Adolph Green

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Adolph Green

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Biography

American writer/composer/actor Adolph Green first attracted attention as a member of the Revuers, a satirical musicomedy troupe which performed at New York's Village Vanguard nightclub in the early '40s. The group couldn't afford the royalties on previously written material, so Green and fellow Revuer Betty Comden took to writing their own songs and routines. The Revuers were invited to Hollywood for the 1944 Betty Grable musical Greenwich Village, but the only member of the group that the movies were truly interested in was young Judy Holliday. Green and Comden remained in New York to write the libretto for and co-star in the Leonard Bernstein musical On the Town (which they later adapted for the screen). Green and Comden continued collaborating, spending less performance time as they became busier writers. The pair returned to Hollywood in 1947 as members of the Arthur Freed musical unit at MGM, where they worked on the scripts (and occasionally the songs) for such film hits as Take Me Out to the Ballgame (1948), The Barkeleys of Broadway (1949), The Band Wagon (1953) (which featured an ersatz Adolph Green-Betty Comden team in the form of Oscar Levant and Nanette Fabray) and the immortal Singin' in the Rain (1956). For the Broadway stage, Green and Comden concocted a musical vehicle for their old Revuers cohort Judy Holliday, Bells are Ringing (1956), and also wrote the non-musical success Auntie Mame (1958). The white-maned Adolph Green has occasionally returned to movie acting with supporting roles in such films as My Favorite Year (1982); he also played the leading role of an elderly cartoonist in director Alain Resnais' I Want to Go Home (1989). ~ Hal Erickson, Rovi

Biography

Adolph Green, in his long-standing collaboration with Betty Comden, was one of the legendary musical theater lyricists, writing for such classic Broadway musicals as On the Town, Peter Pan, The Bandwagon, and The Will Rogers Follies, as well as the MGM movie musicals Singin' in the Rain and The Bandwagon. Their partnership was the longest-lived in Broadway history, spanning six decades. Early in his career, Green wrote songs and throughout, occasionally appeared on-stage or in films, but his legacy as a writer of lyrics and screenplays is his great claim to fame. He and Comden originally planned to become actors and met in 1938 in New York. They and other aspiring performers formed a comedy and music troupe, the Revuers, which was soon a popular Greenwich Village attraction. The guest artists included several soon-to-be stars such as Judy Holliday and Leonard Bernstein. In 1944, they wrote their first musical, On the Town, based on Bernstein and choreographer Jerome Robbins' ballet Fancy Free, and premiered it that December. This early success, which attracted Hollywood's attention, was followed by many other triumphs in both films and stage musicals, including Billion Dollar Baby in 1945, Good News in 1947, The Barkleys of Broadway in 1949 (the same year On the Town was made into a film), Two on the Aisle in 1951, the screenplay for Singin' in the Rain in 1952, The Bandwagon in 1953, and Bells Are Ringing in 1956. In 1953, they won their first Tony Award, for Wonderful Town, another collaboration with Bernstein. While they are best known for cheerful, vibrant works, they also pointed out the funny aspects of the dark side of entertainment, as in their 1955 Always Fair Weather. By 1958, they were popular enough to create a show much like their early Revuers material, A Party With Betty Comden and Adolph Green. 1958 brought their first nonmusical script, Auntie Mame. For a time thereafter, they produced relatively minor works, but returned in 1978 with On the Twentieth Century; in 1982 with their one major failure, A Doll's Life; and again in 1991 with The Will Rogers Follies. In the same year, the pair received the Writer's Guild Screen Laurel Award. ~ Anne Feeney, Rovi
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Adolph Green

Betty Comden and Green (right)
Born December 2, 1914(1914-12-02)
The Bronx, New York, U.S.
Died October 23, 2002(2002-10-23) (aged 87)
New York City, New York, U.S.
Occupation Playwright/Songwriter
Years active 1944–2002

Adolph Green (December 2, 1914  – October 23, 2002) was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for some of the most beloved movie musicals, particularly as part of Arthur Freed's production unit at MGM, during the genre's heyday. Many people thought the pair were married; they were not, but they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership that produced some of Hollywood and Broadway's greatest hits.

Contents

Biography

Green was born in The Bronx to Hungarian-Jewish immigrants Daniel and Helen Weiss Green. After high school, he worked as a runner on Wall Street while he tried to make it as an actor. He met Comden through mutual friends in 1938 while she was studying drama at New York University. They formed a troupe called the Revuers, which performed at the Village Vanguard, a club in Greenwich Village. Among the members of the company was a young comedian named Judy Tuvim, who later changed her name to Judy Holliday, and Green's good friend, a young musician named Leonard Bernstein, frequently accompanied them on the piano. The act's success earned them a movie offer and the Revuers traveled west in hopes of finding fame in Greenwich Village, a 1944 movie starring Carmen Miranda and Don Ameche, but their roles were so small they barely were noticed, and they quickly returned to New York.

