



| A Storm To Come (2007 Album by Van Canto) | |
| A Storm is Coming (Album by Cross Creek/the Battersby Duo) |
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| A Storm in Heaven | ||||
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| Studio album by Verve | ||||
| Released | 21 June 1993 | |||
| Recorded | Winter 1992-Spring 1993, Sawmills Studio, Cornwall | |||
| Genre | Psychedelic rock, space rock, shoegazing, dream pop | |||
| Length | 47:04 | |||
| Label | Vernon Yard, Hut, Virgin | |||
| Producer | John Leckie | |||
| Verve chronology | ||||
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| Singles from A Storm in Heaven | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic | |
| Alternative Press | positive link |
| Must Hear | link |
| Head Heritage | link |
A Storm in Heaven is the debut studio album by English alternative rock band The Verve (at the time just called Verve), released in June 1993 on the Hut Recordings label. It charted at #27 in the UK.
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Contents
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Like the band's prior EPs and singles, most of the songs on this album are bathed in heavy layers of delay (echo) and reverb, used on both the guitars and the vocals, in order to give a disorientingly psychedelic overall effect.
The lyrics of "Butterfly" [e.g., "You could flap your wings a thousand miles away/ You could take the storm away, forever every day"] pertain directly to the so-called Butterfly effect. (The song "Catching The Butterfly," from the band's 1997 album Urban Hymns, is apparently a continuation of this theme.) McCabe has stated that it was recorded at 3 AM while playing along with a Steely Dan sample ([1]).
The album's closing song is built on a subdued piano motif played by guitarist Nick McCabe.
Like all of the band's releases, A Storm in Heaven features enigmatic artwork. The album's cover photo was shot inside Thor's Cave in Staffordshire, England. The vinyl LP version came in gatefold packaging.
After this album, the band's music moved in a less psychedelic, more structured direction, and their name was officially changed to "The Verve" for legal reasons, so as not to clash with the record label Verve Records.
In a reappraisal of the album's historic importance, Delusions of Adequacy noted that A Storm in Heaven transcended the other albums of its time:
"A highly burnished synthesis of the warbling hard rock of the Doors, the infinite rhythmic groove of Can, the space-fried improvisations of Yeti-era Amon Düül II, and the effects-pedal anchor of My Bloody Valentine, A Storm in Heaven may well have been the best neo-psychedelic album released in the 1990s. While often clumped together with the other English bands leading the shoegaze movement during the same time period, the Verve was creating a far different version of the thick atmospherics the genre became known for. Despite some minor cosmetic similarities, Loveless this was not. In fact, I’d go so far as to say that guitarist Nick McCabe gazed shoe-ward with far better results than Kevin Shields ever did. While Loveless remained firmly anchored to the early-90s British scene, A Storm in Heaven flew figure eights somewhere over its head."
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