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A Mighty Wind

 
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A Mighty Wind

  • Director: Christopher Guest
  • AMG Rating: starstarstar
  • Genre: Comedy
  • Movie Type: Reunion Films, Musical Comedy
  • Themes: Musician's Life, Lovers Reunited
  • Main Cast: Bob Balaban, Christopher Guest, Catherine O'Hara, Eugene Levy, Michael McKean, Jane Lynch, John Michael Higgins
  • Release Year: 2003
  • Country: US
  • Run Time: 92 minutes
  • MPAA Rating: PG13

Plot

The writing and directing team who created Waiting for Guffman and Best in Show turn their satiric eye toward the world of folk music in this sly mockumentary. Irving Steinbloom was one of the great behind-the-scenes figures of the folk music boom of the late '50s and early '60s, and helped to nurture the careers of three of the best known acts of the era. The Folksmen -- Mark Shubb (Harry Shearer), Alan Barrows (Christopher Guest), and Jerry Palter (Michael McKean) -- were an earnest folk trio who sang of America's noble past and the challenges of the future; they split up in the early '70s after a failed attempt to go electric. Mitch & Mickey were a duo in both music and life, comprised of Mitch Cohen (Eugene Levy) and Mickey Devlin (Catherine O'Hara). They sang soulful songs of love until the collapse of their relationship sent Mitch into a deep and incapacitating depression. And The Main Street Singers were a nine-piece vocal group -- a "neuftet," as they prefer it -- who offered energetic good-time music, cranking out nearly 30 albums in the course of a decade; their current incarnation, The New Main Street Singers (played by Jane Lynch, Parker Posey, John Michael Higgins, David Alan Blasucci, Steve Pandis, Christopher Moynihan, Paul Dooley and Patrick Sauber) is still on the road. When it is announced that the legendary Irving Steinbloom has died (the character never appears in the film), his son Jonathan (Bob Balaban) decides that the best way to memorialize his father is through music, and with the help of Mike LaFontaine (Fred Willard) of Hi-Class Management, they set out to bring The Folksmen, Mitch & Mickey, and The New Main Street Singers back together for a special concert at New York's Town Hall. Christopher Guest, Michael McKean, and Harry Shearer -- who previously teamed up for This Is Spinal Tap -- not only perform together as The Folksmen in A Mighty Wind, but composed most of the songs performed onscreen. ~ Mark Deming, All Movie Guide

Review

If you've gotten an A+ more than once, no one ever seems to be entirely satisfied when your report card says A-, and that's the biggest bugaboo in reviewing A Mighty Wind. While it's a clever and thoroughly enjoyable comedy on its own terms, knowing that A Mighty Wind comes from the same creative team which made Waiting for Guffman and Best in Show sets up some unusually high expectations, and when one makes the inevitable comparisons, A Mighty Wind falls short. The film's biggest failing is that while much of the same superb comic cast from those two films is on hand this time out (and Harry Shearer is on board as Spinal Tap go undercover as the Folksmen), many of them simply aren't given enough to do, especially Parker Posey, Don Lake, and Michael Hitchcock, while Fred Willard, Larry Miller, and Jennifer Coolidge are saddled with roles that are simply beneath their abilities. While Guffman and Best in Show both had great moments where characters were able to strongly, clearly, and hilariously define their characters in a few brief moments, A Mighty Wind has more than its share of players who have funny shtick but not much of a persona to go along with it, and the film suffers for it. However, the moments that do work compensate for the flaws, and many of the film's best moments come in unexpected places. The songs brilliantly walk a line between sincere tribute and vicious parody of early-'60s folk tunes (especially "Old Joe's Place" and "Never Did No Wanderin'"), and Eugene Levy and Catherine O'Hara are not only hilarious but unexpectedly moving as a divorced couple forced to deal with a lot of old baggage as they prepare for their reunion gig; would that every film about divorce could be as insightful. If -- to belabor the academic metaphor -- A Mighty Wind isn't the magna cum laude candidate you likely expect from Christopher Guest after his previous two directorial efforts, it's still strong enough to make the dean's list, and suggests Guest and his repertory company may have a few more surprises in store for their next effort. ~ Mark Deming, All Movie Guide