Their first Broadway effort joined them with Bernstein for On the Town, a musical romp about three sailors on leave in New York City that was an expansion of a ballet entitled Fancy Free on which Bernstein had been working with choreographer Jerome Robbins. Comden and Green wrote the lyrics and book, which included sizeable parts for themselves. Their next two musicals, Billion Dollar Baby (1945) and Bonanza Bound (1947) were not successful, and once again they headed to California, where they immediately found work at MGM.

They wrote the screenplay for Good News, starring June Allyson and Peter Lawford, The Barkleys of Broadway for Ginger Rogers and Fred Astaire, and then adapted On the Town for Frank Sinatra and Gene Kelly, scrapping much of Bernstein's music at the request of Arthur Freed, who did not care for the Bernstein score.

They reunited with Kelly for their most successful project, the classic Singin' in the Rain, about Hollywood in the final days of the silent film era. Considered by many film historians to be the best movie musical of all time, it ranked #10 on the list of the 100 Best American Movies of the 20th Century, compiled by the American Film Institute in 1998. They followed this with another hit, The Band Wagon, in which the characters of Lester and Lily, a husband-and-wife team that writes the screenplay for the show-within-a-show, were patterned after themselves. They were Oscar-nominated twice, for their screenplays for The Band Wagon and It's Always Fair Weather, both of which earned them a Screen Writers Guild Award, as did On the Town.

Their stage work during the next few years included the revue Two on the Aisle, starring Bert Lahr and Dolores Gray, Wonderful Town, an adaptation of the comedy hit My Sister Eileen, with Rosalind Russell and Edie Adams as two sisters from Ohio trying to make it in the Big Apple, and Bells Are Ringing, which reunited them with Judy Holliday as an operator at a telephone answering service. The score, including the standards "Just in Time", "Long Before I Knew You," and "The Party’s Over," proved to be one of their richest.

In 1958, they appeared on Broadway in A Party with Betty Comden and Adolph Green, a revue that included some of their early sketches. It was a critical and commercial success, and they brought an updated version back to Broadway in 1977.

Among their other credits are the Mary Martin version of Peter Pan for both Broadway and television, a streamlined Die Fledermaus for the Metropolitan Opera, and stage musicals for Carol Burnett, Leslie Uggams, and Lauren Bacall, among others. Their many collaborators included Garson Kanin, Cy Coleman, Jule Styne, and André Previn.

The team was not without its failures. In 1982, A Doll's Life, an attempt to figure out what Nora did after she abandoned her husband in Henrik Ibsen's A Doll's House, ran for only five performances, although they received Tony Award nominations for its book and score.

In 1980, Green was inducted into the Songwriters Hall of Fame.[1] And, in 1981, he was inducted into the American Theatre Hall of Fame.[2]

Comden and Green received Kennedy Center Honors in 1991.

Green's third wife was actress Phyllis Newman, who had understudied Holliday in Bells Are Ringing. They had two children, Adam and Amanda.[3]

His Broadway memorial, with such luminaries as Lauren Bacall, Kevin Kline, Joel Grey, Kristin Chenoweth, Arthur Laurents, Peter Stone, and, of course, Betty Comden in attendance was held at the Shubert Theater on December 4, 2002.[4]

Additional Broadway credits

Film credits (incomplete list)

Theatre awards and nominations

  • 1991 Tony Award for Best Original Score (The Will Rogers Follies, winner)
  • 1986 Tony Award for Best Book of a Musical (Singin' in the Rain, nominee)
  • 1983 Tony Award for Best Book of a Musical (A Doll's Life, nominee)
  • 1983 Tony Award for Best Original Score (A Doll's Life, nominee)
  • 1978 Tony Award for Best Book of a Musical (On the Twentieth Century, winner)
  • 1978 Tony Award for Best Original Score (On the Twentieth Century, winner)
  • 1970 Tony Award for Best Musical (Applause, winner)
  • 1968 Tony Award for Best Composer and Lyricist (Hallelujah, Baby!, winner)
  • 1968 Tony Award for Best Musical (Hallelujah, Baby!, winner)
  • 1961 Tony Award for Best Musical (Do Re Mi, nominee)
  • 1957 Tony Award for Best Musical (Bells Are Ringing, nominee)
  • 1953 Tony Award for Best Musical (Wonderful Town, winner)

Notes

References

  • Off Stage, a memoir by Betty Comden published in 1995

External links


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Copyrights:

Mentioned in

Wonderful Town [Original Broadway Cast] (1953 Album by Original Broadway Cast)
Betty Comden (literature)
Bells Are Ringing [Original Soundtrack] (1960 Album by Original Soundtrack)
On the Town [Studio Recording] (1960 Album by On the Town)
The Will Rogers Follies [Original Cast] (1991 Album by Original Cast Recording)