A Prairie Home Companion

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A Prairie Home Companion

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Plot

Acclaimed filmmaker Robert Altman (Short Cuts, Nashville) brings National Public Radio stalwart Garrison Keillor's long-running radio program to vivid life on the big screen in a intricately woven backstage fable centering on the final performance of a fictionalized version of his variety show. As if the result of some strange mass-media fluke, the popular radio program A Prairie Home Companion somehow managed to survive the television age to entertain its audience every Saturday night from the stage of the historic Fitzgerald Theater in St. Paul, MN. Week after week, hangdog host Garrison Keillor serves as unflappable emcee to an amiable hodgepodge of radio-friendly acts that include the likes of popular country duo Yolanda and Rhonda Johnson (Meryl Streep and Lily Tomlin) and singing cowboys the Old Trailhands (Woody Harrelson and John C. Reilly). This is one show where the under-the-line antics are nearly as entertaining as the program itself, though, and in between the efforts of down-on-his-luck private dick and backstage doorkeeper Guy Noir (Kevin Kline) to discover the true identity of a mysterious blonde (Virginia Madsen) and aspiring teen singer Lola (Lindsay Lohan) to find her true voice before a live audience, there's still plenty of fun and mystery to be had at the old Fitzgerald before the final curtain falls on A Prairie Home Companion. ~ Jason Buchanan, Rovi

Review

This big-screen adaptation of Garrison Keillor's long-running radio show A Prairie Home Companion, directed by an octogenarian Robert Altman, offers a beautiful synthesis of two unique artistic visions. Both an ode to old-time radio while a sly parody of it, Keillor's program has always attempted to achieve nostalgia through humor, music, and song. His pining for a lost time carries over to the fictional version of the show presented in the film, but Altman, just a few years removed from a heart transplant, obviously has mortality on his mind. He infuses this material with a sense of foreboding that dovetails nicely with Keillor's nostalgia to create a somber, downright sad film that still manages to produce smiles and laughs thanks to the actors and the performance material. Lily Tomlin and Meryl Streep play a sister singing act, and their conversations in the film offer a clear example of everything that Altman does well with actors. To each other, and to Streep's daughter (a very game Lindsay Lohan), they spend much of the film telling long, rambling stories to each other about the history of their family during which they step on each others lines, digress to seemingly random topics, and offer unexpected but truthful emotional expressions of love and grief. Altman gives them plenty of room in the frame, so much so that after a while the audience may feel like they are eavesdropping on the conversations rather than watching written material being performed. Woody Harrelson and John C. Reilly perform a hilarious song about telling dirty jokes, and the scenes of Streep and Tomlin singing together on-stage are as subtly and fully engaging as their dialogue scenes. Although A Prairie Home Companion will probably never be considered among Altman's classic works, it does offer the opportunity to witness a great artist never questioning the purpose of creating art and entertainment even as death feels closer than ever before. ~ Perry Seibert, Rovi

Cast

Tommy Lee Jones - The Axeman; Tim Russell - Stage Manager; Susan Scott - Makeup Lady; L.Q. Jones - Chuck Akers; Marylouise Burke - Lunch Lady

Credit

Jeff Schoen - Art Director, Lowell Dubrinsky - Associate Producer, Pam Dixon - Casting, Catherine Marie Thomas - Costume Designer, Vebe Borge - First Assistant Director, Robert Altman - Director, Jacob Craycroft - Editor, Fisher Stevens - Executive Producer, William Pohlad - Executive Producer, John Penotti - Executive Producer, George Sheanshang - Executive Producer, Richard Dworsky - Musical Arrangement, Dina Goldman - Production Designer, Edward Lachman - Cinematographer, Robert Altman - Producer, David Levy - Producer, Joshua Astrachan - Producer, Wren Arthur - Producer, Tony Judge - Producer, Drew Kunin - Sound/Sound Designer, Garrison Keillor - Screen Story, Ken LaZebnik - Screen Story, Garrison Keillor - Screenwriter, Martin Czembor - Re-Recording Mixer, Michael Barry - Re-Recording Mixer, Eliza Paley - Supervising Sound Editor, Tora Peterson - Set Decorator, Patricia Payne - Co-Executive Producer, John H. Stout - Co-Executive Producer, Fred Green - Co-Executive Producer, Gerard L. Cafesjian - Co-Executive Producer, Armenia FilmStudios - Co-Executive Producer

Previous:A Pozdravujte Vlastovicky (1971 Film), A Powerful Noise (2008 Film)
Next:A Prairie Home Companion With Garrison Keillor - 30th Broadcast Season Celebration (2004 Film), A Praise in the Valley (Film)
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A Prairie Home Companion

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Wikipedia on Answers.com:

A Prairie Home Companion (film)

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A Prairie Home Companion

Theatrical release poster
Directed by Robert Altman
Produced by Robert Altman
Fisher Stevens
Written by Garrison Keillor
Starring Garrison Keillor
Woody Harrelson
L. Q. Jones
Tommy Lee Jones
Kevin Kline
Lindsay Lohan
Virginia Madsen
John C. Reilly
Maya Rudolph
Meryl Streep
Lily Tomlin
Music by Garrison Keillor
Cinematography Edward Lachman
Distributed by Picturehouse
New Line Cinema
Release date(s) June 9, 2006
Running time 106 minutes
Country United States
Language English
Budget $10 million
Box office $25,978,442

A Prairie Home Companion is a 2006 ensemble comedy directed by Robert Altman. It was Altman's final film; he died in November 2006. The movie is a fictional representation of behind-the-scenes activities at the long-running public radio show of the same name.

