Aimee Mann

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Biography

Singer/songwriter Aimee Mann is probably best known for her fights with major record labels regarding her artistic freedom, but she's also made a name for herself by scoring or taking small roles in quirky, acclaimed films. Mann was born in Virginia on September 8, 1960. After dropping out of the Berklee School of Music in the early '80s, Mann formed a few bands, most notably 'Til Tuesday, and launched a solo career after that band folded in 1989.

But her solo career found her constantly at odds with various record labels (Imago, Geffen, Interscope) and she ended up buying back her master recordings. This left Mann with a lot of animosity towards the music industry and some spare time, wherein she took a memorable role as a German nihilist who sacrifices her toe for a big payoff in the Coen brothers' 1996 screwball-noir The Big Lebowski. Her most memorable contributions to cinema, however, were the haunting songs she penned for the soundtrack to pal Paul Thomas Anderson's Altman-esque multi-character opus Magnolia (1999). An unabashed fan, Anderson writes in the soundtrack's liner notes that his dysfunctional ensemble drama is basically an interpretation of Mann's music. The album earned Mann commercial and critical success, and resulted in a Best Song Oscar nomination for "Save Me", which was passed over in favor of popster-turned-Disney-troubadour Phil Collins. ~ Stephanie M. Kuenn, Rovi
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Singer, songwriter, bass guitarist



For every action there is an equal and opposite reaction. This was not only the essence of the great physicist Sir Isaac Newton's third law of motion, it also seemed to be the governing principle of Aimee Mann's life. Her breakthrough success with 'Til Tuesday in 1985 eventually became a struggle against a label that wanted to mold her into the new flavor of the month. When she finally went solo, her debut album was critically received but she soon became enmeshed in rather torturous negotiations to extricate herself from her now defunct label. She was signed to a new label and finally got the chance to release her sophomore effort and faced the rather dubious task of reestablishing herself in the minds of her fans. What kept Mann going was her songwriting drive, as she commented on in her DGC website, "at one point before Whatever [her debut solo album] came out, things were looking pretty grim and I was getting really depressed. I was talking to a friend and I said, 'I don't know how to get out of this hole.' He said, 'your job is to write songs. So you just keep doing your job.' You do it because there are people who will get it. You do it for them. And you do it just to say it. Just telling the truth has power and value. Whether or not anyone understands, just tell it. Just say it."

Mann was born on August 9, 1960, in Richmond, Virginia. Her parents divorced when she was about three years old. She continued to live with her father after the divorce. When she was four, her mother absconded with her, as Mann related to Billboard 's Timothy White. "My mother and her new man concocted this plan to kidnap my brother and I and go off to Europe, with his kids from a previous marriage. They couldn't get my brother, but I went with them. My father, an advertising executive, was searching for me with private detectives for a year!" She was eventually reunited with her father after the ordeal and remained with him while she was growing up.

A bout with mononucleosis when she was about 12 turned young Mann's attention to music. She began to learn how to play her brother's guitar and while she was recovering, she struggled to master the songbooks of Neil Young and Elton John. Mann then practiced the guitar through out high school. After graduating from high school, Mann was undecided about what to do with her life. Her father suggested that a summer course at the Berklee School of Music in Boston might help her to sort out her vocational choices. The move to Boston and life in the big city changed Mann's life. She grew confident in her playing as she progressed from only knowing four Neil Young chords to identifying the structural compositions of songs.

After a few years at Berklee, Mann left the school and joined up with a Boston area post-punk outfit called the Young Snakes. Discord as opposed to harmony was the rule of the day for the Young Snakes. The band managed to garner attention in and around the local area before Mann decided to call it quits, citing her love of melody and music as opposed to chaotic noise.

