A Knight's Tale

A Knight's Tale
Theatrical release poster
Directed by	Brian Helgeland
Produced by	Todd Black Brian Helgeland Tim Van Rellim
Written by	Brian Helgeland
Starring	Heath Ledger Mark Addy Shannyn Sossamon Alan Tudyk Rufus Sewell Paul Bettany James Purefoy Laura Fraser Roger Ashton-Griffiths
Music by	Carter Burwell
Cinematography	Richard Greatrex
Studio	Escape Artists
Distributed by	Columbia Pictures
Release date(s)	May 11, 2001 (2001-05-11)
Running time	134 minutes 144 minutes (extended cut)
Country	United States
Language	English
Budget	$41 million
Box office	$117,487,473

A Knight's Tale is a 2001 American romantic adventure film written, directed, and produced by Brian Helgeland. The film stars Heath Ledger, Shannyn Sossamon, Mark Addy, Alan Tudyk, Rufus Sewell, Paul Bettany as Geoffrey Chaucer, and James Purefoy as Sir Thomas Colville/Edward, the Black Prince.

The film follows the story of William Thatcher, a peasant masquerading as a knight, along with his companions in the world of medieval jousting. William poses as a knight and competes in tournaments, winning accolades and acquiring friendships with such historical figures as Edward, the Black Prince of Wales and Geoffrey Chaucer.

The film takes its title from Chaucer's "The Knight's Tale" in his Canterbury Tales, though the plot is not especially similar. Garnering $117,487,473 with a budget of $41 million, it becomes successful at the worldwide box office.

Plot

Set in late Medieval Europe in the mid-14th century, the story begins with the protagonists and squires, William (Heath Ledger), Roland (Mark Addy) and Wat (Alan Tudyk), discovering their master, Sir Ector (Nick Brimble), dead of bowel problems in the middle of a jousting tournament. He was ahead "three lances to none" and merely had to finish the final round to win the tournament and be awarded the money that was to buy food for them all. While Wat and Roland resign themselves to destitution now that they no longer have Sir Ector's employment and protection, William Thatcher takes the armour, and more importantly the helmet, from Sir Ector's body and poses as the noble to finish the match. William's inexperience is evident, as he receives a lance blow to the face mask, but regardless wins the tournament (and the money) due to Ector's previous lead. This gives William the idea that, with proper training, he and his companions could make a living in jousting. For a month, William trains with the help of Roland and Wat to improve his balance and aim. After many tries Will is able to joust properly and is therefore ready to compete.

Along the way to his first tournament in Rouen, William and his friends come upon Geoffrey Chaucer (Paul Bettany), trudging down a road with no clothes or money. William persuades the writer to fake his patents of nobility, as it is illegal for peasants to joust, and joins the jousting circuit under the assumed name of "Sir Ulrich von Liechtenstein" from Gelderland. Chaucer is then discovered to have a gambling problem, which William saves him from by paying his debts with his tournament winnings, and therefore gains Geoffrey's true loyalty (and services as a herald at the tournaments). Helped by Chaucer, Wat and Roland, he begins to win match after match. When his armour—still the same suit taken from Sir Ector—becomes loose and damaged, he gains an addition to his fellowship, Kate the blacksmith (Laura Fraser), who makes him revolutionary new armour and decides to travel with them. He faces a Sir Thomas Colville (James Purefoy) in one of his matches and deals him a crippling blow, but rather than finish him off William instead agrees to a draw in order to preserve Colville's honor. William meets and falls in love with a noble lady, Jocelyn (Shannyn Sossamon), who has already been noticed by the powerful Count Adhemar (Rufus Sewell), the film's antagonist. A rivalry begins between the two of them for the affection of Jocelyn and the accolades of the tournaments, and Adhemar defeats William in his first tournament.

In the following tournament, they are both assigned to tilt against Sir Thomas Collville but Adhemar withdraws at the last minute after learning his true identity is that of Edward, the Black Prince (who assumed another identity hoping he will get a rare chance to compete if his opponents do not know his identity as the Prince of Wales), not willing to take the risk of harming English royalty. When William's turn comes, however, his competitiveness overcomes the pressure to withdraw, and he jousts with Edward (to Edward's surprise and pleasure) and wins the tournament, along with Edward's respect (because of the respect William has shown him in turn on two separate occasions, which the Prince considers an honorable and knightly quality). Following this, Will's companions, Wat, Roland, Kate, and Geoff, gamble all of their share of the money that William will win the French tournament in Paris. Simultaneously, Jocelyn tells William that he must lose the tournament to prove his love to her. After he openly accepts defeat after defeat, she changes her mind; he must now win to prove his love. He does win the tournament. After this, Jocelyn joins him in bed.

