3:10 to Yuma

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3:10 to Yuma

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Plot

Russell Crowe plays a desperado whose accomplices stage an ambush after he is taken into custody by a determined local sheriff in this remake of the 1957 film starring Glenn Ford and Van Heflin. James Mangold directs a script based on the Elmore Leonard short story and penned by Stuart Beattie, Michael Brandt, and Derek Haas. ~ Jason Buchanan, Rovi

Review

James Mangold's great strength as a director is his knowledge of how and why audiences respond to different genres. He presents pristine examples of genre, never really subverting them, but finding a way to infuse them with novelty, strong acting, and classic Hollywood style. 3:10 to Yuma fits that mold perfectly. This time Mangold goes back to the birth of the revisionist Western. The film isn't in the mold of genre busting pictures like The Wild Bunch or McCabe & Mrs. Miller, but more like the films being made at the time the original came out. This new version respects the form of the classic Western, but it adds just enough moral ambiguity to allow for a number of engaging performances. Peter Fonda turns up looking as grizzled as ever, and he has just as much authenticity in this setting as his father did. As Russell Crowe's exceedingly loyal sidekick, Ben Foster maintains a psychotic gleam in his eye that is tempered only by a mixture of admiration and brotherly love whenever he looks at Crowe. Christian Bale broods as well as ever in he role of the good guy forced to win the admiration of his oldest son. But Mangold's film is elevated from good to very good thanks to a marvelous star turn by Russell Crowe as Ben Wade. Crowe combines a formidable physical presence onscreen with a nearly palpable sensitivity, and, more often than not, a sharp intelligence. His Ben Wade needs to be capable of doing just about anything at any point. He certainly has the soul of an artist, as evinced by his gentle, detailed sketchings of a lover; and he most certainly has the steely resolve of a killer. Crowe makes this monster so likable, so full of an inner life, that his every gesture demands an audience's attention. He wears a black hat with such style that he looks like he could hold his own against other legendary Western bad guys. Although the character's final actions leave the viewer with a healthy ambiguity, the movie's final shot ranks among one of the best of the year. A train and a horse, moving out of frame together, shot with such understated affection that Mangold captures the iconography of old Westerns while still finding some new poetry in them. It's the most lyrical moment in the film, capping a very solid straightforward narrative with a moment that reminds everybody that a human being who genuinely loves movies made this one. Mangold has no interest in transcending or subverting genres, because he still finds so much pleasure in them. ~ Perry Seibert, Rovi

Cast

Dallas Roberts - Grayson Butterfield; Alan Tudyk - Doc Potter; Vinessa Shaw - Emma Nelson; Logan Lerman - William Evans; Kevin Durand - Tucker; Luce Rains - Marshal Weathers; Lennie Loftin - Glen Hollander; Rio Alexander - Campos; Johnny Whitworth - Tommy Darden; Shawn D. Howell - Jackson; Pat Ricotti - Jorgensen; Ramon Frank - Kinter; Deryle J. Lujan - Nez; James Augure - Nez; Brian Duffy - Sutherland; Jason Rodriguez - Tighe; Chris Browning - Crawley; Chad Brummett - Kane; Forrest Fyre - Walter Boles; Luke Wilson - Zeke; Benjamin Petry - Mark Evans; Arron Shiver - Bill Moons; Sean Hennigan - Marshal Will Doane; Girard Swan - Deputy Harvey Pell; Christopher Berry - Deputy Sam Fuller; David Oliver - Evil Bartender; Jason Henning - Train Clerk