Mann formed 'Til Tuesday in 1982 and by the following year they were signed to Epic Records. In 1985, 'Til Tuesday released their debut album, Voices Carry. The album, which went gold in America, catapulted 'Til Tuesday from Boston area favorites to new pop sensations and media darlings of the moment in a few short months. This was due to the success of their top ten single "Voices Carry." "Voices Carry" seemed to strike a nerve with 'Til Tuesday's audience as it detailed a relationship gone wrong and how the woman came to grips with it. The video for the song earned kudos as well earning the band MTV's Best New Artist in a Video Award in 1985.

1986 saw the release of Welcome Home, the follow up to Voices Carry. Although popular, Welcome Home failed to ignite the charts as its predecessor had done. By this time, Mann's savvy at writing pop songs had been noticed and remarked on by numerous critics, fans, and fellow musicians alike. She was developing a propensity to write somewhat scathing indictments on bad relationships and the pitfalls of life all under the guise of pure pop songs. But, as her critical acclaim grew, her popularity among the populous waned so that by the time of 'Til Tuesday's third and final release, Everything's Different Now, they were critical darlings with an ever-decreasing fan base. 'Til Tuesday had, in effect, disbanded by 1988 and the tour in support of Everything's Different Now became more of a solo outing for Mann than a full band venture.

For three years, Mann wrangled with Epic to either release her from her contract or to release her new solo work. The label finally relented and released her from her contract in 1992. Mann's manager helped to finance her debut solo album, Whatever. Whatever was finally released on Imago in 1993. It generated rave reviews and she started to win back some of her estranged fan base who, not knowing of the impasse between Mann and her old label, had thought that she had called it a day.

Much of 1994 was spent in London working on the sessions for her sophomore effort I'm With Stupid. The only real diversion from this task was when Mann was asked to contribute a song to the soundtrack for the television program Melrose Place. The resulting single "That's Just What You Are" grazed the top 100 and became Mann's first semi-hit in quite some time.

After her London sojourn, Mann returned to Boston to record I'm With Stupid. During the recording, Mann's label Imago lost its distribution deal and was forced to file for bankruptcy. Imago's president, who owned Mann's contract, decided to pitch Mann's now completed album to the various major labels. As a personal favor to the president of Imago, Warner offered to release the album. Mann insisted that she would not promote the album if it was released on Warner because the label lacked a commitment to her and her album. Mann eventually extricated herself from this predicament and was able to sign with Geffen Records, who eventually released I'm With Stupid in early 1996. Despite the fact that I'm With Stupid was more guitar driven than her previous album, Mann still managed to release an album full of melodious pop. Also in 1996, Epic released the 'Til Tuesday retrospective Coming Up Close.

Mann soon began to record songs for her next solo effort, to be titled Bachelor No. 2. When there were major label mergers at Geffen however, she was reassigned to Interscope, who promptly refused to release her finished album. Unable to put out her record, Mann had time to record nine songs for the Paul Thomas Anderson film Magnolia. Her collection of songs on the soundtrack played throughout the dramatic film, often serving as part of the narrative, loosely holding together the plots. At one point, the cast sings along to her song "Wise Up." The collection of songs, which included a cover of Harry Nilsson's "One," were nominated for a Grammy in 2000 and the stunning Magnolia single "Save Me," was up for an Academy Award. The notoriety from the film reignited Mann's career and the sales from the soundtrack eventually enabled her to buy back the master tapes of Bachelor No. 2 from Interscope. In the spring of 2000, Mann was finally able to put out Bachelor No. 2 on her own newly formed label, SuperEgo Records.

After touring for the album as well as an acoustic tour with her husband, singer-songwriter Michael Penn, Mann began to collect songs for her next album, which she was eager to record. Over a year and half of recording and working on songs, Mann released the album Lost in Space in 2002. The somewhat morose album took intimate looks at depression and addiction, though Mann said they weren't personal stories about her life, but others around her. Now that Mann could make records her own terms, she felt freer than ever to write music that had no constraints.