Cast

Parker Posey - Sissy Knox; Harry Shearer - Mark Shubb; Fred Willard - Mike LaFontaine; Ed Begley, Jr. - Lars Olfen; Paul Dooley - George Menschell; Jennifer Coolidge - Amber Cole; Michael Hitchcock - Lawrence Turpin; Don Lake - Elliott Steinbloom; Larry Miller - Wally Fenton; Deborah Theaker - Naomi Steinbloom; Christopher Moynihan - Sean Halloran; Paul Benedict; Jim Piddock - Leonard Crabbe; Freda Foh Shen - Melinda Barrows; Laura Harris - Miss Klapper; Linda Kash; David Blasucci - Tony Pollono; William S. Nunziata

Credit

Pat Tagliaferro - Art Director, Richard Hicks - Casting, Durinda Wood - Costume Designer, Scott Andrew Robertson - First Assistant Director, Christopher Guest - Director, Robert Leighton - Editor, Donna E. Bloom - Line Producer, Catherine O'Hara - Composer (Music Score), Annette O'Toole - Composer (Music Score), C.J. Vanston - Composer (Music Score), Eugene Levy - Composer (Music Score), Michael McKean - Composer (Music Score), Harry Shearer - Composer (Music Score), John Michael Higgins - Composer (Music Score), Catherine O'Hara - Songwriter, Annette O'Toole - Songwriter, C.J. Vanston - Songwriter, Christopher Guest - Songwriter, Eugene Levy - Songwriter, Michael McKean - Songwriter, Harry Shearer - Songwriter, John Michael Higgins - Songwriter, Joseph T. Garrity - Production Designer, Arlene Donnelly Nelson - Cinematographer, Karen Murphy - Producer, Dena Roth - Set Designer, Mark Weingarten - Sound/Sound Designer, Christopher Guest - Screenwriter, Eugene Levy - Screenwriter, C.J. Vanston - Music Producer

Similar Movies

Forgotten Silver; Waiting for Guffman; Best in Show; The Rutles 2: Can't Buy Me Lunch; Sons of Provo; Shtickmen; The Last Polka; Sing Now or Forever Hold Your Peace; Walk Hard: The Dewey Cox Story
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Wikipedia: A Mighty Wind
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A Mighty Wind

Theatrical release poster
Directed by Christopher Guest
Produced by Karen Murphy
Written by Christopher Guest
Eugene Levy
Starring Bob Balaban
Catherine O'Hara
Eugene Levy
Christopher Guest
Michael McKean
Harry Shearer
John Michael Higgins
Jane Lynch
Parker Posey
Fred Willard
Deborah Theaker
Distributed by Warner Bros.
Release date(s) April 16, 2003
Running time 91 min
Language English
Preceded by Best in Show (2000)
Followed by For Your Consideration (2006)

A Mighty Wind is a 2003 mockumentary about a folk music reunion concert and the three groups that must come together to perform on national television for the first time in years. The film was directed (and co-written) by Christopher Guest. The title alludes to the folk standards "Blowin' in the Wind" and "Wasn't That A Mighty Storm", covered by many singers of the early 1960s. The film was inspired by the 1982 documentary film The Weavers: Wasn't That a Time! about The Weavers' 1980 Carnegie Hall reunion concert.

Many actors and actresses return from This Is Spinal Tap, Waiting for Guffman, and Best in Show for this film, including Eugene Levy, Catherine O'Hara, Michael McKean, Harry Shearer, Fred Willard, Bob Balaban, Ed Begley, Jr., Jennifer Coolidge, Paul Dooley, John Michael Higgins, Michael Hitchcock, Rachael Harris, Don Lake, Jane Lynch, Larry Miller, Jim Piddock, Deborah Theaker, and Parker Posey.

One of the songs from the movie, "A Kiss at the End of the Rainbow", was nominated for the Academy Award for Best Song, and was performed at the 76th Academy Awards by Levy and O'Hara (in character). The song was written by McKean with his wife, actress Annette O'Toole, while they were driving from California to Canada during the no-fly time after the September 11, 2001 attacks.

Contents

Plot

After the death of influential folk music producer Irving Steinbloom, his children organize a reunion concert for the three most successful groups he ever worked with, in order to pay tribute to Irving's life. "The Folksmen", "The New Main Street Singers", and "Mitch & Mickey" all have their own issues with getting prepared for the concert. The New Main Street Singers are mostly new to the genre (being a reincarnation of the original Main Street Singers) and have a manager with a painfully bad sense of humor attempting to organize their antics. The Folksmen see the concert as an opportunity for a comeback, and while they express contempt for folk groups that have compromised the integrity of the genre for commercial success—an issue that comes to a head when a miscommunication about the concert playlist is discovered—they must find ways to engage a new generation of fans. Mitch and Mickey haven't spoken since a traumatic break-up decades before—now Mitch is a barely coherent emotional wreck, Mickey has married a model train enthusiast who sells catheters, and neither of them has played music in years. For these three groups to perform successfully on national public television, live, from New York City's Town Hall, will require a miracle of immense proportions.

