's plays show his familiarity with classical (primarily Roman) sources, albeit the amount of familiarity a grammar school graduate might have. Likewise it is clear that he expected all of the members of his audience to have a similar familiarity. The plots of Julius Caesar, Antony and Cleopatra and Coriolanus are drawn from Plutarch. Titus Andronicus refers explicitly to Ovid. The semi-mythical Athenian king Theseus appears in both A Midsummer Night's Dream and The Two Noble Kinsmen. The Roman gods Hymen and Jupiter actually appear onstage in As You Like It and Cymbeline respectively. The mechanicals' play in Midsummer Night's Dream has a plot drawn from Ovid, and the masques in Love's Labour's Lost and The Tempest portray characters from Roman mythology.
Wiki User
∙ 9y agoShakespeare helps encourage the time of finding oneself and helped to encourage the logic aspect of thinking. He helped to educated the masses on ancient tragedies, and events.Ê
Wiki User
∙ 13y agoWe know this as Shakespeare wrote about the lives of everyday people, rather then religious subjects or religious figures.
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