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A Perfect Day for Bananafish

 
Notes on Short Stories: A Perfect Day for Bananafish

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


J. D. Salinger
1948

"A Perfect Day for Bananafish" first appeared in the January 31, 1948, issue of the New Yorker and was collected as the first piece in Nine Stories (1953). The story is the first concerning a member of the fictional Glass family Salinger created, whose members figure in much of his work.

Seymour, the oldest of the Glass children, is Salinger's main character in one of his most elusive pieces of writing. The reader of "Bananafish" learns that Seymour, a veteran of World War II, has had trouble readjusting to civilian life — an understandable problem that thousands of soldiers had to face. However, his suicide in the story's final paragraph shocks most readers and then leaves them scratching their heads, trying to understand why, exactly, Seymour pulled the trigger.

This apparent lack of motive is at the heart of the critical debate on the story. Some readers find Seymour's wife, Muriel, partially to blame, as her self-interest seems to overshadow what should be her wifely concern for her troubled husband. Others view Seymour as something of a guru, a man wise enough to know that his world can only corrupt him and who, therefore, escapes from it. Also plausible is the idea that Seymour is like the bananafish he describes: a man so glutted (with horror or pleasure) that he can no longer survive. Multiple interpretations are possible, which makes the story's meaning ripe for debate, a much-disputed point for both professional critics and casual fans. Regardless of what specific motive a reader assigns to Seymour's suicide, he or she is sure to be involved in Salinger's elaborate game of symbols, colors, and other indirect means of storytelling.

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Wikipedia: A Perfect Day for Bananafish
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"A Perfect Day for Bananafish" is a short story by J. D. Salinger, originally published in the January 31, 1948 issue of The New Yorker. It was anthologized in 1949's 55 Short Stories from the New Yorker as well as in Salinger's 1953 collection, Nine Stories. It is the first of his stories to feature the fictional Glass family; it follows Seymour Glass and his wife on a second honeymoon, in Florida.

The story, originally titled "A Fine Day for Bananafish",[1] was an important one in Salinger's career. The New Yorker, which at the time had only published one of his stories, accepted "Bananafish" for publication immediately and, because of its "singular quality," signed Salinger to a contract giving them right of first refusal on any future short stories.[1] Upon its publication, "A Perfect Day for Bananafish" was met with immediate acclaim; according to Salinger biographer Paul Alexander, it was "the story that would permanently change his standing in the literary community."[1]

Contents

Plot summary

"A Perfect Day for Bananafish" details Seymour's day on the beach, as his wife, Muriel, spends her time in a hotel room talking to her mother on the phone about clothing and Seymour's behavior. She asks about the location of a book by a German poet which Seymour sent her, but which she had never read. Seymour is concerned about many obscure things, such as people staring at his feet, and wears a bathrobe on the beach to avoid people staring at a tattoo which he does not have. While in the water, Seymour tells a story of the bananafish to a young girl named Sybil. The fish, he says, are "very ordinary looking" when they swim in a hole, but once they are there eat so much they cannot fit out and subsequently die. He then returns to his room where Muriel is sleeping, retrieves a gun from his luggage, sits down next to her and shoots himself in the right temple.

Analysis

The short story is recognized for its technical achievement[2] as well as the macabre sense of humor inherent in much of Salinger's works. Some critics focused on symbolism.[3] Salinger used dialogue in the first section of the story to describe the shallowness of Muriel and her mother. The second section begins with Sybil Carpenter, a young girl wearing a two-piece swim suit, saying "see more glass." Her mother is also talking about clothes, similar to Muriel's mother. Seymour isolates himself on the beach, and his answers to Sybil's question of "where is the lady?" make it clear he is discouraged with her.[4] There are many interpretations of the motives for his suicide, and at least one[5] contrasts his "vulgar, destructive" wife and the "clean, pure" aspect of six-year-old Sybil.

References

  1. ^ a b c Alexander, Paul (1999). Salinger: A Biography. Los Angeles: Renaissance. ISBN 1-58063-080-4.  p. 124.
  2. ^ Alexander, Paul (1999). Salinger: A Biography. Los Angeles: Renaissance. ISBN 1-58063-080-4. 
  3. ^ Bloom, Harold, ed., J. D. Salinger, Chelsea House, 2002, pp. 50-51.
  4. ^ Gwynn, Frederick L., and Joseph L. Blotner, "One Hand Clapping," in Salinger: A Critical and Personal Portrait, Harper & Row, 1962, p. 110.
  5. ^ Gwynn and Blotner, "Against the cult of the Child," in Salinger: A Critical and Personal Portrait, p. 241.

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