The Two Gentlemen of Verona has two characters of these names.
There is a major character named Valentine in The Two Gentlemen of Verona and a minor one in Twelfth Night.
Valentine and Proteus are the two gentlemen in The Two Gentlemen of Verona.
The two gentlemen of Verona.
The Two Gentlemen of Verona, Valentine and Proteus, are fictional characters and could only be met by other fictional characters from the same play. And there is no "Author" in the list of characters. Therefore in the play no author meets Valentine and Proteus.
The Winter's Tale
The Taming of the Shrew
In Act 4 Scene 1, the loony Ophelia sings a song about St. Valentine's Day.
The two gentlemen of Verona.
Valentine is one of the two gentlemen. The other gentlemen is Proteus.
The Two Gentlemen of Verona, Valentine and Proteus, are fictional characters and could only be met by other fictional characters from the same play. And there is no "Author" in the list of characters. Therefore in the play no author meets Valentine and Proteus.
Hamlet
The Two Gentlemen of the title are Proteus and Valentine, and the women they are interested in are called Julia and Sylvia.
The Winter's Tale
NO speeck marks
The Taming of the Shrew
In Act 4 Scene 1, the loony Ophelia sings a song about St. Valentine's Day.
Two Gentlemen of Verona is an early Shakespeare play which contains the seeds of many scenes and devices used in later comedies. It is not often played because of its last scene which is difficult to interpret in a way which makes the people on stage look like real people. Two pals called Valentine and Proteus come from Verona. Proteus is in love with Julia; Julia loves him back but is having some trouble admitting it. Valentine goes off to Milan for work experience and there he falls in love with the Duke's daughter Sylvia, who loves him back. Her father prefers a dolt called Thurio. Meanwhile back in Verona, Julia has at last confessed her love for Proteus but at that moment his father sends him off to Milan to join Valentine. Julia follows, disguised, of course, as a boy. However, as soon as he gets to Milan, Proteus falls for Sylvia and turns into a real heel. He exposes Valentine and Sylvia's plans to elope into the nearby forest, and Valentine is banished to the forest where he becomes the leader of a group of outlaws. Proteus, claiming to be working on Thurio's behalf, then begins wooing Sylvia in earnest. Sylvia is scornful. Proteus even tries sending his new pageboy (Julia in disguise) to woo Sylvia; Julia does it with a heavy heart but is relieved to find that Sylvia insists that Proteus should return to his true love Julia. Sylvia eventually has had enough of this and escapes into the forest pursued by Proteus (accompanied by Julia), the Duke and Thurio. Proteus catches Sylvia and would have ravished her except that Valentine jumps out of the bushes and stops him. He then, in an almost unplayable scene, accepts Proteus's apology and approves of Proteus marrying Sylvia (wtf?). Julia's identity is revealed, Proteus's affection for her is revived and she somehow forgives him, Thurio proves himself to be an idiot and the Duke is so impressed with Valentine that he approves his marriage to Sylvia. So everything ends up happy.
Probably. Even if Shakespeare wrote the play before getting involved with Burbage's acting company, the King's Men must have acquired it at some time, probably at or before the time of their formation in 1594. Because Francis Meres mentions it in Palladis Tamia it was well-known, remembered and associated with Shakespeare in 1598. This suggests that it was revived at some time by the Lord Chamberlain's Men. The question then becomes: Did Burbage play Proteus or Valentine?
Marcus Antonius in Shakespeare's Julius Caesar's play.