Credit

Greg Berry - Art Director, Dixie J. Capp - Associate Producer, Aaron Downing - Associate Producer, Joseph Brennan - Boom Operator, Lisa Beach - Casting, Jo Edna Boldin - Casting, Sarah Katzman - Casting, Marco Beltrami - Conductor, Arianne Phillips - Costume Designer, Nicholas Mastandrea - First Assistant Director, James Mangold - Director, Freddie Hice - Second Unit Director, Mark Vargo - Second Unit Director, Michael McCusker - Editor, Stuart M. Besser - Executive Producer, Lynwood Spinks - Executive Producer, Ryan Kavanaugh - Executive Producer, Susan Germaine - Hair Styles, Debra Clair - Hair Styles, Mary Lampert - Hair Styles, Mike Fantasia - Location Manager, Marco Beltrami - Composer (Music Score), John Caglione, Jr. - Makeup, Linda Vallejo - Makeup, Katie Douthit - Makeup, Corey Welk - Makeup Special Effects, David Luckenbach - Camera Operator, Mark Vargo - Camera Operator, Paul Sanchez - Camera Operator, Andrew Menzies - Production Designer, Phedon Papamichael - Cinematographer, James Mangold - Producer, Cathy Konrad - Producer, Mark Hitchler - Set Designer, Roger Lundeen - Set Designer, Rich Roming - Set Designer, Paul Massey - Sound Mixer, David Giammarco - Sound Mixer, Jim Stuebe - Sound/Sound Designer, Troy M. Gilbert - Stunts, Danny Wynands - Stunts, Matt Taylor - Stunts, Michael Weis - Stunts, Juddson Linn - Stunts, Tad Griffith - Stunts, Jason Rodriguez - Stunts, Dale Gibson - Stunts, Mike Watson - Stunts, Richard L. Bucher - Stunts, Rod Rondeaux - Stunts, Monty Stuart - Stunts, Mark Warrack - Stunts, J.J. Dashnaw - Stunts, Cody Smith - Stunts, Mark Brooks - Stunts, Brian Brown - Stunts, William P. Brown - Stunts, Danny Edmo - Stunts, Herman Endito - Stunts, Steve Hassenpflug - Stunts, Oliver S. Hendrickson - Stunts, Kingorba - Stunts, Derek Lacasa - Stunts, Scout Hendrickson - Stunts, Freddie Hice - Stunts Coordinator, Stuart M. Besser - Unit Production Manager, Halsted Welles - Screenwriter, Michael Brandt - Screenwriter, Derek Haas - Screenwriter, Mark Vargo - Second Unit Director Of Photography, Rafael Castro - Production Assistant, Andrea Vestrand - Production Assistant, Kirk Borland - Production Assistant, Patrick Melvin - Production Assistant, Yvette Fortin - Production Assistant, Scout Hendrickson - Production Assistant, Philip Pfeiffer - Second Unit Camera, Robert Stromberg - Visual Effects Supervisor, Mark Dornfeld - Visual Effects Supervisor, Paul Graff - Visual Effects Supervisor, Ted Caplan - Sound Effects Editor, Birds & Animals UK - Animal Trainer/Wrangler, Cody Smith - Animal Trainer/Wrangler, Tom Berto - Animal Trainer/Wrangler, Mark Warrick - Animal Trainer/Wrangler, Noel Phillips - Animal Trainer/Wrangler, Clayton Stanbaugh - Animal Trainer/Wrangler, Alvin Lunak - Animal Trainer/Wrangler, Lee Grubin - Additional Editing, Bob Hall - First Assistant Camera, J. Steven Matzinger - First Assistant Camera, Philip Shanahan - First Assistant Camera, Cory Geryak - Gaffer, Hank Herrera - Grip, Michael J. Manzananares - Grip, Josh Steinberg - Grip, Charles Ehrlinger - Grip, Kenneth Coblentz - Grip, John Sneesby - Grip, Mark Sheets - Grip, Rusty Hendrickson - Head Animal Trainer, Ramon Garcia - Key Grip, Adriaan Van Zyl - Post Production Coordinator, Barry Barclay - Production Coordinator, J.P. Jones - Properties Master, Sheila Waldron - Script Supervisor, Maria Mantia - Second Assistant Director, Ron Bolanowski - Special Effects Coordinator, David Luckenbach - Steadicam Operator, Richard Foreman, Jr. - Still Photographer, Donald Sylvester - Supervising Sound Editor, Christina Graff - Visual Effects Producer, Michele Ferrone - Visual Effects Producer, Peter Grendle - Art Department Assistant, Maya Shimoguchi - Assistant Art Director, Kasra Farahani - Assistant Art Director, Terry Anderson - Assistant Costume Designer, Rebecca "Puck" Stair - Assistant Location Manager, Jill Vaupen - Assistant Production Coordinator, Malika R. Cohen - Assistant Production Coordinator, Larry Sushinski - Best Boy Electric, Roderick G. Farley - Best Boy Grip, Mick Cummings - Buyer, Aaron Schuh - Camera Loader, Charla Bowersox - Casting Associate, Marie Kohl - Casting Associate, Daniel Pemberton - Construction Coordinator, Anthony Syracuse - Construction Coordinator, Linda Matthews - Costumes Supervisor, Simon Coke - Dialogue Editor, Sean Devine - Dolly Grip, Antonio V. Garrido - Dolly Grip, Jon Caradies - Electrician, Brian Woronec - Electrician, Curtis A. Andrews, Jr. - Electrician, Robert D. Lueker - Electrician, Elizabeth Gabel - Extra Casting, Kurt Greufe - First Assistant Accountant, Sara Cueva - First