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What kind of scientific discoveries or invention did Leonardo da vinci develop?
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∙ 8y ago
He dissected corpse to learn anatomy and studied fossils to understand the worlds history.
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Kathleen Cruickshank
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What problem was Leonardo Di Vinci trying to solve?
Leonardo Di Vinci had a very inquisitive mind and liked to experiment with things. He was very intrigued with the idea of being able to fly and tried to develop some flying machines that would allow him to do that.
Where did Leonardo da vinci get his edication?
He wasn't formally educated. He was illegimate son of a well off man and at 16 he is sent to an artist workshop as an apprentice . It is in this position that he learns he can push beyond his status in society and he begins to develop the skills, code, and ability that will change his life.
Who were some of Leonardo da Vinci's friends?
Leonardo da vinci had no real friends-he was a solitary man.
What is the bibliography of Leonardo da Vinci?
Life In 1478 Leonardo became an independent master. His first commission, to paint an altarpiece for the chapel of the Palazzo Vecchio, the Florentine town hall, was never executed. His first large painting, The Adoration of the Magi (begun 1481, Uffizi), left unfinished, was ordered in 1481 for the Monastery of San Donato a Scopeto, Florence. Other works ascribed to his youth are the so-called Benois Madonna (c. 1478, Hermitage, Saint Petersburg), the portrait Ginerva de' Benci (c. 1474, National Gallery, Washington, D.C.), and the unfinished Saint Jerome (c. 1481, Pinacoteca, Vatican). Evidence indicates that Leonardo had apprentices and pupils in Milan, for whom he probably wrote the various texts later compiled as Treatise on Painting (1651; trans. 1956). The most important of his own paintings during the early Milan period was The Virgin of the Rocks, two versions of which exist (1483-85, Louvre, Paris; 1490s to 1506-08, National Gallery, London); he worked on the compositions for a long time, as was his custom, seemingly unwilling to finish what he had begun. From 1495 to 1497 Leonardo labored on his masterpiece, The Last Supper, a mural in the refectory of the Monastery of Santa Maria delle Grazie, Milan. Unfortunately, his experimental use of oil on dry plaster (on what was the thin outer wall of a space designed for serving food) was technically unsound, and by 1500 its deterioration had begun. Since 1726 attempts have been made, unsuccessfully, to restore it; a concerted restoration and conservation program, making use of the latest technology, was begun in 1977 and is reversing some of the damage. Although much of the original surface is gone, the majesty of the composition and the penetrating characterization of the figures give a fleeting vision of its vanished splendor. During his long stay in Milan, Leonardo also produced other paintings and drawings (most of which have been lost), theater designs, architectural drawings, and models for the dome of Milan Cathedral. His largest commission was for a colossal bronze monument to Francesco Sforza, father of Ludovico, in the courtyard of Castello Sforzesco. In December 1499, however, the Sforza family was driven from Milan by French forces; Leonardo left the statue unfinished (it was destroyed by French archers, who used it as a target) and he returned to Florence in 1500. In 1506 Leonardo went again to Milan, at the summons of its French governor, Charles d'Amboise. The following year he was named court painter to King Louis XII of France, who was then residing in Milan. For the next six years Leonardo divided his time between Milan and Florence, where he often visited his half brothers and half sisters and looked after his inheritance. In Milan he continued his engineering projects and worked on an equestrian figure for a monument to Gian Giacomo Trivulzio, commander of the French forces in the city; although the project was not completed, drawings and studies have been preserved. From 1514 to 1516 Leonardo lived in Rome under the patronage of Pope Leo X: he was housed in the Palazzo Belvedere in the Vatican and seems to have been occupied principally with scientific experimentation. In 1516 he traveled to France to enter the service of King Francis I. He spent his last years at the Château de Cloux (later called Clos-Lucé), near the King's summer palace at Amboise on the Loire, where he died on May 2, 1519. Although Leonardo produced a relatively small number of paintings, many of which remained unfinished, he was nevertheless an extraordinarily innovative and influential artist. During his early years, his style closely paralleled that of Verrocchio, but he gradually moved away from his teacher's stiff, tight, and somewhat rigid treatment of figures to develop a more evocative and atmospheric handling of composition. The early The Adoration of the Magi introduced a new approach to composition, in which the main figures are grouped in the foreground, while the background consists of distant views of imaginary ruins and battle scenes. The Mona Lisa, Leonardo's most famous work, is as well known for its mastery of technical innovations as for the mysteriousness of its legendary smiling subject. This work is a consummate example of two techniques-sfumato and chiaroscuro-of which Leonardo was one of the first great masters. Sfumato is characterized by subtle, almost infinitesimal transitions between color areas, creating a delicately atmospheric haze or smoky effect; it is especially evident in the delicate gauzy robes worn by the sitter and in her enigmatic smile. Chiaroscuro is the technique of modeling and defining forms through contrasts of light and shadow; the sensitive hands of the sitter are portrayed with a luminous modulation of light and shade, while color contrast is used only sparingly. Leonardo's many extant drawings, which reveal his brilliant draftsmanship and his mastery of the anatomy of humans, animals, and plant life, may be found in the principal European collections; the largest group is at Windsor Castle in England. Probably his most famous drawing is the magnificent Self-Portrait (c. 1510-13, Biblioteca Reale, Turin). As a scientist Leonardo towered above all his contemporaries. His scientific theories, like his artistic innovations, were based on careful observation and precise documentation. He understood, better than anyone of his century or the next, the importance of precise scientific observation. Unfortunately, just as he frequently failed to bring to conclusion artistic projects, he never completed his planned treatises on a variety of scientific subjects. His theories are contained in numerous notebooks, most of which were written in mirror script. Because they were not easily decipherable, Leonardo's findings were not disseminated in his own lifetime; had they been published, they would have revolutionized the science of the 16th century. Leonardo actually anticipated many discoveries of modern times. In anatomy he studied the circulation of the blood and the action of the eye. He made discoveries in meteorology and geology, learned the effect of the moon on the tides, foreshadowed modern conceptions of continent formation, and surmised the nature of fossil shells. He was among the originators of the science of hydraulics and probably devised the hydrometer; his scheme for the canalization of rivers still has practical value. He invented a large number of ingenious machines, many potentially useful, among them an underwater diving suit. His flying devices, although not practicable, embodied sound principles of aerodynamics
Can you develop a negative without using an enlarger?
Yes. They're called contact prints and are the same size as the negative. ******* OK, so at the risk of being a nit-picker, you don't develop negatives. You print them. You develop film, You expose paper, You develop prints.
How did technology lead to religious controversy during the scientific revolution?
The invention of the telescope led scientists to develop the heliocentric theory.
How did the new technology lead to religious controversy during the scientific revolution?
The invention of the telescope led scientists to develop the heliocentric theory.
How do scientific theories develop and change?
How do scientific theories develop and change?
What procedure do scientist use to make new discoverues?
To make new discoveries, scientists use the Scientific Method: identify a problem, make a hypothesis, develop and execute an experiment, make observations, analyze the results.
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.... to improve our philospy
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fighting and killing
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Whenever you want to develop it! :P ;P
What invention did Egyptians develop which made keeping records in hieroglyphics easier?
What material did Egyptians develop which made keeping records easier.