The group travels to London for the World Championship, and an important flashback to William's childhood is shown. His father, wanting the best for his son, reluctantly gave him over for squire services to Sir Ector, so that someday, he could realize his dream of becoming a knight and "change his stars" to live a better life than his father. Returning to the present, and to London for the first time since childhood, William, assuming that his father has long since died, visits his old neighborhood. He talks to a young local girl, (Alice Connor), who informs him that his father is still alive and well, albeit blind. William visits his father, initially presenting himself as Ulrich; and tells him that he has a message from William: that he has changed his stars after all. His father, overcome with joyous emotion, realizes it is actually his son, and they embrace and spend hours together.

Although everything appears well, Adhemar has returned from fighting in the Battle of Poitiers and discovers William's humble origins from a young girl outside Thatcher's home. He alerts the authorities. William's friends, including Jocelyn beg him to flee. Jocelyn promises to give up her privileged life and run away with him, but he refuses to run; and is arrested. Adhemar visits him in prison and gloats that he will marry Jocelyn, while beating the defenseless William. When William is moved to the stocks, his companions all stand with him to defend him from the crowd, which grows increasingly hostile until Prince Edward emerges from the mob. Silencing the crowd, and privately noting that William's friends' willingness to stand by him reflects the honour that he has earned, Edward orders William to be released, declaring that his historians have discovered that William is descended from an "ancient royal line" and that he is entitled to a knighthood after all; repaying William for the respect William had previously shown him (as it is the Prince's verdict, none are allowed to argue). He knights William. The newly dubbed "Sir William" goes on to resume his place in the tournament and compete against Adhemar.

With Jocelyn and William's father in attendance, Adhemar cheats with an illegal lance with a sharp point on the tip, which stabs into William's shoulder during the first round. William, unable to grip his lance or breathe properly due to his injury, has his armour removed and his lance strapped to his arm while Chaucer buys time by providing the introduction he 'forgot' earlier, and competes in the final round wearing only ordinary clothing. The two adversaries charge for the final bout, with William's life in the balance. He shouts his finally accepted true name, "WILLIAM," and knocks Adhemar from his horse, winning the tournament. Chaucer remarks that he should write this whole story down, a reference to "The Knight's Tale" of the Canterbury Tales. Jocelyn runs out ecstatically to meet William and they embrace in a long kiss.

Cast

• Heath Ledger as William Thatcher/Sir Ulrich/Sir William (late in the film), a determined peasant who proves that he is not only a fantastic jouster, but is also more knightly in his acts and countenance than many of the high-born nobles
• Rufus Sewell as Count Adhemar, the main antagonist- a cowardly, petty knight who is not above cheating his way to victory
• Shannyn Sossamon as Jocelyn, a high-born lady who expects more from her life than what a woman could expect in those days
• Bérénice Bejo as Christiana, Jocelyn's loyal friend and lady-in-waiting
• Paul Bettany as Geoffrey Chaucer, an extremely well spoken herald & writer
• Laura Fraser as Kate, a hard-working widowed blacksmith wanting to be recognized for her talent, and not defined by her gender
• Mark Addy as Roland, a chubby squire and solid friend of Thatcher. He finds amusement in the interactions between Chaucer and Wat
• Alan Tudyk as Wat, a red-haired squire and loyal friend of Thatchers', with a fiery temper
• James Purefoy as Sir Thomas Colville (Edward, the Black Prince)
• Leagh Conwell as Young William Thatcher
• Christopher Cazenove as John Thatcher
• Steven O'Donnell as Simon the Summoner
• Nick Brimble as Sir Ector, the knight who had William, Roland, and Wat as squires
• Roger Ashton-Griffiths as Old Bishop
• David Schneider as Relic Seller
• Alice Connor as Lone Girl
• Berwick Kaler as Man in Stocks

Production

The entire film was shot in Prague, Czech Republic.

The film includes a great deal of jousting footage. The initial scene of the two knights jousting is actually footage of Heath Ledger's stunt double in an accident. During filming of a later scene in the movie, the lance of the stunt double's opponent moved off target and hit him in the head. The double fell to the ground unconscious. In another incident, Heath Ledger knocked out one of director Brian Helgeland's front teeth with a broomstick when the two were demonstrating a jousting move. It took several months for Helgeland's mouth to heal enough to repair the damage.

Plenty of effort was expended creating lances that would convincingly explode upon impact without injuring the stunt riders. The body of each lance was scored so it would break easily, and the tips were made of balsa wood. Each was also hollowed out, with the holes filled with balsa splinters and uncooked linguine.^[1] Jousting armour was made by Rod Vass and his company Armordillo Ltd. using a unique sprayed Polyurethane system that they invented for the film Gladiator. On screen it is almost impossible to distinguish between the polyurethane stunt armour and steel armour, much of which was also made by Armordillo. Heath Ledger's armour was originally made in steel along with 3 x Polyurethane stunt replicas.

