Illuminated manuscripts often used materials like gold leaf, silver leaf, and vibrant pigments made from minerals and plants to make the pages appear to glow. These materials were applied meticulously by skilled scribes and illuminators to create intricate designs and embellishments that captured light and gave the pages a radiant quality.
the awnser is bright pigments and paints
Illuminated manuscripts are special as opposed to ordinary manuscripts because they are adorned with silver and gold trim which reflects the light and illuminates the pages. The material is not necessary actually silver and gold, however.
Illuminated manuscripts typically used materials such as vellum or parchment for the pages, along with ink and pigments for the writing and illustrations. Gold leaf was also commonly used to add decorative elements and illuminate the text. Additionally, precious materials like lapis lazuli were sometimes used for vibrant colors.
If you are asking about the paints used in illuminated manuscripts - no, oil-based paints were never used. Oil would have soaked through each of the pages, which were made of treated animal skins, and ruined not only one page but the pages on each side. All inks and paints used in books and documents were water-based.
The monks of the midevil ages used ink to add color and decoration to pages of the manuscrpts
"Flora and Ulysses" by Kate DiCamillo has 232 pages.
They have been bleached
This is called Facing pages in Microsoft Word.
Page 34
The answer is at the discretion of the publisher. In a book, the header generally appears on every page, but is occasionally omitted from the first page of each chapter. In a short paper, the header may appear on only the first page, or on every page.
"No, there does not appear to be a Michael Berman listed in the Neuberger white pages. The closest match in the Neuberger white pages is a Michael Bermie."
253