Plot

Bernardo Bertolucci's 255-minute 1900 was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the Italian town of Parma, the film's continuity backtracks from Liberation Day in 1945 to the occasion of composer/patriot Giuseppe Verdi's death in 1901. We follow the lives of two men born on that day in 1901, who grow up to be Alfredo Berlinghieti (Robert De Niro) and Olmo Dalco (Gérard Depardieu). Wealthy Alfredo sinks into dissipation, while poverty-stricken Olmo becomes a firebrand labor leader and communist. After WWI, Alfredo is allowed to peacefully retain his land holdings by playing nice with the burgeoning fascists; Olmo, on the other hand, engages in a long-standing battle against the minions of Mussolini. The two protagonists are reunited when Alfredo returns to Parma to preside over Olmo's trial for "political crimes." Co-star Burt Lancaster is cast as Alfredo's wealthy grandfather, who hates to see the old values buried beneath the social travails of the 20th century. Many American prints of 1900 were shortened to 243 minutes, rendering the story hard to follow at times. ~ Hal Erickson, Rovi

Review

Bernardo Bertolucci's massive epic, a history of Italy from 1900 to 1945 as reflected through the friendship of two men across class lines, is one of the most fascinating, if little seen, of his films. After beginning with Robert De Niro as wealthy landowner Alfredo, and Gérard Depardieu as labor leader Olmo, the film returns to 1901 with the death of composer Giuseppe Verdi and the birth of the two friends. The opposing class interests of their grandfathers, padrone Alfredo Berlinghieri (Burt Lancaster), and laborer Leo Dalco (Sterling Hayden), is quickly established in the enmity between the characters. The director is graphic in his depiction of ownership as exploitation, and makes the craggy Hayden character a figure of nearly Biblical proportions as he rouses his fellow workers to maintain solidarity and demand self-determination. As they grow, the boys become friends, mystified by the tensions that separate their families. But as time passes and Alfredo assumes the role of padrone, while Olmo works the land, their relationship becomes strained. With the rise of fascism, the director spells out its complicity with business interests, as the diffident Alfredo falls under the spell of a vicious and degraded fascist farm manager played by Donald Sutherland. Bertolucci, as he has in The Conformist (1970) and The Last Emperor (1987), brilliantly uses characterization to imply and contrast the crippling emotional effects of wealth and power. At over five hours in the restored version, the stately film has a kind of cumulative power now rare on the screen. In fairness, parts of the film's second half lack some the richness of the earlier sections, and a number of simple, almost uninflected scenes, seem excessively didactic, even for a leftist polemic. Among the large cast, the two leads are exceptional, with De Niro evincing an unusual vulnerability. Sutherland gives a disturbingly brilliant performance, and Lancaster is also memorable as the stern landowner. Vittorio Storaro, Bertolucci's longtime collaborator, and one of the greatest of cinematographers, produces images of breathtaking beauty, so much so that the rapturous shots of the vast fields almost make one forget the oppression of the workers. One comes away from this majestic undertaking with a sense of wonder, and awareness that it's not likely to be replicated any time soon. ~ Michael Costello, Rovi

Cast

Stefania Sandrelli - Anita Foschi, Olmo's wife; Laura Betti - Regina; Alida Valli - Signora Pioppi; Francesca Bertini - Sister Desolata; Werner Bruhns - Octavio; Stefania Casini; Clara Colosimo; Anna-Maria Gherardi - Eleonora; Lisa Harrow; Anna Henkel; Roberto Maccanti - Olmo as a Child; Allen Midgette - Vagabond; Maria Monti; Paolo Pavesi - Alfredo as a Child; Jose Quaglio - Aranzini; Ellen Schwiers; Romolo Valli - Giovanni; Piero Vida; Antonio Piovanelli - Turo Dalco; Giacomo Rizzo - Rigoletto; Patrizia de Clara; Edda Ferronao; Vittorio Fanfoni; Mario Meniconi

Credit

Ezio Frigerio - Art Director, Gitt Magrini - Costume Designer, Bernardo Bertolucci - Director, Enzo Ocone - Editor, Franco Arcalli - Editor, Ennio Morricone - Composer (Music Score), Gianni Quaranta - Production Designer, Vittorio Storaro - Cinematographer, Alberto Grimaldi - Producer, Bernardo Bertolucci - Screenwriter, Giuseppe Bertolucci - Screenwriter, Franco Arcalli - Screenwriter, Peter Shepherd - Assistant Director

Previous:19 Months (2002 Film), 19 Doors (2011 Film)
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1900

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"Novecento" redirects here. For the artistic movement of this name, see Novecento Italiano. Not to be confused with the 1998 film, The Legend of 1900.
1900

Theatrical release poster
Directed by Bernardo Bertolucci
Produced by Alberto Grimaldi
Written by Franco Arcalli
Bernardo Bertolucci
Giuseppe Bertolucci
Starring Robert De Niro
Gérard Depardieu
Dominique Sanda
Donald Sutherland
Alida Valli
Burt Lancaster
Music by Ennio Morricone
Cinematography Vittorio Storaro
Editing by Franco Arcalli
Studio Produzioni Europee Associati
Distributed by 20th Century Fox (UK)
Paramount Pictures (USA)
United Artists (Australia/France/Germany)
Release date(s)
  • August 15, 1976 (1976-08-15)
Running time 250 minutes (Argentina)
248 minutes (Australia)
302 minutes (Denmark)
317 minutes (Italy)
245 minutes (US uncut)
255 minutes (VHS rated)
317 minutes (US NC-17)
Country ‹See Tfd› Italy
‹See Tfd› France
West Germany
Language Italian
Budget $9 million[1]
Box office SEK6,064,026

