"The House on Mango Street" is set in the city of Chicago, Illinois.

Esperanza was named after her great-grandmother. She shares her great-grandmother's name and inherits her spirit.

13 years old.

Some of the main characters in "The House on Mango Street" by Sandra Cisneros include Esperanza, the protagonist who dreams of a better life; her family members such as her parents, sister, and brothers; and various neighbors and friends who populate her community on Mango Street. Each character contributes to Esperanza's coming-of-age journey and influences her understanding of her identity and her place in the world.

In "The House on Mango Street," foreshadowing can be seen in the references to Sally's abusive husband, which hint at the challenges she will face in her marriage. Additionally, Esperanza's desire to leave Mango Street and seek a better life foreshadows her eventual growth and transformation as she pursues her dreams.

Some literary devices used in "The House on Mango Street" include imagery, symbolism, metaphor, and repetition. Sandra Cisneros uses these devices to convey themes of identity, culture, and belonging in her novel.

In "The House on Mango Street," Esperanza's new home does not live up to her expectations because it falls far short of the ideal home she envisioned. The house is run-down and cramped, with leaking ceilings and no yard. This reality contrasts sharply with her dreams of a beautiful house that she can call her own.

Esperanza feels a deep connection to her great grandmother and the house on Mango Street. She sees her great grandmother as a source of strength and wisdom, and views the house as both a symbol of her family's roots and a place that has shaped her identity.

Esperanza describes Elenita as a witch because she gives her a potion to attract a man. Elenita practices brujería, or witchcraft, in her home. While Esperanza finds Elenita mysterious and intriguing, she is also wary of her powers.

Esperanza's friends in "The House on Mango Street" include Lucy, Rachel, and Sally. Lucy and Rachel are close sisters who live nearby, while Sally is a friend from school who introduces Esperanza to a different side of adolescence. Each friend represents different aspects of friendship and growing up in the novel.

In the fifth paragraph of the first vignette where she is describing the house on mango street, she gives the windows the humanistic trait of holding their breath.

Also, in the vignette titled "Beautiful & Cruel" she gives her blouse the human trait of being able to learn.

This phrase likely means that having a reliable and trustworthy man in the house is more valuable and beneficial than having men out in the streets causing trouble or being unreliable. It emphasizes the importance of having a good man to depend on within the home.

Geraldo is a character in Sandra Cisneros' novel "The House on Mango Street" who dies in a hit-and-run accident. He is a mysterious figure whose background, family, and even his last name are unknown, highlighting the marginalized status of many immigrants in American society. Geraldo's death serves as a commentary on the lack of recognition and value placed on the lives of undocumented immigrants.

In "Cathy Queen of Cats" from "The House on Mango Street," one of the themes is the desire for independence and identity. Cathy represents the allure of freedom and rebellion against societal expectations, particularly for young women in her community. This theme is further explored through Esperanza's observations and reflections on Cathy's life.

One example of allegory in "The House on Mango Street" is Esperanza's desire to escape Mango Street symbolizing the broader theme of the struggles faced by Latinx individuals in American society. Esperanza's dream of owning a house of her own also represents the quest for identity, agency, and self-determination.

Rachel is a character in "The House on Mango Street" by Sandra Cisneros. She is one of Esperanza's close friends and neighbors in the Mango Street community. Rachel and her sister, Lucy, often provide companionship and support to Esperanza as she navigates her coming-of-age experiences in the novel.

Esperanza feels disconnected from her parents because she does not want to inherit their limitations and struggles. She sees them as trapped and hopes to break free from that cycle by creating her own identity and independence. However, she also values certain aspects of her cultural heritage that her parents represent.

Esperanza and the red ball in "The House on Mango Street" are both symbols of dreams and desires, reflecting the characters' longing for a better life. Just like how the red ball is constantly out of reach for the children in the neighborhood, Esperanza's dreams often feel unattainable due to the constraints of her environment. Both the red ball and Esperanza symbolize hope and aspiration amidst challenging circumstances.

Sally and Minerva are two characters in "The House on Mango Street" who end up feeling trapped and constrained by the men in their lives. Sally is forced into a controlling marriage, while Minerva is stuck in an abusive relationship. Both characters depict the struggles and limitations faced by women in their community.

Esperanza wishes for a house of her own, a place where she can feel safe and free. She dreams of a home that reflects her true self and offers her a sense of belonging and stability.

Esperanza in The House on Mango Street most wants to break free from the limitations placed on her by her environment and find a sense of belonging and identity beyond the constraints of her neighborhood. She longs for a better life and a place where she can thrive and be herself.

Esperanza statesthey will know I have gone away to come back. For the ones i left behind. for the ones who cannot out. what does she mean by this?

In "The House on Mango Street" by Sandra Cisneros, the setting is primarily in the 1960s and 1970s in Chicago. During this time, the Chicano civil rights movement was gaining momentum, advocating for social and political rights for Mexican-Americans. The novel explores themes of identity, poverty, and discrimination against women, reflecting the experiences of many Latinx individuals living in urban areas during that period.

Writing sets Esperanza apart from her neighborhood in "The House on Mango Street" by giving her a voice and a means to express herself creatively. It allows her to reflect on and articulate her experiences, dreams, and feelings, giving her a sense of agency and independence that she does not find in her surroundings. Through writing, Esperanza is able to imagine a different future for herself beyond the limitations of her neighborhood.