The Folksmen

The Folksmen are a trio consisting of Mark Shubb (bass vocals and upright bass, played by Harry Shearer), Alan Barrows (tenor vocals, mandolin, guitar, and five-string banjo, played by Christopher Guest), and Jerry Palter (baritone vocals, guitar, and mandolin, played by Michael McKean). The Folksmen are an apparent parody of such groups as Peter, Paul and Mary, The Weavers, The Limeliters, and The Kingston Trio.

In the film

According to the film, the Folksmen released six albums on the Folktown Records label: Singin' (featuring "Old Joe's Place"), Pickin' (featuring "Blood on the Coal"), Ramblin' (featuring "Never Did No Wanderin'"), Hitchin' (featuring "Loco Man"), Wishin' (featuring "Barnyard Symphony" and "Skeletons of Quinto"), and Saying Something (featuring "Children Of The Sun"), which broke with the tradition of using only acoustic instruments and single-word titles without final '-g's. Their biggest hit, "Old Joe's Place," reached position 17 in the charts.

After the performance at Town Hall, Shubb decides he wants to spend the rest of his life living as a woman, complete with blonde wig. He continues to sing and speak, however, in his famous bass register.

Outside the film

The appearance of The Folksmen in A Mighty Wind was not their first reunion performance. Before A Mighty Wind, The Folksmen performed "Old Joe's Place" on the 3 November 1984 episode of Saturday Night Live, hosted by McKean. The band also performed on the Fox television show Mad TV. In 2001, the band "reunited" as the opening act for Spinal Tap's "Back from the Dead Tour". The Folksmen also appeared in the video release The Return of Spinal Tap as Spinal Tap's opening act for their Royal Albert Hall performance. The same actors portray The Folksmen and the three main members of Spinal Tap.

The Folksmen "reunited" again as openers for Spinal Tap's "one night only world tour", which took place at Wembley Arena on June 30, 2009.

Songs

  • "Old Joe's Place": their only hit song. Contains silly lyrics, such as "there's a puppy in the parlor and a skillet on the stove / and a smelly old blanket that a Navajo wove".
  • "Never Did No Wanderin'": describes, in amusing detail, how the singer has never traveled anywhere. Covered by the New Main Street Singers, who open their Town Hall performance with this song, which forces the surprised Folksmen to change their setlist.
  • "Loco Man": a calypso song about a man who does nothing except relax on a beach.
  • "Corn Wine": a song about the passage of time, which features a prominent penny whistle, while also obeying the iron-clad rule, "nonny before ninny".
  • "Blood on the Coal": a mash-up of two folk standards: train wrecks and mine disasters. The train "went in the wrong hole" and crashed in the mine.
  • "Barnyard Symphony": a child-like song about a farmer and his animals. Contained audience participation.
  • "Start Me Up": an acoustic song that describes how people can relate to cars. Cover of The Rolling Stones classic.
  • "Skeletons of Quinto": a song about the Spanish Civil War.
  • "Children of the Sun": The Folksmen's only electric song from 1968, vaguely psychedelic in sound.

The New Main Street Singers

The New Main Street Singers perform in A Mighty Wind

The nine pastel-clad "New Main Street Singers" are patterned after The New Seekers, The New Christy Minstrels, The Doodletown Pipers, and The Rooftop Singers.

Writers Levy and Guest's initial outline for the film had this neuftet singing in unison as a musical joke. That idea was dropped and John Michael Higgins's intricate vocal arrangements were used instead; during rehearsal, one band member is punished for singing a note in unison rather than a chordal sixth.

In the film, the original Main Street Singers had released such albums as Songs of Good Cheer (featuring "Just That Kinda Day"), Strolling Down Main Street (featuring "Potato's in the Paddy Wagon"), The Main Street Singers in Bethlehem (featuring "The Good Book Song"), and Sunny Side Up (featuring "Fare Away"), before breaking up in 1971.

