Shylocks relationship with Jessica was very distant, when shylocks wife died they were both distraught but Jessica was not as upset as shylock, she had found the love of her life. Shylock was very angry at this though because this man she had fallen in love with was a Christian, which was the religion which hated the Jews and the Jews hated them back. so it was not good for Shylock and he had no chance of changing her mind as she ran off with him and was going to become a Christian herself!
I am just studying the merchant of Venice at school so I am not a professional.
He could be played that way. You must understand that in cultures where homosexuality is severely repressed, men often form strong affectionate bonds for each other which stop short of a sexual relationship, because they can display affection without it being assumed that their affection has a sexual subtext. This was the case in Shakespeare's day: you can see it in operation in the ending of The Two Gentlemen of Verona which to modern eyes seems implausible. In Merchant, Antonio does seem to be extremely affectionate towards Bassanio. His melancholy when the play starts ("In sooth I know not why I am so sad") could be connected with his sexual attraction for Bassanio, who does not reciprocate. He also presses Bassanio to give away his wedding ring, which of course was calculated to make his wife angry, and which might have caused a rift between them, sending Bassanio back to the company of Antonio. Of course when he finds that his life has been saved by Portia, he has to accept it with good grace. It's a plausible scenario. But Antonio plays just as plausibly as an extremely affectionate friend without any sexual overtones at all.
Bassanio wants to court the wealthy Portia but needs money. He gets his friend Antonio to borrow the money for him from the Jewish moneylender Shylock. Shylock hates Antonio because he is an Anti-Semite and adds a clause in the contract that says that if Antonio doesn't pay on time, Shylock can take a pound of flesh from anywhere on Antonio's body. Antonio agrees to this, thinking it is a joke. Bassanio goes to Portia's house and passes the test Portia's father has set for all suitors, and marries her. But then news comes that Antonio has had a business crisis and cannot pay Shylock. Shylock takes Antonio to court. Portia disguises herself as a lawyer and advises the Duke, who is the judge, that Shylock has a good case, just to see if he will go through with it and kill Antonio. When it is apparent that Shylock really means it, Portia raises the point that the contract does not allow Shylock to shed blood, and through a number of other pieces of legal trickery, deprives Shylock of all his money and forces him to change religion. For this service, she demands that Bassanio give her for her fee his wedding ring, which he does, only to get a talking-to from his wife when he gets home.
Distinguish between a public law relationship and a private law relationship.
What is the relationship between ethics and WHAT? You need at least two things to have a relationship.
a relationship between brothers should be sacred and good....
In "The Merchant of Venice," the relationships are complex and multifaceted. Antonio, the merchant, is close friends with Bassanio, who seeks financial help from him to court Portia. Shylock, the Jewish moneylender, has a contentious relationship with Antonio due to past grievances and prejudice. Portia, meanwhile, is Bassanio's love interest, and her cleverness and resourcefulness play a crucial role in the resolution of the play's central conflict.
The conflict is between Antonio and Shylock but Shylock is hated by everyone in Venice because he was a Jew, so that's Bassanio, Portia and all the other people in the play
He could be played that way. You must understand that in cultures where homosexuality is severely repressed, men often form strong affectionate bonds for each other which stop short of a sexual relationship, because they can display affection without it being assumed that their affection has a sexual subtext. This was the case in Shakespeare's day: you can see it in operation in the ending of The Two Gentlemen of Verona which to modern eyes seems implausible. In Merchant, Antonio does seem to be extremely affectionate towards Bassanio. His melancholy when the play starts ("In sooth I know not why I am so sad") could be connected with his sexual attraction for Bassanio, who does not reciprocate. He also presses Bassanio to give away his wedding ring, which of course was calculated to make his wife angry, and which might have caused a rift between them, sending Bassanio back to the company of Antonio. Of course when he finds that his life has been saved by Portia, he has to accept it with good grace. It's a plausible scenario. But Antonio plays just as plausibly as an extremely affectionate friend without any sexual overtones at all.
The only quarrel they had was because Bassanio used his wedding ring to pay the legal bill for the defence of Antonio from Shylock's suit. Since it was Portia, supported by Antonio, who had insisted that he give the ring in the first place, she wasn't really that mad at him. He apologises for giving away the ring ("Pardon this fault, and by my soul I swear I never will break an oath with thee."), and she accepts it. No other person was necessary to settle their quarrel.
