| Advent Concert of Music by Bach (2000 Film), Advances in Cardiac Surgery (1998 Film) | |
| Adventure (1945 Film), Adventure 1: Trailers on Tape (1984 Film) |
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Adventure films are a genre of film.[1] Unlike action films, they often use their action scenes preferably to display and explore exotic locations in an energetic way.[2]
The subgenres of adventure films include, swashbuckler film, disaster films, and historical dramas - which is similar to the epic film genre. Main plot elements include quests for expedition and lost continents, a jungle and/or desert settings, characters going on a treasure hunts and heroic journeys for the unknown. Adventure films are mostly set in a period background and may include adapted stories of historical or fictional adventure heroes within the historical context. Kings, battles, rebellion or piracy are commonly seen in adventure films.[3] Adventure films may also be combined with other movie genres such as, science fiction, fantasy and sometimes war films.
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The adventure film reached its peak of popularity in 1930s and 1940s Hollywood, when films such as Captain Blood, The Adventures of Robin Hood and The Mark of Zorro were regularly made with major stars, notably Errol Flynn and Tyrone Power, who were closely associated with the genre. At the same time, Saturday morning serials were often using many of the same thematic elements as high-budget adventure films. In the early days of adventure films, the protagonists were mainly male. These heroes were courageous, often fighting suppression and facing tyrants. Recently these male heroic protagonists have occasionally been replaced by heroines, Lara Croft being an example.[4]
Adventure films can contain stock characters and stereotypes. In some cases this has been accused of going as far as implicit racism; claimed examples of this are Indiana Jones and the Temple of Doom, First Blood and James Bond "kicking third-world people around" in Dr. No.[5][6]
Stereotypes abound in the adventure genre. Examples range from the mad scientist in Dr. No to the mindless thugs in Indiana Jones and the Temple of Doom. The racism implicit in the latter film and films such as First Blood are by-products of the stereotyping rampant in the adventure genre
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