The New Main Street Singers were formed by George Menschell (played by Paul Dooley), the sole survivor of the original Main Street Singers. Menschell sings, but does not play his guitar. He just holds it. Sometimes, his microphone does not even appear to be plugged in. In the commentary for the DVD release, Christopher Guest and Eugene Levy say that in a scene that was cut from the finished movie, it is explained that Menschell cannot play the guitar, but that just before a performance of the original Main Street Singers, he got a stain on the front of his shirt and covered it up by holding a guitar for the performance, something he continued to do for all subsequent performances.

The new group is centered on Terry Bohner (tenor guitar, played by John Michael Higgins) and his wife Laurie Bohner (guitar, played by Jane Lynch). Laurie is a former adult film star and is the co-founder, together with her husband, of Witches in Nature's Colors (WINC), a group of modern-day witches that worship the power of color. They are joined by Sissy Knox (mandolin and tambourine, played by Parker Posey), a former delinquent and daughter of one of the original members of the Main Street Singers. They are managed by the obnoxious Mike LaFontaine (Fred Willard), whose fifteen minutes of fame came by way of the failed TV program "Wha' Happened?" which lasted less than one season during the 1970s. The group, which is otherwise entirely white, includes one Filipino American member, Mike Maryama (played by Mark Nonisa), a detail likely inspired by Larry Ramos, the sole Filipino American member of The New Christy Minstrels.

Songs:

  • "Just That Kinda Day": a song about optimism in a pessimistic world.
  • "Fare Away": based on the novel Moby-Dick, this song was a big hit in 1968.
  • "The Good Book Song": based on stories of the Bible.
  • "Never Did No Wanderin'": cover of the Folksmen song, with more enthusiasm (the Folksmen liken it to a toothpaste commercial).
  • "The Main Street Rag": the Main Street Singers' theme song.
  • "Potato's in the Paddy Wagon": a silly song about a girl who won a sheriff's heart.

Mitch & Mickey

Mitch Cohen (vocals and guitar, played by Eugene Levy) and Mickey Crabbe née Devlin (vocals & autoharp, played by Catherine O'Hara) may represent a parody of a number of folk music duets, including:

In the fictional reality of the film, they released seven albums together: Meet Mitch & Mickey (which contains the song "One More Time" and whose cover looks suspiciously like that of Meet the Beatles), If This Rose Could Talk, Songs From A Love Nest, Together Forever (featuring "Kiss At the End of the Rainbow"), Over the Moon, Live At the Folk Place, When You're Next To Me (featuring the song of the same title). The font used for the group's name is the same font that folk group Peter, Paul and Mary used and the covers for Together Forever and Live at Folk Place have references to PPM album covers. After Mitch and Mickey's breakup, Mitch went on to record three poorly received solo albums: Cry for Help (containing such singles as "If I Had A Gun" and "Anyone But You"), Songs From A Dark Place, and Calling it Quits. The cover of Calling It Quits, showing Mitch digging his own grave, is suggestive of the tombstone of the cover of Phil Ochs's album from 1969, Rehearsals for Retirement.

Part of the performance of "Kiss At the End of the Rainbow" is an actual kiss between Mitch and Mickey at a certain point in the song. This leads to an awkward silence during rehearsals and a moment of dramatic tension during the performance, culminating in a kiss at the appropriate moment.

Songs:

  • "When You're Next To Me": Mitch and Mickey's last song together.
  • "Killington Hill": a silver-dagger ballad about a rape, a murder, and a nap. Mitch suggests this as a "possible opener" for their set at the Town Hall show.
  • "One More Time": a love plaint.
  • "The Ballad of Bobby and June": a story about two lovers who lived during the American Civil War.
  • "A Kiss at the End of the Rainbow": their 1966 hit, which in reality was nominated for an Academy Award.

At the end of the film, Mickey sings "The Sure-Flo Song" (about urine incontinence aids), which the end credits state was written by Catherine O'Hara.

All three folk groups, along with the audience, sing the anthem "A Mighty Wind" together as the finale of the concert.

Production

In an interview done during the film's publicity, Annette O'Toole stated that many of the songs were written when—in the aftermath of the September 11, 2001 attacks—plane groundings meant she and husband Michael McKean had to drive from their home in Los Angeles to Vancouver, where O'Toole's television series Smallville was being filmed. Along the way, to amuse themselves, they wrote the songs.

The Town Hall scenes were filmed at the restored Orpheum Theatre in Los Angeles.

Reception

One of the songs from the movie, "A Kiss at the End of the Rainbow" was nominated for the Academy Award for Best Song, and was performed at the 76th Academy Awards by Levy and O'Hara (in character). The film won the Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media at the 46th Grammy Awards.

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