Main Cast: Nicolas Cage, Nicolas Cage, Meryl Streep, Chris Cooper, Brian Cox, Tilda Swinton, Cara Seymour
Release Year: 2002
Country: US
Run Time: 115 minutes
MPAA Rating: R
Plot
The creative team behind Being John Malkovich -- director Spike Jonze and screenwriter Charlie Kaufman -- return with this equally offbeat comedy, in which Kaufman himself becomes the leading character. Charlie Kaufman (Nicolas Cage) is a gifted but profoundly neurotic screenwriter who, after the success of Being John Malkovich, has been hired to write a script adapted from the nonfiction book The Orchid Thief by Susan Orlean. But while Charlie is obsessive about his work, he's also intensely paranoid, given to deep depression, socially inept, and terrified of talking to women, qualities which are making it difficult to get on with his work or hold on to his tenuous relationship with girlfriend Amelia (Cara Seymour). Meanwhile, Charlie's identical twin brother, Donald Kaufman (also played by Cage), has shown up to move in with his brother. Emotionally, Donald is Charlie's polar opposite -- a loudmouthed, over-confident, superficial party animal who has an easy way with the ladies. Donald has decided to follow his brother's footsteps and take up screenwriting as well, but embracing the dictates of screenwriting tutor Robert McKee (Brian Cox), he's cranking out a cliché-ridden serial-killer thriller when not busy making time with new girlfriend Caroline (Maggie Gyllenhaal). As Donald blazes through his screenplay, Charlie slowly picks away at his story, in which author Susan Orlean (Meryl Streep) chronicles John Laroche (Chris Cooper), a scruffy but devoted plant enthusiast who tries to save rare species of orchids by stealing them from their natural home in the swamps of Florida. As John and Susan become better acquainted, they find themselves attracted to one another; similarly, Charlie finds himself increasingly fascinated with Susan, and finds himself falling in love with her, even though he's only seen her photo on the dust jacket of her book. Charlie arranges to meet Susan, but is too nervous to confront her face to face, so he sends Donald (who has just scored a seven-figure deal for his script) in his place, while he attends a screenwriting seminar held by McKee. Adaptation also features Tilda Swinton, Judy Greer, and Stephen Tobolowsky. ~ Mark Deming, All Movie Guide
Review
Critics charged with the divine headache of describing Adaptation, in all its twisted magnificence, should find it appropriate that the story concentrates on the paralysis of writer's block, brought on by the impossible urge to say everything. The sophomore collaboration between screenwriter Charlie Kaufman and director Spike Jonze is so drenched with unorthodox ideas, yet so fundamentally accessible, that it actually outdoes the groundbreaking Being John Malkovich in existential pretzel logic, while remaining digestible to a middle-brow audience. Kaufman's real-life struggles adapting Susan Orlean's The Orchid Thief get brilliantly expanded into a self-reflexive narrative of sublime originality, in which screenwriter, author, and muse become intertwined, and such rich topics as artistic integrity, social awkwardness, and sibling rivalry get teased and prodded. Not only has Kaufman written himself into the proceedings, but in Nicolas Cage, he's found an exquisite choice to interpret himself and his twin brother -- an imaginary character given "real" life by receiving a screenwriting credit. Sweating, stammering, lowering his eyes, and imploding in a crisis of relevance -- then doing just the opposite as Donald -- Cage kicks his own career out of neutral, at least briefly exchanging the hunt for ever-bigger paychecks with work that truly matters. Although the stories of Orlean (Meryl Streep) and John Laroche (Chris Cooper) both carry a vital urgency, this is Kaufman's film, full of the anxieties of a kinky-haired shlub whose overactive imagination is both his meal ticket and his curse. Inasmuch as it eventually imitates the very story structure it abhors, Adaptation is the rare film that both attacks and revels in the humbling, soul-crushing yet exhilarating mechanics of Hollywood moviemaking. ~ Derek Armstrong, All Movie Guide
Peter Andrus - Art Director, Justine Baddeley - Casting, Kim Davis-Wagner - Casting, Ann Roth - Costume Designer, Casey Storm - Costume Designer, Thomas Patrick Smith - First Assistant Director, Spike Jonze - Director, Dan Bradley - Second Unit Director, Eric Zumbrunnen - Editor, Peter Saraf - Executive Producer, Charlie Kaufman - Executive Producer, Carter Burwell - Composer (Music Score), KK Barrett - Production Designer, Lance Acord - Cinematographer, Jonathan Demme - Producer, Edward Saxon - Producer, Vincent Landay - Producer, Gene Serdena - Set Designer, Gray Matter FX - Special Effects, Drew Kunin - Sound/Sound Designer, Richard Beggs - Sound/Sound Designer, Charlie Kaufman - Screenwriter, Donald Kaufman - Screenwriter, James Fealy - Additional Cinematography, Gray Marshall - Visual Effects Supervisor, Michael Kirchberger - Supervising Sound Editor, Susan Orlean - Book Author
The film had been in development as far back as 1994. Jonathan Demme brought the project to Columbia Pictures with Kaufman writing the script. Kaufman went through writer's block and did not know what to think of The Orchid Thief. In turn Kaufman wrote a script about his experience adapting The Orchid Thief into a screenplay. Tom Hanks was at one point set for the role of Charlie Kaufman while John Turturro was approached to portray Laroche. Jonze signed to direct and filming finished in June 2001. Adaptation. received positive reviews and critical acclaim, as well as outstanding success at the 75th Academy Awards, 60th Golden Globe Awards and 56th British Academy Film Awards.
