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A Lot Like Love

 
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A Lot Like Love

  • Director: Nigel Cole
  • AMG Rating: starstar
  • Genre: Comedy Drama
  • Movie Type: Romantic Comedy
  • Themes: Twentysomething Life, Brief Encounters, Otherwise Engaged
  • Main Cast: Ashton Kutcher, Amanda Peet, Kathryn Hahn, Kal Penn, Tyrone Giordano, Ali Larter
  • Release Year: 2005
  • Country: US
  • Run Time: 107 minutes
  • MPAA Rating: PG13

Plot

Two friends who've convinced themselves they would never make a good couple discover they might just be wrong in this romantic comedy. Oliver (Ashton Kutcher) and Emily (Amanda Peet) first met when they were college students sharing a flight from California to New York; Emily spontaneously seduced Oliver on the plane, and they spent the next few days together in the city. When they parted, however, Emily decided not to pursue a relationship with Oliver, even though he was obviously interested. Over the next several years, circumstances kept putting them in one another's paths, and over the years Oliver and Emily became close friends and confidantes. Both are still certain, though, that they're entirely wrong for each other on a romantic level. However, after nearly a decade, with both Oliver and Emily edging into their thirties, they begin to wonder if they've allowed a great opportunity to pass them by. A Lot Like Love also stars Kathryn Hahn, Ali Larter, and Kal Penn. ~ Mark Deming, All Movie Guide

Cast

Taryn Manning - Ellen Martin; Gabriel Mann - Peter; Jeremy Sisto - Ben Miller; Amy Aquino - Diane Martin; Nora Burns - Caterer; Lee Garlington - Stewardess; Birdie M. Hale - Old Woman; Linda Hunt - Airline Attendant; Colin Patrick Lynch - Upstairs Neighbor; Rick Overton - Tailor; Sam Pancake - Hipster at Party; James Read - Brent Friehl; Molly Cheek - Christine; Holmes Osborne - Stephen Martin; Josh Stamberg - Michael; Robert Peters - Roy Douglas; Sarah Ann Morris - Bartender; Aimee Garcia - Nicole; Misty Louwagie - Elegant Beauty; William Stanford Davis - Priest; Sarah Shahi - Starlet; Brendan P. Connor - Wedding Guest; Sean Smith - Lawyer; Herschel Bleefeld - Bill; Ron Bottitta - VC Guy; Joeanna Sayler - Gallery Owner; T.R. Hopper - Lawyer; Melissa Van Der Schyff - Carol Martin; Theresa Spruill - Street Vendor; Constance Hsu - Chinese Waitress; Moon Bloodgood - Bridget; Addison Bouquet - Hailey; Katherine Herzer - Little Girl; Kevin Robert Kelly - Park Ranger; Steven Guy - VC Guy; Meghan Markle - Hot Girl; Lindsay MacFarland - Gallery Patron; Conrad Bluth - Chris; Danielle O'Loughlin - Wedding Planner; Nealla Gordon - Caterer; Steve Filice - Caterer