Assistant Editor, Alicia Stevenson - Foley Artist, Dawn Fintor - Foley Artist, Elizabeth Rainey - Foley Artist, Matt Harrison - Foley Editor, Scott Curtis - Foley Editor, Tangi Crawford - Key Costumer, Betty Lou Skinner - Key Hairstylist, Taylor Roberts - Key Make-up, Wayne Shepherd - Leadman, Keith Rodger - Personal Assistant, Bruno De Oliva - Personal Assistant, Justin Bull - Personal Assistant, Pam Chizema - Post Production Accountant, Glenn Nicol - Production Accountant, Nicholas Cessac - Production Accountant, Jerry Shih - Second Assistant Accountant, Eileen Street - Second Assistant Accountant, Daniel McFadden - Second Assistant Camera, Daniel Schroer - Second Assistant Camera, Trisha A. Stanard - Second Second Assistant Director, Edward McLoughlin - Set Dresser, Graham Griswold - Set Dresser, Linda Gore - Set Dresser, Scott Plunkett - Set Dresser, Kevin Black - Set Production Assistant, Chai Forest - Set Production Assistant, Anna Ramey - Set Production Assistant, Andrew Sharretts - Set Production Assistant, David Dorn - Set Production Assistant, John Coven - Storyboard Artist, Steve Duncan - Transportation Captain, Tim Sisson - Transportation Captain, James R. White - Transportation Coordinator, Digital Backlot - Visual Effects, Custom Film Effects - Visual Effects, Jay R. Hart - Set Decorator, John Weitz - Cable Person, Mato - Color Timing, For Stars Catering - Craft Service/Catering, Lisa Van Allen - Craft Service/Catering, Michelle Woodward - Craft Service/Catering, Dannon Walters - Craft Service/Catering, George Le Bow - Driver, Kenny Farnell - Driver, John W. Forester - Driver, Bill Rucker - Driver, Chris Quintana - Driver, William Ray - Driver, John Embry - Driver, Kent Boyer - Driver, Allen Esquibel - Driver, Mario A. Medina - Driver, James Ray - Driver, Kip Wolverton - Driver, Mary B. Borg - Driver, Josh Laurio - Driver, Bobby Rabelo - Driver, Cassie Russell - Driver, Brian Kay - Driver, Larry Fee - Driver, Todd L. Adair - Driver, Jose A. "Tony" Salazar - Driver, Mike McKenny - Driver, Alan Berger - Driver, Lyle H. Atkins - Driver, Mike Berdrow - Driver, George M. Brown - Driver, Steven Carrillo - Driver, Robert A. Castillo - Driver, Jesse Esquibel - Driver, Richard Firkens - Driver, Billy L. "Butch" Frank - Driver, Joseph Gonzales - Driver, Jimmy Goodman - Driver, Robert J. Kozlowski - Driver, Anthony LeBow - Driver, Leon C. LeBow - Driver, Burt N. Melcher - Driver, R. Daniel Miller - Driver, Tony Peralta - Driver, Kino Quintana - Driver, Tom Rebber - Driver, Walter J. Russell - Driver, Vince Yybiernas - Driver, Mark James - Driver, David Betancourt - Foley Mixer, John Murray - Foley Supervisor, Cassandra Cox - Production Secretary, Brian G. Lax - Set Medic/First Aid, Scott Garcia - Special Effects Technician, Robert Bolanowski - Special Effects Technician, Bob Everett - Special Effects Technician, Mike Clarke - Special Effects Technician, Frank Eyers - Video Assist, Dale G. Waseta - Video Assist, Sara Cueva - Visual Effects Editor, Kirk Baily - Voice Casting, Rif Hutton - Voice Casting, Conan Lee - Voice Casting, Dana Lee - Voice Casting, Anne Lockhart - Voice Casting, Paul Pape - Voice Casting, Jim Lau - Voice Casting, Karen Huie - Voice Casting, David Cowgill - Voice Casting, Jonathan Nichols - Voice Casting, Caitlin McKenna - Voice Casting, Steve Apostolina - Voice Casting, Nick Guest - Voice Casting, Pepper Sweeney - Voice Casting, Wendy L. Drapanas - Graphic Design, Right Loeb Design Group - Title Design, F. Ron Miller - Title Design, Roberta Marquez - Art Department Coordinator, Lindsay Brayden - Art Department Intern, Adriaan Van Zyl - Assistant Editor, Katherine Gordon - Department Head Hair, Jane Galli - Department Head Makeup, Monique Salvato - First Assistant Sound Editor, Doug Butts - Properties Maker Foreman, W. Scott Mason - Properties Maker Foreman, Randy Syracuse - Properties Maker Foreman, Tim Viera - Properties Maker Foreman, Frank Kilmartin - Properties Maker Foreman, Lou Boggs - Properties Maker Foreman, Adam Karasick - Assistant to the Director, Judi Dickerson - Dialect Coach, Anisa Qureshi - Producer's Assistant, Bianca Arvin - Producer's Assistant, Earle Parker - Standby Carpenter, Steve Caldwell - Compositor, Rj Harbour - Compositor, Shaina Holmes - Compositor, Mark Sawicki - Compositor, Amani Williams - Compositor, Nicholas Kim - Compositor, Brian Battles - Compositor, Jamie Baxter - Compositor, Sam Dabbs - Compositor, Ji Young Hong - Compositor, David Fencl - Armorer, Donny Bruno - Armorer, Kate M. Boyle - Second Unit Second Assistant Director, Elmore Leonard - Short Story Author

