25th Hour

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Plot

A man has one day to put his life in order before a long stretch in prison in this drama directed by Spike Lee. Monty Brogan (Edward Norton) is a man who came from a working class family in New York. Monty's best friends Jacob (Philip Seymour Hoffman) and Slaughtery (Barry Pepper) went on to distinguished careers as, respectively, a high school teacher and a bonds trader, but Monty took a different path and began dealing drugs. While Monty's trade has made him plenty of money, it hasn't brought him much respect from his family and friends, and while Jacob and Slaughtery have stayed in touch, Monty's lifestyle has led them to keep their distance. One night, Monty is relaxing at home with his girlfriend Naturelle (Rosario Dawson) when the police show up; Monty is arrested, and after a trial he's sentenced to seven years in prison. On his last day of freedom before he goes to jail, Monty tries to make amends with his father (Brian Cox) and goes out on the town with Jacob and Slaughtery. With both of his friends facing emotional crises of their own, Monty finds himself wondering where his life took a wrong turn and if there's any way left to redeem himself. Along the way, Monty begins to suspect that Naturelle may have turned him in, and he has to deal with Kostya Novotny (Tony Siragusa), an ill-tempered drug supplier who has unfinished business with him. 25th Hour was scripted by David Benioff, who adapted the story from his novel of the same name. ~ Mark Deming, Rovi

Review

It's no surprise that a consummate New York filmmaker -- especially one who wears his heart on his sleeve -- should direct the first mainstream film that wrestles openly with the aftermath of September 11th. Less expected was that Spike Lee would so cleverly absorb those themes into the subtext of an unrelated story about a pinched drug dealer, Monty Brogan (Edward Norton), indulging his final freedoms before going up the river. Granted, Lee's trademark sledgehammer approach does have its moments in The 25th Hour, such as when Monty's rage erupts in the form of a diatribe against New York's spectrum of ethnic and socioeconomic archetypes, an echo of Do the Right Thing. However, the fact that this aggressive defamation of the city's populace doubles as an ode to its diversity gets at the contradictory nature of post-traumatic New York -- it's more wary and distrustful than ever, yet eager to rebound toward glory. Norton's Monty Brogan serves as a stand-in for the American people, his complacency destroyed by a rude awakening, then quickly replaced by fears of a murky future. Norton leads a dynamite ensemble that includes typically strong performances from Philip Seymour Hoffman, Anna Paquin, Rosario Dawson, and Brian Cox, as well as a career-best showing from Barry Pepper as Monty's best friend, a hotshot broker bound to the condemned man for one last favor. As always, Lee's provocative dolly shots, long takes, and collage-like edits make his camera a vital addition to the cast, able to frame this loss of innocence in all of the city's familiar corners. And in the film's memorable coda, Lee does find that magic hour, the home of something he and other shell-shocked Americans desperately need: illogical hope. ~ Derek Armstrong, Rovi

Cast

Tony Siragusa - Kostya Novotny; Michael Levanios Jr. - Uncle Nikolai; Misha Kuznetsov - Senka Valghobek; Isiah Whitlock, Jr. - Agent Flood; Michael Genet - Agent Cunningham; Patrice O'Neal

Credit

Nicholas Lundy - Art Director, Jeff Sommerville - Associate Producer, Aisha Coley - Casting, Sandra Hernandez - Costume Designer, Mike Ellis - First Assistant Director, Spike Lee - Director, Barry Alexander Brown - Editor, Nick Wechsler - Executive Producer, Terence Blanchard - Composer (Music Score), James Chinlund - Production Designer, Rodrigo Prieto - Cinematographer, Julia Chasman - Producer, Spike Lee - Producer, Jon Kilik - Producer, Tobey Maguire - Producer, Edward Norton - Producer, Ondine Karady - Set Designer, Rolf Pardula - Sound/Sound Designer, David Benioff - Screenwriter, Ellen Kuras - Additional Cinematography, David Benioff - Book Author

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25th Hour

Theatrical release poster
Directed by Spike Lee
Produced by
  • Spike Lee
  • Tobey Maguire
  • Julia Chasman
  • Jon Kilik
  • Edward Norton
    (co-producer)
Screenplay by David Benioff
Based on The 25th Hour by
David Benioff
Starring
Music by Terence Blanchard
Cinematography Rodrigo Prieto
Editing by Barry Alexander Brown
Studio
Distributed by Touchstone Pictures
Release date(s)
  • December 19, 2002 (2002-12-19)
Running time 135 minutes
Country United States
Language English
Budget $5 million
Box office $23,928,503

25th Hour is a 2002 American drama film directed by Spike Lee and is based on the novel The 25th Hour written by David Benioff, who also wrote the screenplay. The film stars Edward Norton, Philip Seymour Hoffman, Barry Pepper, Rosario Dawson, Anna Paquin and Brian Cox.