1900 (Italian: Novecento, "Twentieth Century") is a 1976 Italian epic film directed by Bernardo Bertolucci, starring Robert De Niro, Gérard Depardieu, Dominique Sanda, Donald Sutherland, Alida Valli, and Burt Lancaster. Set in Bertolucci's ancestral region of Emilia, the film chronicles the lives of two men during the political turmoils that took place in Italy in the first half of the 20th century. The film was screened at the 1976 Cannes Film Festival, but was not entered into the main competition.[2]

Contents

Plot

Born the same day at the start of the 20th century, 1 January 1900, Alfredo Berlinghieri (Robert De Niro) and Olmo Dalcò (Gérard Depardieu) come from opposite ends of the social spectrum. Alfredo is from a family of landowners led by his abusive but populist grandfather (Burt Lancaster), while Olmo is an illegitimate peasant son off the estate whose grandfather (Sterling Hayden) is the foreman and peasants strong man who verbally and spiritually carries a duel of wits but without reaching violence ever with Alfredo's. As Alfredo is somewhat rebellious and despises the falseness of his family, in particular his weak but cynical father, he befriends Olmo, who was raised as a socialist.

The two are friends throughout their childhood, despite the social differences of their families. Olmo enlists with the Italian army in 1917 during World War I and goes off to fight while Alfredo learns how to run his family's large plantation under the guidance of his father . Olmo returns from the war over a year later and his friendship with Alfredo continues. However, Alfredo's father has hired Attila Mellanchini (Donald Sutherland) as his foreman. A sadistic man who becomes taken with fascism, Attila eventually incorporates his new belief system in his dealings with the Berlinghieri workers; he treats them cruelly and later cages them in the Berlinghieri compound and accuses them of treason against fascist Italy. Several are killed by Attila himself. As the new padrone (master) of the plantation, Alfredo does little to challenge or halt Attila's actions.

During the late 1920s, the intimacy and lack thereof in their respective relationships with others is highlighted in their love lives. Alfredo marries a gorgeous, demure woman while Olmo marries Anita, who like him shares in the enthusiasm of the cause of workers' rights. Alfredo’s wife, Ada, sinks into alcoholism when confronted with the reality of the emptiness of her relationship with Alfredo. Anita, a strong and independent spirit dies tragically in childbirth, bringing another member into the community. As Olmo takes on his fateful role of leader among the poor farmers and their families, he clashes with Attila.

The power, however, shifts after World War II in 1945, and the ruling class is at the mercy of the jovial and bitter peasants in the agricultural estate. As padrone, Alfredo is captured by a teenage peasant boy carrying a rifle. Attila is also captured when he and his wife, the equally cruel and sadistic Regina (Laura Betti), try to flee the region. Attila is stabbed, non-fatally, several times by women wielding pitchforks and is imprisoned in the Berlinghieri pig sty. He is later executed by the peasants (while they cut off most of Regina's hair), who have discovered that Attila had raped and killed a young boy (ironically, the son of one of the most fervent supporters of fascism as an antidote to socialism) several years prior in a fit of rage and had also murdered a wealthy landowner's widow, Mrs. Pioppi (whose husband had been economically ruined by Alfredo), in order to steal her land and home, also Attila several peasants massacred after they humble themselves Olmo and throwing horse manure. Alfredo accordingly dismisses Attila but can not stop the killing and disappearing after his wife Ada left him.

Alfredo is brought before Olmo's workers tribunal to stand trial. Many workers come forth and accuse Alfredo of letting them suffer in squalor while he (and his social class) profited from their labors. He is sentenced to death, but his execution is prevented after Olmo explains that the padrone is already dead even though Alfredo lives - that is, the social system has been overthrown with the end of the war. As soon as the verdict is reached, however, representatives of the new government, which includes the Communist Party, arrive and call on the peasants to turn in their arms. Olmo convinces the peasants to do so, overcoming their skepticism. Alfredo declares, "The padrone lives."

Cast

Alternate versions

The original director's cut of the film runs 317 minutes. Alberto Grimaldi, the film's producer, was contractually obligated to deliver a 195-minute version to Paramount Pictures. Bertolucci originally wanted to release the film in two parts, but Grimaldi refused.

Grimaldi then locked Bertolucci out of the editing room, and assembled a 180-minute cut. Bertolucci, horrified at Grimaldi's cut, decided to compromise.[citation needed] His 255-minute version was the one initially released in the United States. In 1987, the Bravo channel broadcast the uncut version with dubbed dialogue. Later in 1991, the film was restored to its original length and shown in a limited release.

When Bertolucci released his 317-minute version to theaters the MPAA re-classified the film with an NC-17 rating; the 245-minute American cut, the other version officially available on video in the U.S., still retained its R rating. In 2006, Paramount surrendered the NC-17 rating of the uncut version, then released it as unrated on DVD on December 5, 2006. This same cut was released on Blu-ray in the United States by Olive Films on May 15, 2012.

See also

References

Bibliography
  • di Giovanni, Norman Thomas. Novecento. Milano: Euroclub, 1977 (published in the U.S. and UK as 1900). A novel based on the film. ISBN 0-440-16203-3
  • Gerard, Fabien S., T. Jefferson Kline, and Bruce Sklarew, eds. Bernardo Bertolucci Interviews. Jackson, MS: University of Mississippi P, 2000.
  • Kline, T. Jefferson. Bertolucci's Dream Loom: a Psychoanalytical Study in Cinema. Amherst, MA: University of Massachusetts P, 1987.
  • Tonetti, Claretta M. Bernardo Bertolucci: the Cinema of Ambiguity. London: Twayne, 1995.

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