G, d, a, e, b, f#, c#
The major keys with sharps in order are:
G Major, DM, AM, EM, BM, F#M, C#M.
Yes, the sharp keys lie more naturally than the flat keys on a violin. This is because the tuning of the four strings corresponds to the tonic notes of the sharp major keys G (1 sharp), D (2 sharps), A (3 sharps), and E (4 sharps). The minor keys are mixed, as follows: G (2 flats), D (1 flat), A (no sharps/flats), and E (1 sharp). Overall, therefore, the open strings are more comfortable in sharp keys than in flat keys.
A♯, B♯, Cx (double sharp), D♯, E♯, Fx (G), Gx (A) and back to A♯.It is much simpler to use B♭ Major, which goes:B♭, C, D, E♭, F, G, A and B♭.
Because you can't have G and Gb in the same scale. The note names come from the progression A, B, C, D, E, F, G and you have to have one (and only one) member of each of those note name groups to properly name the notes of a Major scale. That way we can make sense of all the enharmonic equivalents you come by in the 15 different key signatures (C Major, plus 7 sharp keys and 7 flat keys).
No scale has an F♯ and a D♯ alone, however the keys of E, B, F♯, C♯ major and likewise their relative minors have both the notes F♯ and D♯ as degrees in their scale.
On a traditional piano with 88 notes, there is 36 black or "sharp" keys, and 52 white
No key signatures contain only those three sharps. With the A-sharp, it could be the keys of B major, F-sharp major, or C-sharp major (or any of their relative minor keys).
There are a total of fifteen keys in Western music. Keys come with two forms, sharp keys and flat keys and one comes with all naturals. The complete list of major keys are shown below: C major (or A minor) - no sharps/flats G major (E minor) - 1 sharp D major (B minor) - 2 sharps A major (F-sharp minor) - 3 sharps E major (C-sharp minor) - 4 sharps B major (G-sharp minor) - 5 sharps F-sharp major (D-sharp minor) - 6 sharps C-sharp major (A-sharp minor) - 7 sharps F major (D minor) - 1 flat B-flat major (G minor) - 2 flats E-flat major (C minor) - 3 flats A-flat major (F minor) - 4 flats D-flat major (B-flat minor) - 5 flats G-flat major (E-flat minor) - 6 flats C-flat major (A-flat minor) -7 flats There you go, those are all the different keys you can write in!
G major or e minor
C major (no sharps or flats)Sharp Keys:G Major/E minor (1 sharp)D Major/B minor (2 sharps)A Major/F-sharp minor (3 sharps)E Major/C-sharp minor (4 sharps)B Major/G-sharp minor (5 sharps)F-sharp Major/D-sharp minor (6 sharps)C-sharp Major/A-sharp minor (7 sharps)Flat Keys:F Major/D minor (1 flat)B-flat Major/G minor (2 flats)E-flat Major/C minor (3 flats)A-flat Major/F minor (4 flats)D-flat Major/B-flat minor (5 flats)G-flat Major/E-flat minor (6 flats)C-flat Major/A-flat minor (7 flats)These are all the possible keys you can write in, enharmonic keys are italicised.
There are actually 15 major scales: C Major (the neutral key) and 7 sharp keys and 7 flat keys. The key with the most sharps is C# Major, where every note has a sharp. Likewise, the flattest key is Cb Major, where every note has a flat. People say there are 12 keys because three of these sound the same as three other keys (in 12 tone equal temperament, that is). Anyway, the progression of keys from the flattest to the sharpest key is: Cb, Gb, Db, Ab, Eb, Bb, F, C, G, D, A, E, B, F#, C#
That would be C-sharp major. Every note is sharp.
Yes, the sharp keys lie more naturally than the flat keys on a violin. This is because the tuning of the four strings corresponds to the tonic notes of the sharp major keys G (1 sharp), D (2 sharps), A (3 sharps), and E (4 sharps). The minor keys are mixed, as follows: G (2 flats), D (1 flat), A (no sharps/flats), and E (1 sharp). Overall, therefore, the open strings are more comfortable in sharp keys than in flat keys.
On the sharp side of the Circle of Fifths, the keys follow a pattern where each key has one additional sharp compared to the previous one. Starting with C major, which has no sharps, the next key, G major, has one sharp, followed by D major with two sharps. This progression continues, adding one sharp for each subsequent key: A major (three sharps), E major (four sharps), and so on.
In major 'sharp' keys, you find the key by counting up one line or space from the last sharp, e.g is the last sharp is D-sharp, the key is E major.For minor keys it is a little bit different, if you have 3 or more sharps you count the THIRD TO LAST sharp in the key (e.g if you have 5 sharps, and F-sharp is the third-to-last sharp, the key is going to be G-sharp minor. For minor keys with less than three sharps, you subtract three sharps from the major key. B major has 5 sharps, whilst B minor has only two, so five minus three equals two.I hope this answers your question.
Only one: the F-sharp.
A♯, B♯, Cx (double sharp), D♯, E♯, Fx (G), Gx (A) and back to A♯.It is much simpler to use B♭ Major, which goes:B♭, C, D, E♭, F, G, A and B♭.
E Major has a relative key of C Sharp Minor and has keys of : F# C# G# D#