She teamed up with producer Joe Henry for her fifth solo album, the 2005 concept record The Forgotten Arm. The album, which Salon called Mann's "...most straight-ahead rock record to date..." was based upon a collection of descriptive songs that followed the lives of two fictional characters through the beginning and end of a relationship. Mann, who had taken up boxing in 2004, was inspired to create the songs about a junkie boxer and his girlfriend. The title of the record, The Forgotten Arm, was a boxing term she had picked up. Recorded in nine days, faster than she had ever recorded before, The Forgotten Arm was her first real concept album, though it seemed a long time coming as Mann said in an interview with the Boston Phoenix: "...it's more to my taste to take an idea and really explore different aspects of it than to try to write 12 different songs about 12 different things, most of which I don't care about."

As she gets older Mann only seems to get wiser and more talented, and has proven herself to be as successful, if not more on indie terms rather than a major label. "It's not that I view myself as the greatest artist of all time," Mann told Billboard 's Larry Flick, "But I do believe that it's important to put all kinds of ideas and music out into the world. It's good to feel like you're making a contribution, even if it's on some level."

Selected discography

Solo albums
Whatever, Imago, 1993.
(Contributor) Melrose Place (soundtrack), Giant, 1994.
I'm With Stupid, DGC, 1995.
Bachelor No. 2, SuperEgo, 2000.
(Contributor) Magnolia (soundtrack), Warner Bros., 2000.
Lost in Space, SuperEgo, 2002.
The Forgotten Arm, SuperEgo, 2005.

With 'Til Tuesday
Voices Carry, Epic, 1985.
Welcome Home, Epic, 1986.
Everything's Different Now, Epic, 1988.
Coming Up Close, Epic, 1996.

Sources
Periodicals
Billboard, March 20, 1993; January 6, 1996; July 6, 1996; July 13, 2002.
Boston Phoenix, February 16, 1998; June 3, 2005.
New York, July 15, 1985.
People, November 11, 1985.
Rolling Stone, September 26, 1985.

Online
"Hit Mann," Salon, http://www.salon.com/ent/feature/2005/04/04/aimee_mann/print.html (July 5, 2005).
  • Genres: Rock

Biography

During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. Her first solo album, Whatever, was a more introspective, folk-tinged effort than 'Til Tuesday's albums, and received uniformly positive reviews upon its release in the summer of 1993. However, the album was only a small hit, spending only seven weeks on the American charts, where it peaked at 127. Nevertheless, Whatever rejuvenated her career -- after its release, critics were praising her songwriting, as were peers like Elvis Costello, Difford & Tilbrook, and Andy Partridge.

Early in 1995, Mann had a modest hit with "That's Just What You Are," a song included on the soundtrack to the television series Melrose Place. Following the success of the single, Mann was set to release her second solo album in the spring of 1995, but her record label, Imago, filed for bankruptcy before its release. She signed a contract with Reprise Records after Imago went under, but Imago prevented her from releasing any records. For most of 1995, Mann battled Imago in an attempt to free herself from the label, eventually winning her independence at the end of the year. After her dispute with Imago was settled, she signed with DGC Records. Mann's second album, I'm with Stupid, was released in England in the late fall of 1995 and in January of 1996 in America. Again, it was greeted with positive reviews yet weak sales.

Mann's career got a kick-start in early 2000, however, when she released her soundtrack for the critically acclaimed film Magnolia; the song "Save Me" was later nominated for an Academy Award. Originally available only at live dates, the solo Bachelor No. 2 received national release in the spring. In the summer of 2002, Mann returned to the forefront with the self-released Lost in Space. Late 2004 saw the release of Live at St. Ann's Warehouse, a CD/DVD package recorded during her summer tour. It was followed in 2006 by the critically acclaimed Forgotten Arm, a concept album built around the return from Vietnam of a drug-addicted boxer. Mann released a collection of Christmas songs called One More Drifter in the Snow in 2006. @#%&! Smilers followed in 2008. ~ Stephen Thomas Erlewine, Rovi
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Aimee Mann

Aimee Mann in concert on October 15, 2005.
Background information
Born (1960-09-08) September 8, 1960 (age 51)
Origin Richmond, Virginia, United States
Genres Rock, folk
Occupations Singer-songwriter
Instruments Guitar, bass guitar, hi-hat
Years active 1982–present
Labels SuperEgo
Associated acts 'Til Tuesday
Website www.aimeemann.com