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3:10 to Yuma (2007 film)

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3:10 to Yuma

Theatrical poster
Directed by James Mangold
Produced by Cathy Konrad
Written by Halsted Welles
Michael Brandt
Derek Haas
Based on Three-Ten to Yuma by
Elmore Leonard
Starring Russell Crowe
Christian Bale
Logan Lerman
Peter Fonda
Ben Foster
Music by Marco Beltrami
Cinematography Phedon Papamichael
Editing by Michael McCusker
Studio Relativity Media
Distributed by Lionsgate
Release date(s)
  • September 7, 2007 (2007-09-07)
Running time 122 minutes
Country United States
Language English
Budget $55 million
Box office $70,016,220 [1]

3:10 to Yuma is the 2007 remake of the 1957 film of the same name, making it the second adaptation of Elmore Leonard's short story Three-Ten to Yuma. It is directed by James Mangold and produced by Cathy Konrad, and stars Academy Award winners Russell Crowe and Christian Bale in the lead roles. Filming took place in various locations in New Mexico. 3:10 to Yuma opened September 7, 2007, in the United States.

Contents

Plot

In the late 19th century, Dan Evans (Christian Bale), an impoverished rancher and Civil War veteran, although sitting awake and armed to prevent it, has his barn set ablaze by two men working for Glen Hollander, to whom Evans owes money. The next morning, as Evans and his two sons drive their herd, they stumble upon outlaw Ben Wade (Russell Crowe) and his gang using Evans' cattle as a road blockade to ambush an armored stagecoach. As he loots the stage, Wade discovers Evans and his two sons watching from the hills. Acknowledging that they pose no threat to him and his gang, Wade takes their horses telling Evans that he will leave them tied up on the road to Bisbee.