Credit

Denise Hudson - Art Director, Jasmine Kosovic - Associate Producer, Jo Farrugia - Associate Producer, Brynn McQuade - Associate Producer, George Leong - Boom Operator, Glenn Young - Boom Operator, Joseph Middleton - Casting, Debbi Datz-Pyle - Conductor, Lisa Bruce - Co-producer, Alix Friedberg - Costume Designer, Betsy Magruder - First Assistant Director, Nigel Cole - Director, Susan Littenberg - Editor, Zanne Devine - Executive Producer, Lisa Bruce - Executive Producer, Suzann Ellis - Executive Producer, Charlie Lyons - Executive Producer, Kristan Wagner - Location Manager, Rose Viggiano - Location Manager, Alex Wurman - Composer (Music Score), Laura Z. Wasserman - Musical Direction/Supervision, Diane Stata - Musical Direction/Supervision, Elaine Offers - Makeup, Erin Ayanian - Makeup, Lucas Bielan - Camera Operator, Peter Rosenfeld - Camera Operator, Billy Coleman - Camera Operator, Tom Meyer - Production Designer, John DeBorman - Cinematographer, Armyan Bernstein - Producer, Kevin J. Messick - Producer, Domenic Silvestri - Set Designer, Jeff Beck - Set Designer, Ari Schwartz - Set Designer, Steve Nelson - Sound Mixer, William Sarokin - Sound Mixer, Racket - Sound Editor, Gary Combs - Stunts Coordinator, Robert Latham Brown - Unit Production Manager, Meredith Zamsky - Unit Production Manager, Colin Patrick Lynch - Screenwriter, Kelly Stuart - Production Assistant, Catherine Alexander - Production Assistant, Barbara Alperin - Production Assistant, Ryan Clark - Production Assistant, Jeff Coward - Production Assistant, Elizabeth Gary - Production Assistant, Mazen Hassan - Production Assistant, Kiley Lambert - Production Assistant, Molly O'Haver - Production Assistant, Alejandro Romero - Production Assistant, Mike Zeininger - Production Assistant, Payam Shohadai - Visual Effects Supervisor, Thomas Younkman - Sound Effects Editor, Aynee O. Joujon-Roche - Sound Effects Editor, Nancy Rae Stone - Executive in Charge of Production, Louise A. Spencer - Unit Publicist, Andy Harris - First Assistant Camera, Edwin Effrein - First Assistant Camera, Jim Belletier - First Assistant Camera, Joe Buscaglia - First Assistant Camera, Tyler Williams - First Assistant Camera, John G. Valez - Gaffer, Timothy Davies - Grip, Frank Boone - Grip, Chip Ingram - Grip, Jamie Franta - Grip, Pedro Hernández - Grip, Bodie Hyman - Grip, Justin Pager - Grip, James R. Kwiatkowski - Key Grip, Gary Martone - Key Grip, Rick Ziegler - Music Editor, Ellen Segal - Music Editor, Bryan Lawson - Music Editor, Alex Wurman - Musical Performer, George Doering - Musical Performer, Michael Valerio - Musical Performer, Michael Bland - Musical Performer, John Defaria - Musical Performer, James Kanter - Musical Performer, Maria Walker - Post Production Supervisor, Lynn Appelle - Production Coordinator, Todd Kolker - Production Coordinator, Kris Olson - Production Coordinator, Guillaume De Louche - Properties Master, Brad Sherman - Re-Recording Mixer, Jonathan Taylor - Re-Recording Mixer, Unsun Song - Re-Recording Mixer, Robert Althoff - Re-Recording Mixer, Jane-Ann Tenggren - Script Supervisor, Bac Delorme - Second Assistant Director, Richard Stutsman - Special Effects Coordinator, Peter Rosenfeld - Steadicam Operator, Ben Glass - Still Photographer, Demmie Todd - Still Photographer, Paul Timothy Carden - Supervising Sound Editor, Kelly Cabral - Supervising Sound Editor, Ian Noe - Visual Effects Producer, Barrett Hong - Costume/Wardrobe, Brian Birge - Costume/Wardrobe, Liz Donovan - Costume/Wardrobe, Eric Thompson - ADR Mixer, Chris Navarro - ADR Recordist, Alanna Nevada Levy - Art Department Assistant, Amy Routman - Art Department Assistant, Jonah Markowitz - Assistant Art Director, Michael Bonnaud - Assistant Chief Lighting Technician, Jerry Decarlo - Assistant Hair, Marshall Johnson - Assistant Location Manager, Janie Graves - Assistant Location Manager, Peter Pastorelli - Assistant Location Manager, Carlos Aragon - Assistant Location Manager, Wendy Taylor - Assistant Location Manager, Dan Cooley - Assistant Location Manager, Stephenson Crossley - Assistant Location Manager, Nuria Sitja - Assistant Makeup, Naomi Michelle Yospe - Assistant Production Coordinator, James Leo Meehan - Assistant Properties, Erwin Sholes - Assistant Properties, Sabrina Wright - Assistant Properties, Michael Reed - Best Boy Electric, Steve O'Hollearn - Best Boy Grip, Charles Quinlivan - Best Boy Grip, Julie Aquino - Buyer, Kirsten Laube - Camera Loader, Joe Gall - Casting Assistant, Lauren Grey - Casting Associate, Michael Bauman - Chief Lighting Technician, Curtis Crowe - Construction Coordinator, Careen Fowles - Costumes Supervisor, Mary Catherine Lane - Costumes Supervisor, Craig Miller - DGA Intern, Anish Savjani - DGA Intern, Lauren Stephens - Dialogue Editor, John Mang - Dolly Grip, Talley Morse - Dolly Grip, Tina Kerr - Extra Casting, Kristine Bulakowski Casting - Extra Casting, Billy Rich - First Assistant Editor, Edward M. Steidele - Foley Artist, Jerry Trent - Foley Artist, Kelly Mijailovic - Key Costumer, Lana Heying - Key Hairstylist, Desne Holland - Key Make-up, David Brace - Leadman, Richard J. Tice - Leadman, Paulie DiCocco III - Personal Assistant, Alicia Brown - Personal Assistant, Laura McLean - Personal Assistant, Kelly Nash - Personal Assistant, Lisa Cullen - Post Production Assistant, Joe Pestana - Post Production Assistant, Joshua Blakeslee - Second Assistant Camera, Kris Enos - Second Assistant Camera, Greg Finkel - Second Assistant Camera, Bart Brevé - Second Assistant Editor, Peter Dress - Second Second Assistant Director, Stacey Beneville - Second Second Assistant Director, Eric J. Luling - Set Dresser, Joni Finlay - Set Dresser, Gary Aharum - Set Dresser, Bruce Swanson - Set Dresser, Christopher Patterson - Set Dresser, Taylor Phillips - Set Production Assistant, Brandon Schiffman - Set Production Assistant, Anne Marie Wilson - Set Production Assistant, Ethan Anderson - Set Production Assistant, Peter Chang - Set Production Assistant, Jason Corica - Set Production Assistant, John Greenway - Set Production Assistant, Sean King - Set Production Assistant, Jim Nickas - Set Production Assistant, Ted O'Connor - Set Production Assistant, Christopher "Loud" Sadler - Set Production Assistant, Luma Pictures - Visual Effects, Meg Everist - Set Decorator, Andrew Baseman - Set Decorator, Barbara Harris - ADR Voice Casting, Frank Bradley - Cable Person, Richard Murphy - Cable Person, Mike Stanwick - Color Timing, Royce Smith - Color Timing, Brian Barnhart - Construction Foreman, Gary J. Coppola - Foley Mixer, John O'Malley - Generator Operator, Mary Fraser Nelson & Associates - Negative Cutter, Jennifer Mosley - Production Secretary, Jon P. Ko - Set Medic/First Aid, Nelson Bush - Swing Gang, Antonio Sola - Swing Gang, David D. Scott - Video Assist, Stanley F. James - Video Assist, Kathleen Walker - Art Department Coordinator, Bryan Lamoureux - Assistant Editor, Paul Kieran - Assistant Editor, Candy L. Walken - Department Head Hair, Tracey Levy - Department Head Makeup, Tyler Lafferty - Properties Maker, Daniel Pearson - Properties Maker, Rodney Wright - Properties Maker Foreman, Marc Stevens - Properties Maker Gang Boss, Jack B. Jennings - Properties Maker Gang Boss

