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Fairy Tale Companion:

Adelbert von Chamisso

Chamisso, Adelbert von (1781–1838), German author, poet, and botanist. His family fled France during the French Revolution and settled in Berlin in 1796, where he became page to the Prussian queen and then an officer in the Prussian army, participating in the ill‐fated campaign against Napoleon in 1806. After studying botany in Berlin, he took part in a voyage around the world (1815–18), and subsequently received an appointment at the Botanical Garden in Berlin. He was much admired for his lyric poetry and ballads, but is best remembered for his tale Peter Schlemihls wundersame Geschichte (Peter Schlemihl's Amazing Story, 1814), a minor classic of world literature widely read and translated in the 19th century. The story concerns a young man's encounters with the devil, who bargains with him first for his shadow and then, as in the Faust legend and subsequent literary versions of it, for his soul. Unlucky in love because of his missing shadow, Schlemihl in the end embraces a solitary life devoted to the study of nature. Because the story is told in the first person and Schlemihl, in recounting his experiences, addresses himself to Chamisso, we may understand that Schlemihl is the author's fanciful alter ego.

Bibliography

  • Flores, Ralph, ‘The Lost Shadow of Peter Schlemihl’, German Quarterly, 47 (1974).
  • Pavlyshyn, Marko, ‘Gold, Guilt, and Scholarship: Adelbert von Chamisso's “Peter Schlemihl”’, German Quarterly, 55 (1982).
  • Swales, Martin, ‘Mundane Magic: Some Observations on Chamisso's “Peter Schlemihl”’, Forum for Modern Languages Studies, 12 (1976).

— James M. McGlathery

 
 
German Literature Companion: Adelbert von Chamisso

Chamisso, Adelbert von, (Boncourt, Champagne, 1781-1838, Berlin), born a French subject of noble descent, fled from the Revolution as a boy of 9 with his parents and brothers and spent the rest of his life in Prussia. The family château of Boncourt was razed, a fact referred to in Chamisso's poem ‘Das Schloß Boncourt’. Born Vicomte de Chamisso, he was baptized Louis Charles Adélaïde, and adopted the name Adelbert in Germany. Though this name is often given as Adalbert, signatures as Adelbert are extant. In 1796 he became a page to Queen Friederike Luise, consort of Friedrich Wilhelm II, and two years later was commissioned as an ensign of foot in the Prussian army. When in 1801 his parents returned to France he adhered to his adopted career in spite of poverty and dissatisfaction. During his army years he began to write, at first using his mother tongue and later going over to German. He devoted his leisure to literary and philosophical studies. With Varnhagen von Ense, J. E. Hitzig, and others he took part in literary parties, which were dignified with the title ‘Nordsternbund’. A product of this was a Musenalmanach, published in 1804, to which Chamisso contributed. In 1806 Chamisso's regiment was put on a war footing and stationed in Hamelin, where he was taken prisoner in November. Released on parole, he visited France, returning to Germany in 1807. In 1811-12 he was in Coppet at the house of Madame de Staël. Returning to Berlin, he devoted himself to scientific, especially botanical, studies. His story Peter Schlemihls wundersame Geschichte (1814), which can be seen as a symbolical autobiography, achieved an immediate and lasting success. From 1815 to 1818 he was on a Russian-sponsored voyage round the world as expedition scientist (see Reise um die Welt, 1834-5). He was appointed to the staff of the Botanical Gardens in Berlin in 1819. From 1833 until his death he was joint editor with G. Schwab of the Deutscher Musenalmanach.

Chamisso wrote much poetry of a mildly Romantic kind, but little of it is now read, apart from ‘Das Schloß Boncourt’, which occurs in anthologies, and the cycle Frauen-Liebe und -Leben, which probably owes its survival to Schumann's sensitive setting. His ballads, which include ‘Die Weiber von Weinsberg’ and the tersely dramatic, translated folk-ballad ‘Es geht bei gedämpfter Trommel Klang’, have lasted better, as have some of his adaptations from the chansonnier Béranger. It is a curious fact that this foreign-born German poet, who could handle technically difficult forms like terza rima with ease, never felt completely at home with the German tongue. A Gesamtausgabe of Chamisso's works was edited by J. H. Hitzig (6 vols., 1836-9). A blank-verse play Fortunati Glückssäckel und Wunschhütlein was discovered in MS. and published in 1895. A critical edition, Werke (3 vols.), ed. H. Tardel, appeared 1907-8, and Sämtliche Werke (2 vols.), ed. J. Perfahl, in 1975.