Wade travels with his gang to the town of Bisbee, Arizona to enjoy a celebratory drink at the local saloon. Meanwhile, the railroad guards find Evans and his sons with Byron McElroy (Peter Fonda), a Pinkerton agent and lone survivor of the ambush, tied up. Evans reveals Bisbee as Wade's likely destination, where the guards immediately return, joined by Evans and McElroy. While Doc Potter (Alan Tudyk), the local medic/veterinarian, treats McElroy, Evans tries negotiating with Hollander, who reveals his intentions to sell the land to the railroad workers rather than grant water rights to Evans. Enraged at the loss of his livelihood and land, Evans tries confronting Hollander in the nearby saloon, but instead he finds Wade, whom he distracts long enough for the railroad guards to ambush and arrest him.

The coach's owner, Grayson Butterfield (Dallas Roberts), enlists McElroy, Potter, Tucker (Kevin Durand), one of Hollander's guards, and Evans, who agrees for a $200 fee to deliver Wade for arrest. From Evans' ranch, McElroy arranges a decoy wagon to distract Wade's gang, now led by Charlie Prince (Ben Foster), while the real convoy charts a course for Contention, where Wade will be put on the 3:10 P.M. train to Yuma Territorial Prison and sentenced. As the group prepares to ride out, Evans' older son William (Logan Lerman) demands to accompany them. Evans flatly refuses his demand.

During the journey, Wade kills Tucker during his sleep with a fork stolen from Evans' house, and later McElroy (the former for claiming his horse and the latter for insulting his mother) but is stopped from escaping by the surprise arrival of William, who had followed the group all the way from the ranch. Evans tries to pressure William to return back to the ranch, but William declines. Wade seemingly accepts to have his son with him. While taking a shortcut through a canyon, the group is attacked by Apache warrior Indians. Evans tries to kill them, but he is badly wounded. Wade saves him, arms himself, and kills the remaining attackers. Following the shootout, Wade escapes to a Chinese laborer construction camp blasting a tunnel through the mountain range, where the foreman captures Wade for having killed his brother. One of his assistants, Zeke (Luke Wilson), tortures Wade with electric shocks. Evans, William, Potter, and Butterfield appear and after unsuccessful attempts at negotiation, Potter leads an attack on the foremen and his miners, freeing Wade. As they flee on their horses, Potter is shot and killed, while Wade and Evans destroy the tunnel behind them with dynamite. The group arrives in Contention several hours before the train's scheduled arrival and check into the hotel, where they are soon joined by several local marshals hired by Butterfield to protect them.

Prince and the gang ambushes and interrogates the survivor of the decoy wagon, learning that Wade is being delivered to Contention and will board a train to Yuma; he then leaves the wagon to burn with the survivor trapped in it. Later Prince meets the mine foreman. Upon seeing Zeke with Wade's gun, Prince kills Zeke, the foreman and his assistant. Upon arriving in Contention and discovering the heavy guard around Wade, Prince offers every townsman a $200 bounty for every guard they kill. The marshals, unwilling to fight against such steep odds, surrender to Prince, who kills them anyway. Butterfield refuses to complete the mission, offering Evans the $200 salary even if Wade goes free. Evans refuses, noting that was the amount the government paid him for the loss of his leg. Instead he asks Butterfield to escort his son back to his ranch and to pay his wife $1,000 and a guarantee of water rights from Hollander in exchange for Evans delivering Wade to the train.

After Butterfield agrees, Evans escorts Wade out of the hotel and the two make their way across town, evading continuous gunfire from the townsmen before taking refuge inside a storeroom. Wade, tired of running, nearly strangles Evans; he relents when Evans reveals that the reason he has a wooden leg (a subject Wade brought up throughout the journey) is that his real leg was lost when Evans was shot by fellow soldiers while in retreat from battle, a story that would shame his sons, and that delivering Wade to Yuma would serve as an accomplishment his sons would admire. Wade relents and agrees to board the train. The two return to the streets, dodging bullets before barricading themselves in the station to wait for the train (which is running late), where Wade reveals that he's been to Yuma twice and escaped both times.