Similar Movies

When Harry Met Sally; High Fidelity; Sweet November; Serendipity; L.A. Story; The Tao of Steve; Romantic Comedy
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Wikipedia: A Lot Like Love
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Lot Like Love

Original poster
Directed by Nigel Cole
Produced by Armyan Bernstein
Kevin J. Messick
Written by Colin Patrick Lynch
Starring Amanda Peet
Ashton Kutcher
Music by Alex Wurman
Cinematography John de Borman
Editing by Susan Littenberg
Distributed by Touchstone Pictures
Release date(s) April 22, 2005
Running time 107 minutes
Country United States
Language English
Budget $30 million [1]
Gross revenue $42,886,719 (Worldwide) [1]

A Lot Like Love is a 2005 romantic comedy-drama film directed by Nigel Cole. The screenplay by Colin Patrick Lynch focuses on two individuals whose relationship slowly evolves from lust to friendship to romance over the course of seven years.

Contents

Plot

Constructed as a series of chapters that take place at a turning point in each character's life, the story moves from seven years in the past to three years to two and finally arrives in the present day. Emily Friehl and Oliver Martin's first encounter is on a flight from Los Angeles to New York City, during which they join the mile high club. He has hopes of becoming an Internet entrepeneur and, certain of his future success, gives her his phone number and suggests she call him in six years to see if his prediction came true.

