720p is the shorthand name for a category of HDTV video modes. The
number 720 stands for 720 lines of vertical display resolution, while the
letter p stands for progressive scan or non-interlaced. When broadcast at 60 frames per second, 720p features the highest temporal (motion) resolution
possible under the ATSC standard. Progressive scanning reduces the need to prevent
flicker by filtering out fine details, so spatial (sharpness) resolution is much closer to 1080i
than the number of scan lines would suggest[citation needed].
Specifications
720p assumes a widescreen aspect ratio of
16:9, and a horizontal resolution of 1280 pixels for a total of about 0.92 million pixels. The
frame rate (in this case equal to the field rate) can be
either implied by the context or specified in hertz after the letter p. The five 720p frame rates
in common use are 24, 25, 30, 50 and 60 Hz (or fps). In general, traditional
PAL and SECAM countries (Europe, Australia, much of Asia, Africa, and
parts of South America) are or will be using the 25p and 50p frame or field rates, whereas traditional
NTSC countries (North and Central America, Japan, South Korea, Philippines) are using 24p
(for movies), and 60p for high motion programming. All variants can be transported by
both major digital television formats, ATSC
and DVB.
Compatibility
720p is directly compatible with newer flat panel technology such as plasma and
LCD which are inherently progressive and must perform deinterlacing to display 1080i source material. 720p must be scan converted
for display on most CRT-based consumer televisions which are generally interlaced-only
display devices.[1] However, CRTs intended for use as
computer monitors are progressive-only devices that can be run at 1280×720p60 either natively or through a refresh rate tweaking
utility.
History
720p was designed at AT&T Bell Laboratories in the late 1980s, under the supervision of Arun Netravali. The project began when Zenith approached AT&T to partner in the design of an analog
HDTV format, comparable to the Japanese system. Netravali (in Murray Hill), along
with Barry Haskell (in Holmdel) and other image processing experts at Bell Labs, and William
Schreiber at MIT, quickly devised a digital standard using DCT block coding. About 50 engineers were hired and a prototype
was assembed in Murray Hill using Xilinx programable logic hardware. The leaders of Zenith and
AT&T cancelled the analog-HDTV project after the completion of the digital 720p experimental system, and Zenith agreed to
design a radio-frequency modem system for broadcasting digital video. The 720p system was tested against competing standards
during FCC trials, and was particularly notable for its lack of flicker and shimmer of moving edges. The conflict between
interlaced formats (supported by the television industry) and progressive scan formats (supported by AT&T, Microsoft and
others) was extremely contentious in the early days of format proposals.
720p versus 1080i
Some broadcasters use 720p50/60 as their primary high-definition format; others use the 1080i
standard. While 720p presents a complete 720 line frame to the viewer between 24 to 60 times each second (depending on the
format), 1080i presents the picture as 50 or 60 partial 540 line "fields" per second (24 complete 1080-line fields, or "24p" is
included in the ATSC standard though) which the human eye or a deinterlacer built into
the display device must visually and temporally combine to build a 1080 line picture - in CRT type display. To get all 1080
interlaced lines to appear on the screen at the same time on a progressive high-definition display, the processor within the HD
set has to weave together both 540-line segments to form the full-resolution frame. It does so by holding the first field in its
memory, receiving the next field, then electronically knitting the two fields together. The combined fields are displayed at once
as a complete 1080p frame. The main tradeoff between the two is that 1080i shows more detail than 720p for a stationary shot of a
subject at the expense of a lower effective refresh rate and the introduction of interlace
artifacts during motion.
While 1080i has more scan lines than 720p, they do not translate directly into greater vertical resolution. Interlaced video
is usually blurred vertically (filtered) to prevent twitter. Twitter is a flickering of fine horizontal lines in a scene, lines
that are so fine that they only occur on a single scan line. Because only half the scan lines are drawn per field, fine
horizontal lines may be missing entirely from one of the fields, causing them to flicker. Images are blurred vertically to ensure
that no detail is only one scan line in height. Therefore, 1080i material does not deliver 1080 scan lines of vertical
resolution.
In the USA, 720p is used by ABC,
Fox Broadcasting Company and ESPN because the
smoother image is desirable for fast-action sports telecasts, whereas 1080i is used by CBS,
NBC, HBO, Showtime and
Discovery HD due to the crisper picture particularly in non-moving shots.
The European Broadcasting Union (EBU) recommends to its members to use
720p50 for emission with the possibility of 1080i50 on a programme-by-programme choice and 1080p50
as a future option.[2][3][4] The
BBC is one of the EBU members transmitting in HDTV. It has not yet made a final decision on picture
scanning format. Sveriges television in Sweden and [[Cyfra+]] in Poland broadcast in
720p50. All other commercial European HDTV services so far use 1080i50.
|
Digital Video
Resolutions |
| Designation |
| Usage Examples |
Definition (lines) |
Rate (Hz) |
| Interlaced (fields) |
Progressive (frames) |
|
| Low; MP@LL |
|
| Standard; MP@ML |
|
| Enhanced |
|
| High; MP@HL |
|
 |
| This table illustrates total horizontal and
vertical pixel resolution via box size. It does not accurately reflect the screen shape (aspect ratio) of these formats, which is
either 4:3 or 16:9. |
See also
References
- ^ archive2.avsforum.com/avs-vb/showthread.php?t=489948. Retrieved on 2007-07-06.
- ^ EBU Technical
Recommendation R112 - 2004. Retrieved on 2007-07-06.
- ^ EBU Technical Recommendation R112 - 2004. Retrieved on 2007-07-06.
- ^ EBU Technical Review. Retrieved on 2007-07-06.
External links
|
Broadcast Video Formats |
| Analog broadcast |
525 lines: NTSC •
NTSC-J • PAL-M
625 lines: PAL • PAL-N • PALplus • SECAM
Defunct systems: Pre-1940 • 405
lines • 819 lines • Baird-Nipkow • MAC •
MUSE
Multichannel audio: BTSC (MTS) • NICAM-728 • Zweiton (A2, IGR) • EIAJ
Hidden signals: Captioning • Teletext • CGMS-A • GCR • PDC • VBI • VEIL •
VITC • WSS •
XDS |
| Digital broadcast |
Interlaced: SDTV (480i, 576i) •
HDTV (1080i)
Progressive: LDTV (240p, 288p, 1seg) • EDTV (480p,
576p) • HDTV (720p, 1080p)
Digital TV standards (MPEG-2):ATSC,
DVB, ISDB, DMB-T/H
Digital TV standards (MPEG-4 AVC):DMB-T/H,DVB,SBTVD,ISDB
(1seg)
Multichannel audio: AAC (5.1) • Musicam • PCM • LPCM
Hidden signals: Captioning • Teletext • (CPCM/Broadcast
flag) |
| Technical issues |
14:9 • MPEG transport • Standards
conversion • Video processing • VOD • HDTV blur |
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)