| A Man Called Hero (1999 Film), A Man Called Gannon (1969 Film) | |
| A Man Called Magnum (1977 Film), A Man Called Peter (1955 Film) |
| A Man Called Horse | |
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Theatrical release poster design by Tom Jung |
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| Directed by | Elliot Silverstein |
| Produced by | Frank Brill Sandy Howard |
| Written by | Jack DeWitt Dorothy M. Johnson |
| Starring | Richard Harris Judith Anderson |
| Music by | Leonard Rosenman Lloyd One Star |
| Cinematography | Robert Hauser Gabriel Torres |
| Editing by | Philip W. Anderson |
| Distributed by | National General Pictures |
| Release date(s) | April 28, 1970 |
| Running time | 114 minutes |
| Country | United States |
| Language | English |
A Man Called Horse is a 1970 American Western film starring Richard Harris and directed by Elliot Silverstein.
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The film is based on a short story, "A Man Called Horse", published in 1968 in the book Indian Country by Dorothy M. Johnson. Partially spoken in Sioux, the film tells the history of an English aristocrat, John Morgan, who is captured by a Native American tribe.
Initially enslaved and mocked by being treated as the animal of the title, Morgan comes to respect his captors' culture and gain their respect. He is aided in understanding the Sioux by a captive, Batise, the tribe's fool, who had tried to escape and was hamstrung behind one knee. When one of the warriors takes a vow never to retreat in battle, Morgan's changing perspective is shown, as he turns angrily on the uncomprehending Batise, telling him "Five years you've lived here, and you've learned nothing about these people – all his death is to you is a means of escape."
Determining that his only chance of freedom is to gain the respect of the tribe, he overcomes his repugnance and kills two warriors from another tribe, which allows him to claim warrior status. After his victory, he proposes marriage to one of the women with the horses taken in battle as dowry, and undergoes painful initiation rites, taking the native name "Horse" as his Sioux name. He becomes a respected member of the tribe and ultimately their leader.
The tribal people were acted by members of the Rosebud Sioux tribe of South Dakota.
Two sequels to the original movie were made, both with Harris reprising his role:
The film notably treats both sides dispassionately, from the view of neither the white man nor the American Indian tribe, but encompassing both cultures; its representation of tribal practices and rituals (including the Sun Dance) is described as based upon historical records (stated in the on-screen text prologue on the DVD version of the movie).
However, some Indian activists criticized the film harshly. Buffy Sainte Marie said, "Even the so-called authentic movies like A Man Called Horse—that's the whitest of movies I've ever seen."[1] Vine Deloria, Jr. said, "As we learned from movies like A Man Called Horse, the more 'accurate' and 'authentic' a film is said to be, the more extravagant it is likely to be in at least some aspects of its treatment of Indians."[2]
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