Wade's gang set up positions around the station as the train approaches. William, observing the events, stampedes a herd of cattle (echoing a similar act performed by Wade earlier in the film) that provides cover for Evans to push Wade onto the train. As Wade boards, he congratulates Evans. At that moment, Prince steps up and shoots Evans four times, despite Wade's shouted order to stop. Wade steps off the train and catches the gun belt Prince tosses him. After a tense moment of silence, Wade abruptly executes Prince and the rest of his gang. William appears and draws his gun on Wade but finds he can't kill him; instead he turns to his dying father. Wade boards the train politely and surrenders his weapon. Evans eventually dies as Wade leaves in the train. As the train pulls away, he whistles for his horse, who pricks up his ears and canters after the running train into the distance.

Cast

Production

In June 2003, Columbia Pictures announced a negotiation with Mangold to helm a remake of the 1957 Western film 3:10 to Yuma, based on a script written by Michael Brandt and Derek Haas.[2] After being apart from the project for several years, Mangold resumed his role as director in February 2006. Production was slated to begin in summer 2006.[3] In the same month, Tom Cruise expressed an interest in starring as the villain in the film.[4] Eric Bana also briefly sought a role in the film.[5]

A stagecoach used during filming

In summer 2006, Columbia placed the film on turnaround, and the project was acquired by Relativity Media. Crowe and Bale were cast as the main characters, and Relativity began seeking a distributor for the film.[5] By September, Lions Gate Entertainment signed on to distribute the film.[6] Later in the month, Peter Fonda, Gretchen Mol, Dallas Roberts, Ben Foster, and Vinessa Shaw were cast. Filming was slated to begin on October 23, 2006 in New Mexico.[7] On the first day of filming, a rider and his horse were seriously injured in a scene when the horse ran directly into a camera-carrying vehicle instead of veering off as planned. The rider was hospitalized, and the horse had to be euthanized on the set. The animal's death prompted an investigation from the American Humane Association.[8] By November, the AHA concluded its investigation, finding that the horse did not respond accordingly due to having received a dual training approach and the rider not being familiar with the mount. The organization recommended no charges against the producers.[9] Principal photography took place in and around Santa Fe, Abiquiú, and Galisteo.[10] The Bonanza Creek Ranch represented the film's town of Bisbee as a "kinder, gentler frontier town" while Galisteo was set up to be Contention (now a ghost town), a "much rougher, bawdier, kind of sin city".[11] Another location was the scenic Diablo Canyon, and another was the Gilman Tunnels (35°44′03″N 106°45′53″W / 35.734081°N 106.76475°W / 35.734081; -106.76475) along New Mexico State Road 485. Filming concluded on January 20, 2007.[10]

After filming concluded, the owners of the Cerro Pelon Ranch petitioned to keep a $2 million expansion to the movie set on their property, which was supposed to be dismantled within 90 days. The set of 3:10 to Yuma made up 75% of the overall sets on the ranch.[12] In April 2007, the request was met by the county's development review committee to keep the expansion, which would potentially generate revenue in the future.[13]

Release

3:10 to Yuma was originally slated for an October 5, 2007 release, but Lionsgate moved the film's release a month earlier to September 7, 2007 to beat competing Western films The Assassination of Jesse James by the Coward Robert Ford and No Country for Old Men. As a result of the move, the studio was not able to use the Toronto Film Festival as a platform for the film's release, but it was released before a cluster of films similarly vying for awards. According to Lionsgate president Tom Ortenberg, "In what is shaping up to be a very impressive and crowded field of upscale commercial motion pictures this fall, we wanted to be one of the first ones out, so that everything else will be measured against us." The earlier theatrical run positioned it for a prominent high-definition Blu-ray Disc and DVD release in the first week of January, during awards seasons. Lionsgate similarly planned this strategy for Crash (2004), which won the Academy Award for Best Picture that year.[14]

In Germany, the film was released by Columbia Pictures, which had produced the 1957 original.