Contents

Plot

A canary yellow vintage Super Bee pulls up short on a New York City street, and Monty Brogan gets out with his buddy Kostya to look at a dog lying in the road. The animal was mauled in a fight and Monty intends to shoot him but changes his mind after he looks him in the eye and decides to take him to a nearby clinic instead.

Fast forward to late 2002, and Monty is about to begin serving a 7 year prison sentence for dealing drugs. He sits in the park with his dog, Doyle, thinking of his last day of freedom. He plans to meet his childhood friends Jacob Elinsky and Frank Slaughtery that night at a club with his girlfriend Naturelle. Frank, his best friend since they were both three, is a hot shot investment banker on Wall Street. Jacob is an introverted high school teacher from a privileged family, with a crush on one of his 11th grade students. He visits his father, James, a former firefighter and recovering alcoholic who owns and runs a bar, to confirm their plans to drive to the prison the following morning. Though Monty's drug money helped him keep the bar, he is full of remorse, and when Monty goes to the bathroom he sneaks a drink. Monty, facing himself in the mirror, lashes out in his mind against everyone else: all the New York stereotypes he can think of, from the cabbies to the firefighters, the corner grocers to the mobsters, as if he hates them all.

Monty sold drugs for Uncle Nikolai, a Russian mobster, along with Kostya. Kostya tries to persuade Monty it was Naturelle, since she knew where he hid his drugs and money, who tipped the cops. Monty refused to turn state's evidence against Nikolai but he's not sure what Nikolai will do when he meets him at the club that night. He remembers how he met Naturelle when she was 17, hanging around his old school, and how happy they were before he was arrested. He persuades Frank to help him find out if it was Naturelle who betrayed him.

When they all meet at the club, Jacob sees his student, Mary, and Monty invites her in with them. Monty and Frank talk about what kind of a future he can have after prison, and Frank says they can open a bar together, even though he told Jacob he believes Monty's life is over and he deserves his sentence for dealing drugs. Frank baits Naturelle by accusing her of living high on Monty's money, and not caring where it came from, but she reminds him that he knew as well and said nothing. Jacob, meanwhile, finds the courage to kiss Mary, but both of them appear to be in shock afterwards and go their separate ways. Monty and Kostya go down to talk with Uncle Nikolai, who gives Monty advice on surviving in prison. Then Nikolai tells him it was Kostya, not Naturelle, who betrayed him, and offers him the chance to kill Kostya in exchange for protecting his father's bar. Monty refuses, reminding Nikolai that he asked Monty to trust Kostya in the first place, and he tells them he's done, and that his father is done with them, and he walks out.

When they leave, he goes home and tells Naturelle that he's sorry he mistrusted her, and he has one last thing to do. He goes to the park with Jacob and Frank, and asks Jacob to look after Doyle. Then he admits that he is terrified of being raped in prison, and asks Frank to beat him, saying if he goes in ugly he might have a chance at survival. Frank refuses, and Monty tries to provoke him, until Jacob tries to intervene and Monty attacks him. Frank grabs him and Monty goads him into taking out his frustration in the beating, leaving Monty bruised and bloody, with a broken nose, and Frank in tears. Monty gets up and goes home.

Naturelle tries to comfort him, but Monty's father arrives to take him to Otisville. As his father drives him to the prison, he suggests they go west, into hiding, giving Monty one last sight of freedom. Once again Monty sees a parade of faces from the streets of the city, all the people he will miss; and together, they envision a future where Monty escapes imprisonment, reunites with Naturelle, starts a family, and grows old. As the fantasy ends, we see that their car has gone past the turn where the fantasy began.

Cast

Production

The film was in the "planning stages" at the time of the September 11 attacks and so Lee "decided not to ignore the tragedy but to integrate it into his story."[1]

Reception

The film received positive reviews by critics, receiving a 78% fresh rating on Rotten Tomatoes, based on 161 reviews.[2] Film critic Roger Ebert added this film to his "Great Movies" list on December 16, 2009.[3] A. O. Scott[4], Richard Roeper[5] and Roger Ebert all put it on their "best films of the decade list".[6]

Music

The film's musical score was composed by Terence Blanchard. Other songs that appear in the film (and are not included in the original score) are as follows:

  1. Big Daddy Kane – "Warm It Up, Kane"
  2. Craig Mack – "Flava in Ya Ear"
  3. The Olympic Runners – "Put the Music Where Your Mouth Is"
  4. Grandmaster Melle Mel – "White Lines (Don't Don't Do It)"
  5. Liquid Liquid – "Cavern"
  6. Cymande – "Bra"
  7. Cymande – "Dove"
  8. Cymande – "The Message"
  9. Bruce Springsteen – "The Fuse" (Plays during the credits)

See also

References

External links


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