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chhandas.....................jyotisha...na..............kalpa...........nirukta...........shiksha........vyakarana

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chhandas.....................jyotisha...na..............kalpa...........nirukta...........shiksha........vyakarana

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1. Hipparchus

2. Claudius Ptolemaeus

3. The Sinhala people in Sri Lanka

4. The Indian mathematician Aryabhata

5. Brahmagupta

6. Abul Wáfa

7. Ibn Yunus

8. Vedanga Jyotisha Lagadha

9. Omar Khayyám

10. Bhaskara

11. Nasir al-Din Tusi, along with Bhaskara

12. al-Kashi and Timurid mathematician Ulugh Beg (grandson of Timur)

13. Bartholemaeus Pitiscus

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Ancient scholar of Sanskrit literature Panini framed the Sanskrit grammar in 4th century BC. His work was based on the fundamental text of the grammatical chapter of the 'Vedanga'. Panini's grammer was titled as 'Ashtadhyayee'.

Prior to Panini there have some 9 grammarians who have formulated the Principles of Grammar, but many of these have been lost to posterity.

It may be noted that, Panini's is the most succinct and achievs the task of encoding the Descriptive Grammar rules in less than 4000 sutras(= aphorisms). The term vedA~Nga is used to refer to the six auxiliary subjects that need be studied in order to "understand" The Vedas. vyAkaraNa(Grammar) is one of them.

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The Vedic curriculum was planned to meet the individual requirements of every student and consisted of:

Vedic literature, centered on religion aimed at establishing harmony between total personality and the universe as a whole.

Vedangas the study of isiksha, Kalpa, Nirukta, Chandas, Jyotisha, and Vyaleama.

Logic, the development of the responsory faculties.

Arts & Crafts, to develop and artistic sense and practical skills in construction regarding symmetry, proposition and beauty.

Physical Education, which was intense, because they believed only a strong boy could house a strong mind. Students had to learn riding, wrestling, hunting, swimming, running, and jumping to develop physical and mental strength.

Meditation and singing of hymns, for expression of inner light for the betterment of mankind.

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'Veda' means knowledge. The Vedas are the sacred texts for Hindu rituals and for the religion itself.

RigVeda, YajurVeda, AtharvaVeda and SamaVeda are the four Vedas.

The Rig Veda comprises of 1028 hymns in praise of various gods. These hymns or 'Suktas' are arranged in 10 'Mandalas' or books.

The Yajur Veda is mostly prose and makes use of the Rig Veda to explain sacrifices.

The Atharva Veda is a collection of spells and charms.

The Sama Veda is almost wholly drawn from the Rig Veda.

The Brahmanas are attached to each Veda as commentaries.

The Aranyakas are philosophical doctrines.

The Upanishads deal with spiritual topics such as the Universal Soul, The Absolute, the origin of the world and the mysteries of Nature.

The Vedangas , Upa Vedas, Sutras, Smritis and the epics of Ramayana and Mahabharata are sacred Hindu scriptures.

All the above mentioned scriptures are part of the Vedic Literature.

All the above works are in Sanskrit.

Jyotisha Vedanga explains the science of astrology. Public rituals are delineated in the rauta and Shulba Sutras of the Kalpa Vedanga, domestic rites in the Grihya Sutras. The Dharma Shastras are the source of religious law.. The knowledge of phonetics, grammar, poetry and the way of words in other Vedangas ensure the purity of mantra recitation.

The Upavedas reveal profound sciences: statecraft in the Arthaveda; medicine and health in Ayurveda; military science in the Dhanurveda; music and the arts in Gandharvaveda; and architecture in Sthapatyaveda. In addition, the Kama Sutras detail erotic pleasures. The Agamas have their ancillary texts as well, which elaborate the ancient wisdom, such as the Upagamas and Paddhatis.

This body of secondary scriptures is not necessarily regarded with the same degree of reverence as the Vedas and Agamas proper. They are considered Smriti, "that which is remembered," and are written by man, whereas the Vedas and Agamas are Shruti, "That which is heard," and are revealed by God. Some look at the smriti as scripture, others consider it sacred literature.

The above addendum is taken from Dancing with Siva, Hinduism's Contemporary Catechism, by Satguru Sivaya Subramuniyaswami, found at:

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