| A Woman Under the Influence |
Original poster |
| Directed by |
John Cassavetes |
| Produced by |
Sam Shaw |
| Written by |
John Cassavetes |
| Starring |
Gena Rowlands
Peter Falk |
| Music by |
Bo Harwood |
| Cinematography |
Mitch Breit
Al Ruban |
| Editing by |
David Armstrong
Sheila Viseltear |
| Studio |
Faces International Films |
| Distributed by |
Cine-Source |
| Release date(s) |
November 18, 1974 |
| Running time |
155 minutes |
| Country |
United States |
| Language |
English |
A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes. It focuses on a woman whose psychotic behavior leads her confused husband to commit her for psychiatric treatment, leaving the family even more dysfunctional than before.
In 1990, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", one of the first fifty films to be so honored.
The world premier screening of the restored print was held at the Castro Theatre in San Francisco on April 26, 2009 as part of the San Francisco International Film Festival. Gena Rowlands was in attendance and spoke briefly.
The restoration was done by the UCLA Film & Television Archive with funding provided by Gucci and The Film Foundation.
Plot
Los Angeles housewife and mother Mabel Longhetti loves her construction worker husband Nick and desperately wants to please him, but the strange mannerisms and increasingly odd behavior she displays while in the company of others has him concerned. Convinced she has become a threat to herself and others, he reluctantly commits her to an institution, where she undergoes treatment for six months. Left alone with his three children, Nick proves to be neither wiser nor better than his wife in the way he relates to and interacts with them or accepts the role society expects him to play.
Production
John Cassavetes was inspired to write A Woman Under the Influence when wife Gena Rowlands expressed a desire to appear in a play about the difficulties faced by contemporary women. His completed script was so intense and emotional she knew she would be unable to perform it eight times a week, so he decided to adapt it for the screen. When he tried to raise funding for the project, he was told, "No one wants to see a crazy, middle-aged dame."[1]
Lacking studio financing, Cassavetes mortgaged his house and borrowed from family and friends, one of whom was Peter Falk, who liked the screenplay so much he invested $500,000 in the project.[1] The crew consisted of professionals and students from the American Film Institute, where Cassavetes was serving as the first "filmmaker in residence" at their Center for Advanced Film Studies. Working with a limited budget forced him to shoot scenes in a real house near Hollywood Boulevard, and Rowlands was responsible for her own hairstyling and makeup.[1]
Upon completion of the film, Cassavetes was unable to find a distributor, so he personally called theater owners and asked them to run the film. According to college student Jeff Lipsky, who was hired to help distribute the film, "It was the first time in the history of motion pictures that an independent film was distributed without the use of a nationwide system of sub-distributors." It was booked into art houses and shown on college campuses, where Cassavetes and Falk discussed it with the audience.[1] It was shown at the San Sebastián Film Festival, where Rowlands was named Best Actress and Cassavetes won the Silver Shell Award for Best Director, and the New York Film Festival, where it captured the attention of film critics like Rex Reed. When Richard Dreyfuss appeared on The Mike Douglas Show with Peter Falk, he described the film as "the most incredible, disturbing, scary, brilliant, dark, sad, depressing movie" and added, "I went crazy. I went home and vomited," which prompted curious audiences to seek out the film capable of making Dreyfuss ill.[1]
Cast
Critical reception
Nora Sayre of the New York Times observed, "Miss Rowlands unleashes an extraordinary characterization . . . The actresses' style of performing sometimes shows a kinship with that of the early Kim Stanley or the recent Joanne Woodward, but the notes of desperation are emphatically her own . . . Peter Falk gives a rousing performance . . . and the children are very well directed. But the movie didn't need to be 2 hours and 35 minutes long: there's too much small talk, which doesn't really reveal character. Still, the most frightening scenes are extremely compelling, and this is a thoughtful film that does prompt serious discussion."[2]
Roger Ebert of the Chicago Sun-Times rated the film four out of four stars and called it "terribly complicated, involved and fascinating - a revelation." He added, "The characters are larger than life (although not less convincing because of that), and their loves and rages, their fights and moments of tenderness, exist at exhausting levels of emotion . . . Cassavetes is strongest as a writer and filmmaker at creating specific characters and then sticking with them through long, painful, uncompromising scenes until we know them well enough to read them, to predict what they'll do next and even to begin to understand why."[3] Almost a quarter-century later, Ebert wrote a second review, in which he called Woman Under the Influence "perhaps the greatest of Cassavetes' films"[4]
Time Out London said, "The brilliance of the film lies in its sympathetic and humorous exposure of social structure. Rowlands unfortunately overdoes the manic psychosis at times, and lapses into a melodramatic style which is unconvincing and unsympathetic; but Falk is persuasively insane as the husband; and the result is an astonishing, compulsive film, directed with a crackling energy."[5]
TV Guide rated the film four out of four stars, calling it "tough-minded" and "moving" and "an insightful essay on sexual politics."[6]
Awards and nominations
DVD releases
The film was released on DVD in Region 2 on June 20, 2000. It is in fullscreen format with audio tracks in English and French and subtitles in French.
On September 21, 2004, the film was released in Region 1 - together with Shadows, Faces, The Killing of a Chinese Bookie, and Opening Night - as part of the eight-disc box set John Cassavetes - Five Films by The Criterion Collection. The film is in anamorphic widescreen format with an English audiotrack. Bonus features include commentary by sound recordist and composer Bo Harwood and camera operator Mike Ferris and interviews with Gena Rowlands and Peter Falk.
References
External links