Aimee Mann (born September 8, 1960)[1] is an American rock singer-songwriter, guitarist and bassist.[2]

Contents

Biography

Early life

Aimee Mann grew up in Bon Air, Virginia, graduated from Open High School (Richmond, Virginia) in 1978[3] and attended the Berklee College of Music in Boston, but dropped out to sing with her first punk rock band, the Young Snakes.[citation needed] The band released the EP Bark Along with the Young Snakes in 1982, and a compilation album was issued in 2004.

In 1983, she co-founded with Berklee classmate and boyfriend Michael Hausman the new wave band 'Til Tuesday, which achieved success in 1985 with its first album, Voices Carry. The title song is said to be inspired by Hausman and Mann's breakup.[2] The video became an MTV staple, winning the MTV Video Music Award for Best New Artist. Mann was featured on the Rush song "Time Stand Still" (from Hold Your Fire, 1987) which hit #3 on the American rock charts and became a minor UK hit, singing backup vocals and appearing in the music video.[2] Her laughter is also heard at the start of "Force Ten," from the same album. With Mann playing an increasingly important role in songwriting, 'Til Tuesday released two more albums, Welcome Home and Everything's Different Now. Shortly after the release of Welcome Home, Mann told a writer for Nine-O-One Network Magazine that she was much more pleased with it than "Voices Carry", primarily because she felt it made more of a personal statement about her life.[4] On their final tour, musician Jon Brion joined the band, which broke up in 1990 when Mann left to start her solo career.[2]

Around the time of the first album's release, Mann began a romantic relationship with Jules Shear;[citation needed] they broke up before the final 'Til Tuesday album, which contained the song "J For Jules." Professional relationships from the band would continue: Hausman later became Mann's manager, and Brion produced her first two solo albums, along with the Magnolia soundtrack.

Early solo career

In 1993, Mann released Whatever, her first solo album. Promotion suffered due to the collapse of her label, Imago. The album sold modestly and met with critical praise, paving the way for her next release, 1995's I'm with Stupid, through Geffen Records.[5] Again, reviews were positive, but sales were weak.

Mann met songwriter Michael Penn in the course of work on I'm with Stupid, and the two began dating. They were married in December 1997.

Mann recorded Bachelor No. 2, but Geffen saw no hit singles in the material and ordered her back to the studio. The album languished while Mann and the label fought.[2]

In 1997 Mann recorded "Nobody Does It Better" on the album Shaken and Stirred: The David Arnold James Bond Project.

Meanwhile, Mann became friends with film director Paul Thomas Anderson. This developed as her husband, Michael Penn, and Brion composed the soundtrack for Anderson's movie Hard Eight. Mann gained greater public recognition in 1999 — indeed, more than for anything else since "Voices Carry" — when she contributed eight songs to the soundtrack of Anderson's Magnolia, including the Academy Award and Grammy-nominated song, "Save Me". Anderson deliberately worked from Mann's lyrics to create the film's characters and situations. Mann soon became sought-after as a soundtrack contributor.[who?] Her song "Amateur" appeared prominently in the 1998 movie Sliding Doors.

Independence

Disillusioned with both the ineffectual promotion and artistic meddling by her record label, an experience documented in songs such as "Calling It Quits" and "Nothing Is Good Enough", she struck out on her own and founded SuperEgo Records in 1999. Mann self-released Bachelor No. 2 in 2000, having negotiated a contract release from David Geffen, and though initially only sold at concerts and via her website, the album became successful, allowing her to secure retail distribution through SuperEgo. The album, which included some songs from Magnolia and new material, was widely admired and Mann's "more indie than indie" success was carefully noted by other musicians.