John Laroche and his wife run a successful Floridanursery, but tragedy strikes and Laroche's wife, mother and uncle are involved in a car accident. Laroche's mother and uncle are killed immediately, but his wife goes into a coma, divorcing Laroche and suing him once she gains consciousness. One month later, Laroche's home and everything he owns is destroyed by Hurricane Andrew. Meanwhile, local Seminoles hire Laroche due to his vast knowledge of flowers and orchidpoaching. However, the Seminoles only use the extract of the Ghost Orchid for drug use, and not for tribal ceremonials as Laroche thought.
Laroche is caught at the Fakahatchee Strand Preserve State Park and the ensuing trial captures the attention of New Yorker journalist Susan Orlean. Laroche and Susan become great friends, with Susan writing The Orchid Thief. Laroche and Susan then become romantically involved, while Susan is still married, albeit unhappily, in New York. The Orchid Thief is then optioned by Columbia Pictures.
During the filming of Being John Malkovich, the self-loathing and social phobic Charlie Kaufman is hired to write the screenplay. At the same time Charlie is going through melancholic depression and his twin brother Donald moves into his house, mooching off Charlie. Donald decides to become a screenwriter like Charlie, and visits the seminars of Robert McKee. Charlie wants to adapt the script into a faithful adaptation of The Orchid Thief, hoping to impress Susan. However, he realizes that there is no narrative involved and finds it impossible to turn the book into a film, going through a serious case of writer's block.
Meanwhile, Donald's spec script for a clichépsychological thriller sells for over one million dollars, while Charlie accidentally starts writing his script with self-reference. Already well over his deadline with Columbia Pictures, Charlie (from Los Angeles, California) visits Susan in New York for advice on the screenplay. In New York Charlie finds that he is not courageous enough to meet Susan, leaving without consulting with her. Charlie visits a McKee seminar in New York, gaining advice from McKee, and bringing Donald to assist with the story structure. Donald even agrees to go on an interview with Susan, posing as Charlie and remains wary of Susan's answers. Donald suggests having sex, a car chase and drugs for the climax. With Donald convinced that Susan is lying, he and Charlie follow Susan to Florida where she meets Laroche. Donald and Charlie finds Susan and Laroche taking the Ghost Orchid drug and having sex. This is followed by a sequence of events which include a car chase, Donald being shot and then killed in a car crash, Laroche getting eaten alive by an alligator and Susan being arrested by the Police. His writer's block broken, Charlie finally summons up the courage to tell his former girlfriend, Amelia, that he is in love with her. He finishes his script, with Gérard Depardieu in mind to portray him in the film.
Donald Kaufman: Charlie's obnoxious yet optimistic brother. Donald has failed at various get-rich-quick-schemes in the past and decides to become a screenwriter like Charlie, whom he looks up to and helps when asked. Donald visits the seminars of Robert McKee and writes a clichépsychological thrillerspec script titled The 3. Marty sells the script to a studio and Donald is set to be a millionaire before he's killed in the climax.
Meryl Streep as Susan Orlean: A journalist and author from The New Yorker. She is fascinated by Laroche's trial in Florida and intends to write a piece about it. She becomes romantically involved with Laroche.
Chris Cooper as John Laroche: An eccentricorchidpoacher working for the local Seminole Indian tribe. Laroche considers himself "the smartest man I know" and has a unique knowledge of Charles Darwin, fossils and flowers. He lost his front teeth after a car accident wherein his mother and uncle were killed. His ex-wife divorced him after waking up from a coma. Laroche also ran a successful porn website before being killed by an alligator.