Reception

Box office

3:10 to Yuma debuted in the United States and Canada on September 7, 2007 in 2,652 theaters. In its opening weekend, the film grossed $14,035,033 and ranked #1 at the U.S. and Canadian box office. 3:10 to Yuma grossed an estimated $53,606,916 in the United States and $16,409,304 in other territories for a worldwide total of $70,016,220.[1]

Critical reaction

The film received very positive reviews from critics. According to the review aggregator Rotten Tomatoes, 88% of critics gave the film positive reviews, based on 192 reviews.[15] On Metacritic, the film had an average score of 76 out of 100, based on 37 reviews.[16]

Andrew Sarris of The New York Observer said "There is more greed-driven corruption in the remake than there was in the original" and that the film is less a remake "than a resurrection of both the film and its now unfashionable genre." Sarris said Fonda and Foster "are especially memorable" and said "the performances of Mr. Crowe and Mr. Bale alone are worth the price of admission."[17] The New Yorker film critic David Denby wrote that the film "is faster, more cynical, and more brutal" than the 1957 film. Denby wrote that Fonda "gives an amazingly fierce performance" and that Crowe "gives a fascinating, self-amused performance", saying "Crowe is an acting genius." Denby said "this is by far [director James Mangold's] most sustained and evocative work." Denby wrote that one action scene looks fake, but "much of this Western is tense and intricately wrought."[18] Ty Burr of The Boston Globe called the film "lean, almost absurdly satisfying." Burr wrote that Crowe and Bale "are among the best, most intuitively creative we have, and whatever transpires offscreen in Crowe’s case, onscreen they only serve their characters. Neither man showboats here, and it’s a thrill to watch them work." Burr said that the character of Ben Wade is "a snake and a snake charmer in one irresistible package" and said Foster as Charlie Prince is "mesmerizing." Burr said "Bale and Crowe never once misstep" and that Mangold "steers clear of Deadwood revisionism." Burr, however, wrote that the ending "makes little to no sense in a post-Clint Eastwood universe."[19]

Bruce Westbrook of the Houston Chronicle gave the film 3½ stars and called it "the best Western since Unforgiven", calling it "both cathartic and intelligent." He wrote that the film "draws clear inspiration from the lonely heroics of High Noon" and said "While a wildly eventful action-adventure and outlaw shoot-'em-up, it's also a vibrant story of heroism, villainy and hard-earned redemption." Westbrook said that Crowe and Bale are "at the top of their game" and "Crowe is reliably charismatic as a man who's less craven and bloodthirsty than wise, resourceful and expedient."[20] Shawn Levy of The Oregonian gave the film a "B+" and said the film is "grounded in something like the credible realism of a John Ford Western but which also can appease the thirsts for blood, wit and tension harbored by fans of Quentin Tarantino." Levy wrote "The original film spends much time on conversation between Wade and Evans and focuses more on Evans' wife, whereas the new film has more action sequences and is infused subtly with themes that echo vexing contemporary political and moral issues." Levy said "Christian Bale gives us another of his wounded, desperate, stubborn men" and "Russell Crowe fills a role originated by Glenn Ford with a big dose of the mocking charisma, cool discernment and casual cruelty of Robert Mitchum." Levy said the climax "sews up the narrative too quickly", but called the film "a fine and sturdy picture."[21]

Christian Science Monitor critic Peter Rainer gave the film a "B+" and wrote "what Alfred Hitchcock once said about thrillers also applies to Westerns: The stronger the bad guy, the better the film. By that measure, 3:10 to Yuma is excellent." Comparing the film to the 1957 film, Rainer wrote that the film "is larger in scope than its predecessor, and significantly altered in its ending, but essentially it's the same old morality play." Rainer said the "drippy father-son stuff is the least successful aspect of the movie." Rainer also wrote "Bale acts as if he's still playing the POW survivalist from Werner Herzog's Rescue Dawn" and said "his hyperrealistic performance is a drag next to Crowe's dapper prince of darkness." Rainer said Crowe's "underplaying here is in many ways as hammy as if he were overplaying, and that's just fine."[22] Richard Schickel of TIME magazine said "when a movie is as entertaining as this one, you begin to think this formerly beloved genre is due for a revival." Schickel said the 1957 film "was, in my opinion, not as good as a lot of people thought" and said Crowe "never settles for predictability when he's on screen and never lets us settle into complacency as we watch him." Schickel wrote that director Mangold "never loses his crispness or his narrative efficiency." Schickel said the comparisons to Unforgiven "are not entirely apt", saying that "Mangold's offering lacks the blackness and absurdity" of that film. He wrote, "It is more in the vein of Anthony Mann's westerns of the 1950s — trim, efficiently paced, full of briskly stated conflicts that edge up to the dark side, but never fully embrace it."[23]

Awards and nominations

The film received two Academy Award nominations for the 80th Academy Awards. Marco Beltrami was nominated for Best Original Score, and Paul Massey, David Giammarco, and Jim Stuebe were nominated for Best Sound Mixing.[24] The film also received a nomination for Best Cast at the 14th Screen Actors Guild Awards.