Mann, Penn, Brion, Fiona Apple, Grant Lee Phillips of Grant Lee Buffalo, and other musicians had by this time developed a subculture around the Largo nightclub in L.A. Penn and Mann formed a concept called Acoustic Vaudeville to recreate it on tour in California and eventually on an irregular, ongoing national tour. The Acoustic Vaudeville shows intermix music and stand-up comedy; among the comedians joining them for individual shows were Janeane Garofalo, Patton Oswalt, and David Cross.

Lost in Space: 2002–2004

Mann continued her solo career with Lost in Space (2002), a somewhat more somber album in the same vein as Bachelor No. 2, featuring art by Seth. In 2003 her website released the Lost in Space Special Edition, which featured a second disc containing six live recordings (including a version of Coldplay's "The Scientist"), as well two B-sides and two previously unreleased songs. In November 2004, Live at St. Ann's Warehouse, a live album and DVD recorded at a series of June 2004 shows in Brooklyn, came out; the two discs were sold packaged together in either a CD jewel case or a DVD case. Mann and her band also played two songs from Lost in Space in an episode of Buffy the Vampire Slayer.

The Forgotten Arm and One More Drifter in the Snow: 2005–2006

Mann described her next album, The Forgotten Arm (2005), as a concept album set in the 1970s about two lovers who meet at the Virginia State Fair and go on the run. The Joe Henry-produced album, which was recorded mostly live with few overdubs, was released May 3, 2005. The album's illustrations and title reflect Mann's interest in boxing, having trained with the boxing trainer Freddie Roach.[6] In 2006, Mann received her one Grammy Award to date for "Best Recording Package" for art direction work related to The Forgotten Arm (shared with Gail Marowitz). The album title derives from a boxing move in which one arm is used to hit the opponent, causing him to "forget" about the other arm, which is then used to deliver a harsher blow. The album received weaker reviews overall, with critics impressed at the totality but unimpressed with any individual songs.

Mann also released an EP for Christmas in 2005 as a cover single of "Have Yourself a Merry Little Christmas" for sale through her website and iTunes. It also included "Christmastime", the 1996 duet she recorded with Penn for the Hard Eight soundtrack, and a cover of "The Christmas Song". The iTunes version replaced "Christmastime" with a cover of Joni Mitchell's "River" and "Clean Up for Christmas" from The Forgotten Arm.

Mann's independence from the industry led to more overt political stances. She joined Artists Against Piracy, a group formed to act against the illegal downloading and file sharing of copyrighted music from the Internet. Mann, Penn and Hausman took their experience with SuperEgo to found the independent music collective United Musicians, which is based on the principle that every artist should be able to retain copyright ownership of the work he or she has created, in contrast to normal music industry contracts.

In July 2006, Mann announced that she would be releasing One More Drifter in the Snow, a full-length Christmas album. The album featured primarily covers of Christmas standards, as well as a new version of Christmastime and an original song, called "Calling On Mary", written by Mann and bassist Paul Bryan, who produced the record. It was released on October 31 in the US, and late November 2006 in the UK. An updated version of the CD was released in 2008 incorporating the Joni Mitchell song "River".

2007–present

On July 31, 2007 the soundtrack for the motion picture Arctic Tale was released, featuring two new Mann songs, "The Great Beyond" and "At the Edge of the World".

July 2007 also saw the premiere of the music video for a song entitled "31 Today" (which featured comedienne Morgan Murphy alongside Mann and Bobcat Goldthwait as director) on YouTube.[7] The song appears on Mann's seventh studio album, @#%&*! Smilers, released on June 3, 2008 featuring cover and inside art by Gary Taxali which was nominated for a 2009 Grammy Award for Best Art Package (art directed/designed by Gail Marowitz). The album debuted on the Billboard 200 at Number 32 (one of Mann's highest positions to date), and on the Top Independent Albums chart at Number 2.[8] @#%&*! Smilers was met with mostly praise, with Billboard stating that it "pops with color, something that gives it an immediacy that's rare for an artist known for songs that subtly worm their way into the subconscious... Smilers grabs a listener, never making him or her work at learning the record, as there are both big pop hooks and a rich sonic sheen."[9]