Cara Seymour as Amelia Kavan: A violinist and Charlie's girlfriend. She leaves him for a man named David after her unsuccessful relationship with Charlie. In the end, Charlie finally summons the courage to tell her that he loves her, and she admits that she loves him too.
Brian Cox as Robert McKee: A creative writing instructor who is widely known for his popular "Story Seminar". McKee is heavily against voice-overs and considers Casablanca (1942) to be the finest screenplay ever written.
Judy Greer as Alice: A waitress at the local café where Charlie often dines. Charlie tries to ask her out on a date.
Tom Hanks was originally set for the double role of Charlie and Donald Kaufman, while Variety was convinced Donald was a real person.[1] Cage took the role for a $5 million salary,[2] and wore a fatsuit during filming.[3] Streep expressed dire interest in the role before being cast,[2] and took a salary cut in recognition of the film's budget.[4]John Turturro was approached to portray John Laroche.[5] Cooper heavily considered turning down Laroche, but accepted it after his wife's persistence.[6]Albert Finney, Christopher Plummer, Terence Stamp and Michael Caine were considered for the role of Robert McKee, but McKee personally suggested Brian Cox to filmmakers.[7]
"The emotions that Charlie is going through [in the film] are real and they reflect what I was going through when I was trying to write the script. Of course there are specific things that have been exaggerated or changed for cinematic purposes. Part of the experience of watching this movie is the experience of seeing that Donald Kaufman is credited as the co-screenwriter. It's part of the movie, it's part of the story."
The idea to do a film adaptation of Susan Orlean'sThe Orchid Thief dates back to 1994.[9]Fox 2000 purchased the film rights in 1997,[10] eventually selling them to Jonathan Demme, who set the project at Columbia Pictures. Charlie Kaufman was hired to write the script, but went through writer's block and did not know what to think of The Orchid Thief.[11] In turn, Kaufman wrote about his experience adapting the script through exaggerated events, and created a fictional "brother" named Donald Kaufman. Charlie even went as far as putting Donald's name on the script and dedicated the film to the fictional character.[12] By September 1999, Kaufman had written two drafts of the script,[13] and turned in another draft in November 2000.[14]
Kaufman explained, "The idea of how to write the film didn't come to me until quite late. It was the only idea I had, I liked it, and I knew there was no way it would be approved if I pitched it. So I just wrote it and never told the people I was writing it for. I only told Spike Jonze, as we were making John Malkovich and he saw how frustrated I was. Had he said I was crazy, I don't know what I would have done."[15] In addition Kaufman stated, "I really thought I was ending my career by turning that in!"[16]Adaptation. went on fast track in April 2000, with Kaufman mildly rewriting the script.[1] Scott Brake of IGN leaked the script on the Internet in June 2000,[17] as did Drew "Moriarty" McWeeny of Ain't It Cool News in October.[18] Columbia Pictures committed to North America distribution only after Intermedia came aboard to finance the film in exchange for international distribution rights.[19] Filming started in late March 2001 in Los Angeles, California, and finished by June.[5] The "evolution" fantasy sequence was created by Cinesite, while Skywalker Sound was responsible for the audio mixing of Adaptation..
Reception
Columbia Pictures had at one point announced a late 2001 theatrical release date.[5]Adaptation. opened on December 6, 2002 in the United States for a limited release. The film then was released nationwide on February 14, 2003, earning $1,130,480 in its opening weekend in 672 theaters. Adaptation. went on to gross $22.5 million in North America and $10.3 million in foreign countries, coming at a total of $32.8 million.[20] Based on 193 reviews collected by Rotten Tomatoes, Adaptation. received an average 91% overall approval rating;[21] the film was more balanced with the 31 critics in Rotten Tomatoes' "Top Critics", receiving a 84% approval rating.[22] By comparison, Metacritic calculated an average score of 83 from 40 reviews.[23]
Roger Ebert of the Chicago Sun-Times believed the film was something "That leaves you breathless with curiosity, as it teases itself with the directions it might take. To watch the film is to be actively involved in the challenge of its creation."[24] He later added the film to his "Great Movies" collection.[25]Wesley Morris of The Boston Globe thought "This is epic, funny, tragic, demanding, strange, original, boldly sincere filmmaking. And the climax, the portion that either sinks the entire movie or self-critically explains how so many others derail, is bananas."[26]David Ansen of Newsweek felt Meryl Streep had not "been this much fun to watch in years",[27] while Mike Clark of USA Today gave a largely negative review, mainly criticizing the ending: "Too smart to ignore but a little too smugly superior to like, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot."[28]