The link between the two stories arises as a result of the relationship that Bassanio has with characters in the two plot streams. The association is created when Bassanio, who is out of pocket, approaches his friend and confidante, Antonio, a wealthy Christian merchant, for financial assistance so that he may woo the beautiful Portia, a wealthy heiress from Belmont. Bassanio wishes to stand an equal chance against a number of other suitors, who come from privileged backgrounds and the money will give him such an opportunity. Antonio does not have the ready cash that Bassanio needs but asks him to seek a loan in Venice by using his name as guarantee. He is a person of good standing and assures Bassanio that he will also seek a loan. Bassanio soon encounters Shylock, the Jewish moneylender, who is prepared to extend him a loan of 3 000 ducats should Antonio sign as surety to the bond. Antonio agrees to Shylock's harsh terms which state that the loan should be settled in three months without any interest charged. If he should forfeit, Antonio has to allow Shylock to cut out a pound of his flesh. Bassanio asks his friend not to agree to these terms but Antonio, confident that he will be able to settle the debt comfortably, signs the agreement. Bassanio takes the money and goes off to try his luck in winning Portia's hand in a lottery, in which a suitor should choose the right casket from three, that her deceased father had concocted. It is through these actions that an association between the two stories is created. It is important to note that Antonio and Shylock despise each other. Antonio believes that Shylock is committing a grave sin by lending out money and profiting from the interest he charges. Shylock hates Antonio for having severely criticized him openly and humiliating him by spitting on his gaberdine, kicking him and calling him a dog. He seeks revenge against the Christian. Bassanio is successful in choosing the right casket and wins Portia's hand. He does, however, receive an unsettling message from Antonio in which he states that he has been imprisoned for forfeiting on the bond. He had suffered a number of mishaps with his ships and could not settle the debt. The vengeful Shylock has been insistent that he should have his pound of flesh. Bassanio is utterly distraught. Portia notices his distress and after discovering the reason for this, offers to help. She urges Bassanio to rush to his friend's aid immediately after their marriage and offers to repay the debt many times over. She formulates a plan to further assist the traumatized Antonio by going to Venice disguised as a doctor of law with Nerissa as her assistant. It is in this manner that the two plots achieve a confluence.
In "The Merchant of Venice," several metaphors enhance its themes, such as the ocean and the pound of flesh. The ocean represents the vastness of love and friendship, particularly in the bond between Antonio and Bassanio. The pound of flesh symbolizes the harshness of revenge and the consequences of strict legalism. Additionally, the caskets serve as a metaphor for the nature of true worth, illustrating that inner value often lies beneath the surface.
Bassanio wants to court the wealthy Portia but needs money. He gets his friend Antonio to borrow the money for him from the Jewish moneylender Shylock. Shylock hates Antonio because he is an Anti-Semite and adds a clause in the contract that says that if Antonio doesn't pay on time, Shylock can take a pound of flesh from anywhere on Antonio's body. Antonio agrees to this, thinking it is a joke. Bassanio goes to Portia's house and passes the test Portia's father has set for all suitors, and marries her. But then news comes that Antonio has had a business crisis and cannot pay Shylock. Shylock takes Antonio to court. Portia disguises herself as a lawyer and advises the Duke, who is the judge, that Shylock has a good case, just to see if he will go through with it and kill Antonio. When it is apparent that Shylock really means it, Portia raises the point that the contract does not allow Shylock to shed blood, and through a number of other pieces of legal trickery, deprives Shylock of all his money and forces him to change religion. For this service, she demands that Bassanio give her for her fee his wedding ring, which he does, only to get a talking-to from his wife when he gets home.
well what is the relationship between god and you? once you know the answer to that you will know to answer to the relationship between salieri and god!!!
ceebs
The conflict is between Antonio and Shylock but Shylock is hated by everyone in Venice because he was a Jew, so that's Bassanio, Portia and all the other people in the play
Originally, Bassanio was conceived of as the hero, because he was the romantic lead. However, the character of Shylock is much more interesting and the heavy-duty actors started within a couple of centuries to want to play Shylock rather than Bassanio. Over time this has resulted in productions of the play focussing more on the Shylock subplot than the romantic main plot between Bassanio and Portia. Nowadays most people would consider Shylock to be a tragic hero and the most significant character in the play as a result.
this will threaten the security of all foreign merchants in venice. (source: merchant of india :)