 
Columbia Encyclopedia: Chamisso, Adelbert von
(Louis Charles Adelaide de Chamisso) (ä'dəlbĕrt fən shəmĭ'), 1781–1838, German poet and naturalist, b. Château de Boncourt, France. He served as page at the court of William II of Prussia and, after army service and travels, became keeper of the royal botanical gardens. He edited (1804–6) the Musenalmanach and was a member of Mme de Staël's circle. His sentimental poetic cycle Frauenliebe und Leben (1830) was set to music by Schumann. Peter Schlemihls wundersame Geschichte (1814), his tale of a man who sold his shadow to the devil, has become legend. He also wrote plays, an account of his travels in the Pacific (1836), and a work on linguistics (1837).
 
Quotes By: Adelbert Von Chamisso

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"In pain is a new time born."

 
Wikipedia: Adelbert von Chamisso


Adelbert von Chamisso
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Adelbert von Chamisso

Adelbert von Chamisso (January 30 1781August 21 1838), was a German poet and botanist.

He was born Louis Charles Adélaïde de Chamissot at the château of Boncourt in Champagne, France, the ancestral seat of his family. Driven out by the French Revolution, his parents settled in Berlin, where in 1796 young Chamisso obtained the post of page-in-waiting to the queen, and in 1798 entered a Prussian infantry regiment as ensign.

His family were shortly afterwards permitted to return to France; he remained in Germany and continued his military career. He had little education, but sought distraction from the dull routine of the Prussian military service in assiduous study. In collaboration with Varnhagen von Ense, he founded (1803) the Berliner Musenalmanach, in which his first verses appeared. The enterprise was a failure, and, interrupted by the war, it came to an end in 1806. It brought him, however, to the notice of many of the literary celebrities of the day and established his reputation as a rising poet.

He had become lieutenant in 1801, and in 1805 accompanied his regiment to Hameln, where he shared in the humiliation of its treasonable capitulation in the following year. Placed on parole, he went to France, but both his parents were dead; returning to Berlin in the autumn of 1807, he obtained his release from the service early the following year. Homeless and without a profession, disillusioned and despondent, he lived in Berlin until 1810, when, through the services of an old friend of the family, he was offered a professorship at the lycée at Napoléonville in the Vendée.

He set out to take up the post, but drawn into the charmed circle of Madame de Staël, followed her in her exile to Coppet in Switzerland, where, devoting himself to botanical research, he remained nearly two years. In 1812 he returned to Berlin, where he continued his scientific studies. In the summer of the eventful year, 1813, he wrote the prose narrative Peter Schlemihl, the man who sold his shadow. This, the most famous of all his works, has been translated into most European languages (English by William Howitt). It was written partly to divert his own thoughts and partly to amuse the children of his friend Julius Eduard Hitzig.

In 1815, Chamisso was appointed botanist to the Russian ship Rurik, which Otto von Kotzebue (son of August von Kotzebue) commanded on a scientific voyage round the world. His diary of the expedition (Tagebuch, 1821) is a fascinating account of the expedition to the Pacific Ocean and the Bering Sea. During this trip Chamisso described a number of new species found in what is now the San Francisco Bay Area. several of these, including the California poppy, Eschscholzia californica, were named after his friend Johann Friedrich von Eschscholtz, the Rurik's entomologist. In return, Eschscholtz named a variety of plants, including the genus Camissonia, after Chamisso. On his return in 1818 he was made custodian of the botanical gardens in Berlin, and was elected a member of the Academy of Sciences, and in 1820 he married.

Chamisso's travels and scientific researches restrained for a while the full development of his poetical talent, and it was not until his forty-eighth year that he turned back to literature. In 1829, in collaboration with Gustav Schwab, and from 1832 in conjunction with Franz von Gaudy, he brought out the Deutscher Musenalmanach, in which his later poems were mainly published.

He died in Berlin at the age of 57.

Chamisso will be remembered for his work as a botanist; his most important work, done in conjunction with Diederich Franz Leonhard von Schlechtendal, was the description of many of the most important trees of Mexico in 1830-1831. Also, his Bemerkungen und Ansichten, published in an incomplete form in von Kotzebue's Entdeckungsreise (Weimar, 1821) and more completely in Chamisso's Gesammelte Werke (1836), and the botanical work, Übersicht der nutzbarsten und schädlichsten Gewächse in Norddeutschland (1829) are esteemed for their careful treatment of their subjects.

As a poet Chamisso's reputation stands high, Frauenliebe und -leben (1830), a cycle of lyrical poems which was set to music by Robert Schumann and by Carl Loewe, being particularly famous. Also noteworthy are Schloss Boncourt and Salas y Gomez. In estimating his success as a writer, it should be remembered that he was cut off from his native language. He often deals with gloomy or repulsive subjects; and even in his lighter and gayer productions there is an undertone of sadness or of satire. In the lyrical expression of the domestic emotions he displays a fine felicity, and he knew how to treat with true feeling a tale of love or vengeance. Die Löwenbraut may be taken as a sample of his weird and powerful simplicity; and Vergeltung is remarkable for a pitiless precision of treatment.

The first collected edition of Chamisso's works was edited by J.E. Hitzig and published in six volumes in 1836.

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