References

  1. ^ a b "3:10 to Yuma (2007)". Box Office Mojo. Archived from the original on 2010-01-18. http://www.boxofficemojo.com/movies/?id=310toyuma.htm. Retrieved 2009-04-18. 
  2. ^ Dave McNary (2003-06-18). "Col lassoes oater 'Yuma'". Variety. Archived from the original on 2010-01-18. http://www.variety.com/article/VR1117888162.html?categoryid=13&cs=1. Retrieved 2007-04-30. 
  3. ^ Michael Fleming (2006-02-20). "Col's good 'Yuma' man". Variety. Archived from the original on 2010-01-18. http://www.variety.com/article/VR1117938575.html?categoryid=13&cs=1. Retrieved 2007-04-30. 
  4. ^ Michael Fleming (2006-02-22). "Inside Move: 'Yuma' in the lead for Cruise's attention". Variety. http://www.variety.com/article/VR1117938726.html?categoryid=13&cs=1. Retrieved 2007-04-30. 
  5. ^ a b Borys Kit; Tatiana Siegel (2006-08-04). "Bale digs spurs into 'Yuma' redo". The Hollywood Reporter. Archived from the original on June 05, 2011. http://web.archive.org/web/20110605000212/http://www.hollywoodreporter.com/hr/search/article_display.jsp?vnu_content_id=1002950436. 
  6. ^ Pamela McClintock (2006-09-17). "Lionsgate to distrib 'Yuma'". Variety. http://www.variety.com/article/VR1117950273.html?categoryid=13&cs=1. Retrieved 2007-05-01. 
  7. ^ "More Aboard the 3:10 to Yuma". ComingSoon.net. 2006-09-29. Archived from the original on 2010-01-18. http://www.comingsoon.net/news/movienews.php?id=16723. Retrieved 2007-05-01. 
  8. ^ American Humane Association (2006-10-26). "AHA Investigating 3:10 to Yuma Horse Injury". ComingSoon.net. Archived from the original on 2010-01-18. http://www.comingsoon.net/news/movienews.php?id=17197. Retrieved 2007-05-01. 
  9. ^ Tom Sharpe (2006-11-30). "HORSE'S TRAINING MIGHT HAVE CAUSED ACCIDENT". The Santa Fe New Mexican. 
  10. ^ a b Natalie Storey (2006-10-27). "HORSE DIES, RIDER HURT IN MOVIE MISHAP". The Santa Fe New Mexican. 
  11. ^ Tom Sharpe (2007-01-26). "HOLLYWOOD FOR SALE". The Santa Fe New Mexican. 
  12. ^ Erica Cordova (2007-03-31). "Ranch Asks To Keep Movie Set". Albuquerque Journal. 
  13. ^ "AROUND NORTHERN NEW MEXICO". Albuquerque Journal. 2007-04-20. 
  14. ^ Pamela McClintock (2007-07-09). "Lion'sgate ups '3:10' release date". Variety. http://www.variety.com/article/VR1117968271.html?categoryid=13&cs=1. Retrieved 2007-07-09. 
  15. ^ "3:10 to Yuma". Rotten Tomatoes. Archived from the original on June 28, 2010. http://web.archive.org/web/20100628194429/http://www.rottentomatoes.com/m/310_to_yuma/numbers.php. Retrieved 2009-05-20. 
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  24. ^ "The 80th Academy Awards (2008) Nominees and Winners". oscars.org. http://www.oscars.org/awards/academyawards/legacy/ceremony/80th-winners.html. Retrieved 2011-11-22. 

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The Archive (2009 Thriller Film)
Cyclops (2009 Science Fiction Film)
Kevin Durand (Actor, Comedy/Drama)
Luce Rains (Actor, Western/Thriller)
Chris Browning (Actor, Thriller/Comedy)