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ambitious

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Words that end with the suffix tious:

* abstentious

* adscititious

* adventitious

* bumptious

* captious

* cautious

* cementitious

* compunctious

* conscientious

* contentious

* contradictious

* disputatious

* dissentious

* excrementitious

* expeditious

* facetious

* factious

* factitious

* fictitious

* flagitious

* flirtatious

* fractious

* hypercautious

* incautious

* infectious

* licentious

* noninfectious

* nonnutritious

* nutritious

* ostentatious

* overambitious

* overcautious

* overconscientious

* pretentious

* propitious

* rambunctious

* repetitious

* robustious

* ructious

* rumbustious

* scrumptious

* seditious

* sententious

* subreptitious

* superambitious

* supercautious

* superstitious

* suppositious

* supposititious

* surreptitious

* tendentious

* tortious

* ultracautious

* unambitious

* uncontentious

* unostentatious

* unpretentious

* unpropitious

* vexatious

This is a very puzzling question.

When, where and on what platform might 'the Jewish faith' have delivered a rumbustious condemnation of the Holocaust? I assume you are not suggesting that a rabbi ought to have got up on some box in a concentration camp and denounced the Final Solution. (Did such an obvious abomination need to be denounced?). In Germany or Poland anything of that sort would simply have been used as 'evidence' that the Jews were 'enemies of Germany'.

Perhaps you are thinking of Jews in the US? One of the difficulties they faced was that most Jewish organizations in America did not want to do anything that looked like special pleading; they were keen to avoid creating the impression that they had any kind of agenda that was at odds with the government.

Please also bear in mind that Judaism is a decentralized religion: there is no 'Jewish pope', no Jewish religious supremo.

A minuet, sometimes spelled menuet, was a social dance of French origin for two persons, usually in 3/4 time, with a strong downbeat.

The minuet become more and more stylised during the 18th century, being incorporated into Baroque Suites (such as those by Bach, Handel, Telemann) and later into the Classical symphony and sonata (Mozart, Haydn, early Beethoven).

Minuet and trio form in classical symphonies, string quartets and sonatas consists of two minuets with a da capo (back the beginning) at the end of the second minuet in order to finish with the first minuet and give the form an overall ABA or ternary structure. Both minuets are in rounded binary form, with two repeated sections, A and B, where A returns briefly at the end of the B section, hence 'rounded.'

The trio is so called because originally the second minuet would be played by a smaller ensemble, possibly of as few as three players. It is generally reduced to three structure lines, and is lighter and sweeter than the minuet sections.

At the turn of the 18th/19th centuries the minuet gave way to the more rumbustious scherzo (as introduced by Beethoven).