Mann joined the 9th annual Independent Music Awards judging panel to assist independent musicians' careers.[10][11][12] She was also an inaugural member of the IMAs in 2002.[13] In a September 2009 interview with Los Angeles blog LA Snark, Mann mentioned that she was beginning work on a musical based on her album The Forgotten Arm.[14]

Mann's song "Wise Up" is being used for the organ donor campaign in Ontario, Canada and can be seen on the video within their site beadonor.ca

On her 2010 fall tour, Aimee talked about "The Forgotten Arm" musical, including playing four new songs written specifically for it: "You've Got To Be Willing To Hurt The One You Love", "Conflicted", "Easy to Die", and "Eiffel Tower". Two of these songs feature a new character from the musical, a boxing trainer named Ollie. In 2011, Aimee stated that the musical was put on hold indefinitely, due to similarities to The Fighter. However, she did post on her Facebook page that she has just finished recording a new album on December 2, 2011. On Episode 273 of WTF with Marc Maron, James Mercer of the The Shins stated that he had recorded a duet with Mann, which he expected to appear on her forthcoming album.

She can be heard contributing vocals on the song "Two Horses" in Tim and Eric's Billion Dollar Movie.

Discography

Acting

Personal life

Mann met fellow singer-songwriter Michael Penn in the late 1980s and with comparable songwriting styles and record-industry woes to share, they struck up a friendship during the recording of I'm with Stupid (to which Penn contributed vocals), which blossomed into romance and their marriage in 1997.[5] Penn is the brother of actors Sean Penn and Chris Penn. Aimee has a sister.

References

  1. ^ Aimee Mann, IMDb.com
  2. ^ a b c d e Strong, Martin C. (2000). The Great Rock Discography (5th ed.). Edinburgh: Mojo Books. p. 603. ISBN 1-84195-017-3. 
  3. ^ "Freewheelin' 78 A Publication of the Open High School", p. 132
  4. ^ Baldwin, Dawn (January 1987)"Aimee Mann Not Waiting 'Til Tuesday," Nine-O-One Network Magazine, pp. 7-9
  5. ^ a b "Aimee Mann – Current Activities". United Musicians. Archived from the original on 2002-12-07. http://web.archive.org/web/20021207115005/http://www.unitedmusicians.com/temp/artists/mann.html. Retrieved 2008-03-13. 
  6. ^ How To Beat Up Singer Aimee Mann (with a rebuttal from Aimee). How To Beat Up Anything (2009-01-13). Retrieved on 2010-12-25.
  7. ^ "31 Today". YouTube. Retrieved on 2010-12-25.
  8. ^ Billboard.com – Artist Chart History – Aimee Mann, Billboard.com
  9. ^ Erlewine, Stephen Thomas. "@#%&*! Smilers". Allmusic. http://www.allmusic.com/album/r1383932. Retrieved 13 April 2010. 
  10. ^ "Independent Music Awards". Independent Music Awards. http://www.independentmusicawards.com/judges. Retrieved 2011-07-17. 
  11. ^ [1][dead link]
  12. ^ She & Him, The Black Keys, Mark Hoppus, Aimee Mann And Bettye LaVette Join Judging Panel For The 9th Annual Independent Music Awards @ Top40-Charts.com - Songs from 49 Top 20 & Top 40 Music Charts from 30 Countries. Top40-charts.com. Retrieved on 2010-12-25.
  13. ^ "Independent Music Awards – Past Judges". Independentmusicawards.com. http://www.independentmusicawards.com/ima_new/pastjudges.asp. Retrieved 2011-07-17. 
  14. ^ Aimee Mann – The LA Snark Interview, 22 September 2009

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Mentioned in

Music Mix, Vol. 2: Girl Power (2003 Music Film)
The Grays (Rock Band, '90s)
Scot Sax (Rock Artist, '90s, 2000s)
Melrose Place: The Music (1994 Album by Original Soundtrack)
Manhole (1998 Album by Talking to Animals)