Three years later, facing the prospect of spending New Year's Eve alone, Emily finds Oliver's number and calls him, and the two meet for dinner. Thus starts a series of reunions with the passing of time, as each drift in and out of relationships with others, Oliver and his business partner Jeeter start an on-line diaper service, and Emily becomes a successful photographer. Each time they meet, one appears to be settled and content while the other is struggling to make headway in both life and career. Eventually they come to the realization that each is exactly the person the other one needs for fulfillment.

Production

The film was shot on location in New York City, Los Angeles, and Antelope Valley.

Music

The film's soundtrack was released by Columbia Records. It includes

Cast

Critical reception

Manohla Dargis of the New York Times said the film "isn't half bad and every so often is pretty good, filled with real sentiment, worked-through performances and a story textured enough to sometimes feel a lot like life. If nothing else, A Lot Like Love is a pleasant reminder of a Hollywood time, seemingly long gone, when boy met girl in a midlevel romantic comedy without arty aspirations . . . or low-brow yucks." [2]

Roger Ebert of the Chicago Sun-Times observed, "The movie is 95 minutes long, and neither character says a single memorable thing. You've heard of being too clever by half? Ollie and Emily are not clever enough by three-quarters . . . To call A Lot like Love dead in the water is an insult to water." [3]

Ruthe Stein of the San Francisco Chronicle said, "An unfortunate casting decision . . . comes close to sabotaging a witty script . . . As the sometimes couple, Ashton Kutcher and Amanda Peet are together in almost every scene, making it difficult to conceal the huge gap in their acting skills. Bland and with a small television face (words once used to describe David Caruso, but equally applicable here), Kutcher is incapable of doing the heavy lifting required to be a romantic lead . . . Peet, who has the looks and magnetism of a Kennedy offspring, makes Kutcher fade into the background, and you're left fantasizing what the movie might have been if Peter Sarsgaard had co-starred . . . Still, the movie is rich in the kind of details often left out because of a lack of budget or imagination." [4]

Christopher Orr of the New York Sun said, "What do you call a shameless imitation of a shameless imitation? A rip-off squared? An homage once removed? Whatever label you choose, it can be comfortably affixed to A Lot Like Love, an Ashton Kutcher-Amanda Peet vehicle that is a lot like When Harry Met Sally, which was itself a lot like Annie Hall. Sadly, the resemblance does not extend to quality. Indeed, those with a scientific turn of mind may take the devolution from Annie to Harry to A Lot Like Love as yet another demonstration of the Second Law of Thermodynamics, which says that in a closed system (an apt description of Hollywood if ever there was one) there is a tendency toward entropy - in this case, from acknowledged classic to memorable cable-television staple to dim, flabby dud . . . If one thing saves A Lot Like Love from disaster - and I'm not sure it does - it's an easy chemistry between the leads, though one that owes little to Mr. Kutcher's performance . . . Fortunately, Ms. Peet carries off the role of Emily with enough spark that even Mr. Kutcher gradually lights up . . . Since running away with The Whole Nine Yards five years ago, Ms. Peet has had altogether too little opportunity to showcase her sexy comic appeal. A Lot Like Love might have provided that opportunity, had it only featured something a little like a script." [5]

Peter Travers of Rolling Stone rated the film two out of four stars, calling it "a lot like a lot of other romantic comedies that make two lovers of friends (When Harry Met Sally, Serendipity) and a lot not like the two witty and wise Richard Linklater movies - Before Sunrise and Before Sunset - that span the relationship between Ethan Hawke and Julie Delpy for nearly a decade and leave you wanting more . . . About A Lot Like Love leaving you wanting a lot less, I am right." [6]

Box office

The film opened on 2,502 screens in the United States on April 22, 2005. It earned $7,576,593 on its opening weekend, ranking fourth after The Interpreter, The Amityville Horror, and Sahara. It eventually grossed $21,845,719 in the US and $21,041,000 in foreign markets for a total worldwide box office of $42,886,719. [1]

DVD release

Buena Vista Home Entertainment released the film on DVD in both anamorphic widescreen and fullscreen editions on August 23, 2005. Both have English, French, and Spanish audio tracks and French and Spanish subtitles. Bonus features include audio commentary by director Nigel Cole and producers Armyan Bernstein and Kevin J. Messick, deleted scenes, a blooper reel, and a music video by Aqualung.

See also

References

External links


 
 

 

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Movies. Copyright © 2009 All Media Guide, LLC. Content provided by All Movie Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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