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Q: What word pair from the poem Alone in the Nets creates the most tradition type of rhyme?
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Example of an occupational dance in the Philippines?

Buti Buti (Jolo, Sulu) The Badjao, known as sea gypsies, are born, raised, and die on boats called lipa or buti. The Badjao have a remarkable affinity with their "home boat" that a dance was created in its honor. Deviating from the traditional pangalay, the buti-buti is an occupational dance that mimics the daily activities of men rowing, diving, casting and pulling nets, harvesting and bringing home the catch while women use rattan baskets to gather shellfish. The accompanying song or Leleng, describes the buti-buti's gentle sway, similar to the graceful walk of the badjao lady.


What has the author Samuel Earnshaw written?

Pat Earnshaw has written: 'Outlines and stitches' 'Bobbin & needle laces' -- subject(s): Bobbin lace, Conservation and restoration, Lace and lace making, Needlepoint lace 'The identification of lace' -- subject(s): Lace and lace making 'How to Recognize Machine Laces' 'Needlelace' -- subject(s): Needlepoint lace 'The identification of lace' -- subject(s): Lace and lace making 'Embroidered Machine Nets' 'Threads of lace' -- subject(s): Lace and lace making, Textile fibers, Thread 'The Golden Hinde' 'Limerick Run Laces'


What has the author George Gibson written?

Wilfrid Wilson Gibson has written: 'The Stonefolds ...' 'Collected poems 1905-1925' 'Daily bread' 'I heard a sailor' 'The nets of love' 'The web of life' 'Between fairs' 'Hazards' 'Poems'


Sylvia plath's poem purdah plus analysis?

Jade --Stone of the side,The antagonizedSide of green Adam, ISmile, cross-legged,Enigmatical,Shifting my clarities.So valuable!How the sun polishes this shoulder!And shouldThe moon, myIndefatigable cousinRise, with her cancerous pallors,Dragging trees --Little bushy polyps,Little nets,My visibilities hide.I gleam like a mirror.At this facet the bridegroom arrivesLord of the mirrors!It is himself he guidesIn among these silkScreens, these rustling appurtenances.I breathe, and the mouthVeil stirs its curtainMy eyeVeil isA concatenation of rainbows.I am his.Even in hisAbsence, IRevolve in mySheath of impossibles,Priceless and quietAmong these parrakeets, macaws!O chatterersAttendants of the eyelash!I shall unlooseOne feather, like the peacock.Attendants of the lip!I shall unlooseOne noteShatteringThe chandelierOf air that all day fliesIts crystalsA million ignorants.Attendants!Attendants!And at his next stepI shall unlooseI shall unloose --From the small jeweledDoll he guards like a heart --The lioness,The shriek in the bath,The cloak of holes.Sylvia PlathThe first part of the poem, Plath speaks about the clarities women possess over men. Men are a thorn in the sides of women. Jade symbolizes, in many cultures, love. Men are vain and love is nothing more than an excuse for them to feel important and needed. Plath believes that many women wait for their men to change, to come to their senses in marriage, to woo them but alas nothing comes of it and because they are left empty-handed in the end they also are left with broken hearts. In the end, the woman in the poem decides to voice her troubles, her woes to her husband and no longer remain silenced.This poem is considered by many to be a feminist piece of poetry.


What is The great scarf of birds poem?

The Great Scarf of Birds Ripe apples were caught like red fish in the nets of their branches. The maples were colored like apples, part orange and red, part green. The elms, already transparent trees, seemed swaying vases full of sky. The sky was dramatic with great straggling V's of geese streaming south, mare's-tails above them; their trumpeting made us look up from golf. The course sloped into salt marshes and this seemed to cause the abundance of birds. As if out of the Bible or science fiction, a cloud appeared, a cloud of dots like iron filings which a magnet underneath the paper undulates. It dartingly darkened in spots, paled, pulsed, compressed, distended, yet held an identity firm: a flock of starlings, as much one thing as a rock. One will moved above the trees the liquid and hesitant drift. Come nearer, it became less marvellous, more legible, and merely huge. "I never saw so many birds!" my friend exclaimed; we returned our eyes to the game. Later, as Lot's wife must have done, in a pause of walking, not thinking of calling down a consequence, I shifted my bag and looked back. ... The rise of the fairway behind us was tinted, so evenly tinted I might not have noticed but that at the rim of the delicate shadow the starlings were thicker and outlined the flock as an inkstain in drying pronounces its edges. The gradual rise of green was vastly covered; I had thought nothing in nature could be so broad but grass. And as I watched, one bird, prompted by accident or will to lead, ceased resting; and, lifting in a casual billow, the flock ascended as a lady's scarf, transparent, of gray, might be twitched by one corner, drawn upward, and then, decided against, negligently tossed toward a chair: dissolving all anxiety, the southward cloud withdrew into the air. -John Updike