Use of anachronisms

In the film's actor/director DVD commentary, Brian Helgeland, co-commentating with Paul Bettany, states that the film was intended to have occurred sometime in the 1370s during a six-month period in which Chaucer had apparently gone missing and show what he might have done during this time, which Helgeland says later on in the commentary inspired Chaucer to write his Canterbury Tales. (The first Canterbury tale is The Knight's Tale. Chaucer also threatens two men he meets in the film with undying humiliation through fiction; these characters seem to have inspired the vitriolic descriptions of the Tales' Pardoner and Summoner.)

Helgeland also jokes in the commentary that he chose 1970s music and hairstyles for the movie because "the seventies are always the same", regardless of century. More seriously, Helgeland justifies his use of music by speculating that even during the 1370s, persons in the main characters' age group would've enjoyed newer, more contemporary music than something that had been around since their great grandparents were young, and opted to use music that would affect the audience the same way late 14th century music would've affected the youth of the 1370s. Thus, Helgeland attempted to stylize the movie in such a way as to bring the Middle Ages to the audience, rather than force the audience into the Middle Ages.

To this end, many intentional anachronisms are used within the story itself. Jocelyn's appearance combines medieval and modern styles, and the armor Kate makes for William is engraved with a symbol resembling the Nike logo. In the first jousting scene, when "We Will Rock You" is playing, the crowd provides the rhythmic thump-thump-clap as a modern-day crowd that recognizes the song would, the audience performs the wave, and a teenage girl is shown in the stands performing a distinctly twentieth-century dance. At a banquet, Count Adhemar tries to trip up the unsophisticated "Sir Ulrich" by urging him to show the other guests a dance from his own country; William, who's only spent a couple of hours learning to dance that day before the banquet, improvises with Jocelyn and comes up with something suited to a rock video (the featured song in this scene was "Golden Years" by David Bowie).

Language is also borrowed from the present day. An extended metaphor involving hunting during William's first conversation with Jocelyn leads to his calling her a "foxy lady." The first time Chaucer introduces William at a competition, he ends with a comedy-club "Thank you, I'll be here all week" in response to the crowd's wild cheers. When Jocelyn defends herself during an argument with William by saying, "Better a silly girl with a flower than a silly boy with a horse and a stick," an offended Wat calls after her, "It's called a lance... hellooo?" In one shot the London Eye is shown.

Music

The film, which notionally took place during the Middle Ages, is notable for its deliberate use of classic rock songs in its soundtrack. The ten that were credited in the movie are listed in order of appearance:^[2]

• "We Will Rock You" – Queen
• "Low Rider" – War
• "Takin' Care of Business" – Bachman–Turner Overdrive
• "Golden Years" – David Bowie
• "Further on Up the Road" – Eric Clapton
• "Get Ready" – Rare Earth
• "I Want to Take You Higher" – Sly and the Family Stone
• "The Boys Are Back in Town" – Thin Lizzy
• "You Shook Me All Night Long" – AC/DC
• "We Are the Champions" – Robbie Williams & Queen

Reception

Initially the reception for this film was mixed, with complaints about the anachronisms (the classic rock music in a movie that takes place during the Middle Ages), the many jousting scenes and the thin plot. However, notable film critic Roger Ebert gave the film 3 stars out of a possible 4 and commented that "Some will say the movie breaks tradition by telling a medieval story with a soundtrack of classic rock. They might as well argue it breaks the rules by setting a 1970s rock opera in the Middle Ages. To them I advise: Who cares?" and that in this film the director "pointed out that an orchestral score would be equally anachronistic, since orchestras hadn't been invented in the 1400s."^[3] The aggregate review site Rotten Tomatoes rated the movie as being 59% fresh along with 80% approval from the audience. ^[4]

Newsweek revealed in June 2001 that print ads for at least four movies released by Columbia Pictures, including A Knight's Tale and The Animal (2001), contained glowing comments from a film reviewer who did not exist. The fake critic, David Manning, was created by a Columbia employee who worked in the advertising department. "Manning" was misrepresented as a reviewer for a newspaper in a small Connecticut town.

See also

• List of historical drama films

References

External links

Wikiquote has a collection of quotations related to: A Knight's Tale

• A Knight's Tale at the Internet Movie Database
• A Knight's Tale at AllRovi
• A Knight's Tale at Rotten Tomatoes
• A Knight's Tale at Box Office Mojo