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∙ 11y agoThe frequency of a tone that is one octave lower than 6080 Hz is 3040 Hz. This is because each time you go down one octave, the frequency is halved.
The frequency of a note one octave higher than 200Hz is 400Hz. In music, an octave represents a doubling of the frequency.
One octave higher than 300 Hz would be 600 Hz. In music, an octave represents a doubling of frequency, so going up one octave means multiplying the initial frequency by 2.
A5 has a higher frequency than A4. Each octave increase doubles the frequency, so A5 is one octave higher than A4.
Blue light has a lower frequency than violet light. Violet light has the highest frequency in the visible spectrum, while blue light has a slightly lower frequency than violet light but higher than green light.
Radio waves have a lower frequency than microwaves in the electromagnetic spectrum. They have the lowest frequency and longest wavelengths of all the electromagnetic waves.
The frequency of a note one octave higher than 200Hz is 400Hz. In music, an octave represents a doubling of the frequency.
One octave higher than 300 Hz would be 600 Hz. In music, an octave represents a doubling of frequency, so going up one octave means multiplying the initial frequency by 2.
No, not a full octave, but it does have a lower range than a tenor trombone.
A5 has a higher frequency than A4. Each octave increase doubles the frequency, so A5 is one octave higher than A4.
That is correct. 262 Hz is the frequency of the note "middle C" on a piano keyboard, while 880 Hz is the frequency of the note A one octave above the note A above middle C on a piano keyboard.
Not sure what you're question's asking, but transposing music is taking an existing piece of music in one key and putting it into another key note for note. So it would be the same melody in a different key. The effect of sounding a melody an octave lower would be to make it "deeper" sounding. Going from the sound of a woman's voice to a man's voice would be the most obvious example. On a keyboard, moving to the left 7 white notes would make the sound an octave lower. The sound of a 'cello is approximately and octave lower than a viola. The sound of a double bass is approximately an octave lower than a 'cello. The sound of a tuba is approximately an octave lower than a tenor trombone. The sound of a flute is approimately an octave lower than a piccolo. Lower sounds tend to be less brilliant to our ear and more mellow than higher sounds generally.
F sharp and G flat are the same. F sharp is a half octave up from a F and a G flat is a half octave lower than a G.
The alto boys and girls are an octave lower than soprano.
Blue light has a lower frequency than violet light. Violet light has the highest frequency in the visible spectrum, while blue light has a slightly lower frequency than violet light but higher than green light.
The pitch of the sax is determined by the frequency of the wave that is produced in a column of air inside the instrument. The vibrating reed sets up the wave, but the frequency will vary as the length of the wave changes. Stated simply, the wave will extend from the mouthpiece to the first open key on the instrument. The longer the wave, the lower (slower) the frequency and the lower the pitch. Add to this the octave key. An open octave key interrupts the wave, preventing it from being the full length of the column of air. Instead the wave will be half the length and two full wave lengths will fit between the mouthpiece and the first open key. Since the wave is only half as long, it will be twice as fast (and sound an octave higher) than the note without the open octave key.
Tuba, it is the longest so it creates the lowest tones. In order it would be tuba, baritone and trombone. Baritone and trombone are basically the same but baritone sounds a bit better at the lowest part of its range.
A typical alto saxophone can reach a B-flat one octave lower than its natural octave and a high F-natural (sometimes F-sharp) one octave higher than its natural octave. So some notes that can be played are A-flat, B-natural, and G-sharp, which are all in the alto saxophone's natural octave.