Contents

Plot

A long-running live radio show is in danger of being canceled by new owners of the company that holds both radio station "WLT" and the theater where the show is broadcast. The film takes place on the night of the show's last performance. The show has two visitors: an angel calling herself Asphodel (Virginia Madsen) comes to comfort the people who work on the show and to escort one of them to the afterlife, while "the Axeman" (Tommy Lee Jones), a representative of the new owners, arrives to judge whether the show should be canceled. He makes it clear that the show is not what he considers modern popular programming, and though he too is escorted by the angel, the show is shut down anyway. In an epilogue at the end of the film the former cast members are reunited at Mickey's Diner. Their conversation pauses as they are joined by Asphodel, leaving the implication that she has arrived for another (or others)[1] of their number.

Cast

Production notes

To receive insurance for the shoot, Robert Altman had to hire Paul Thomas Anderson as a "backup" director to observe filming at all times and be prepared to take over for Altman in case of his incapacity.[2][3][4] Using the working title The Last Show, principal photography for the film began on June 29, 2005, at the Fitzgerald Theater in St. Paul, Minnesota (the usual venue for the radio show). Filming ended on July 28, 2005. The film was the second major picture (after North Country, starring Charlize Theron and Harrelson) to be filmed in Minnesota in 2005.

Because the Fitzgerald is a rather small building, other stage theaters in the Minneapolis-St. Paul region had been considered as stand-ins. With some effort, the necessary film equipment was crammed into the structure. The basement was also used for sets due to lack of space. Set design had to make the show more visually interesting, and fake dressing rooms were used in the film (the movie's production designer noted that Keillor's actual dressing room is "about the size of a very, very small bathroom"). Mickey's Diner, a downtown St. Paul landmark, is also featured.

On November 1, 2005, the Star Tribune reported that an early screening in New York City for film distributors resulted in a heavy bidding war. Picturehouse bought the rights, and company president Bob Berney, "aiming to capitalize on the name recognition of the 31-year-old radio program, recommended that the title revert to A Prairie Home Companion. 'At the screening, Garrison said that to broaden the film's appeal, they were thinking about changing the name to Savage Love, so we may have an argument there,' Berney said."

Reception

Critics

A Prairie Home Companion opened the 2006 South by Southwest film festival on March 10, then premiered in St. Paul, on May 3, 2006, at the Fitzgerald Theater, which had projection and sound equipment brought in for that purpose. The film's stars arrived in ten horse-drawn carriages. Brian Williams of NBC Nightly News anchored his newscast from neighboring Minneapolis, Minnesota that night so that he would be able to attend.

Critics' general reaction to the film was favorable, and it garnered an 81% fresh rating at Rotten Tomatoes. Roger Ebert awarded the film four out of four stars, saying, "What a lovely film this is, so gentle and whimsical, so simple and profound",[5] and later added the film to his "Great Movies" list.[6]

Michael Medved gave the film one and a half stars out of four, saying, "The entertainment value stands somewhere between thin and nonexistent" and "[it may be] the worst movie ever made that pooled the talents of four (count ‘em – four!) Oscar winners"[7]

Desson Thomson from The Washington Post fell in between, saying in a review headlined "Honey, You Could Ask For More" (a reference to the theme song of the radio show and film) that while the movie had its strengths, it was weaker than it should have been.[8]

Awards

Meryl Streep won the Best Supporting Actress Award from the National Society of Film Critics for her role; Altman was also posthumously nominated for an Independent Spirit Award for Best Director.

Box office

The film had a successful limited release in the United States and grossed $20,338,609 domestically and $25,978,442 worldwide.

Home media

The DVD was released on October 10, 2006. Special features included deleted scenes, a behind-the-scenes documentary, and commentary by Altman and Kline. A Prairie Home Companion Original Motion Picture Soundtrack was released on May 23, 2006, by New Line.

References

External links


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Mentioned in

Dave Moore (Folk Artist, '90s)
Lonesome Tonight (1991 Album by Stoney Lonesome)
Out in Our Meadow (1994 Album by Bill Hinkley with Judy Larson)
Garrison Keillor (Spoken Word Artist, '80s-2000s)
Garrison Keillor (Classical Musician)