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Airport 1975

 
Movies:

Airport 1975

  • Director: Jack Smight
  • AMG Rating: starstar
  • Genre: Drama
  • Movie Type: Ensemble Film, Disaster Film
  • Themes: Air Disasters, Race Against Time, Daring Rescues
  • Main Cast: Charlton Heston, Karen Black, George Kennedy, Efrem Zimbalist, Jr., Susan Clark
  • Release Year: 1974
  • Country: US
  • Run Time: 106 minutes

Plot

In the wake of the 45-million-dollar gross of the original Airport (1970), Universal was all but required by an act of Congress to produce Airport '75. Charlton Heston heads the all-star cast as Alan Murdock, the former test pilot who must keep a disabled 747 from crashing in flames. The crisis begins when a businessman (Dana Andrews), flying his small private plane, suffers a fatal heart attack and the plane smashes into the cockpit of the 747. Following Murdock's radioed instructions, stewardess Nancy Pryor (Karen Black) takes over the controls. The special-guest passenger lineup includes Helen Reddy as a singing nun (a character wickedly satirized in the 1980 parody Airplane!), Myrna Loy as an alcoholic, and Sid Caesar as a garrulous passenger. While Airport '75 yielded only 25 million dollars at the box office, the franchise continued, spawning Airport '77 a few years later and Airport '79 two years after that. ~ Hal Erickson, All Movie Guide

Review

Jack Smight's Airport 1975 was four years and a whole Hollywood world away from George Seaton's Airport. Gone were the likes of Burt Lancaster, Dean Martin, Van Heflin, Lloyd Nolan, Dana Wynter, Helen Hayes, et al., and, on the production end, Alfred Newman, Edith Head, Ernest Laszlo, Preston Ames. In their places were a more ragged, and even downright silly, cast (halfway toward the parody of Airplane!), and a threadbare-looking production -- at least by the standards of a feature film. Indeed, Airport 1975 seems like a hybrid, somewhere between a made-for-TV movie and a theatrical feature. It's shot in Panavision, but offers a John Cacavas score that sounds like a dry run for the music he wrote for Kojak. The opening credits also have a cheap, flat look about them, with minimal style to their design or care in their editing or structure, whereas Airport's opening credits were exciting, as well as a study in slick editing. Even the lack of crowds and extras make the sequel look more like something out of a movie-of-the-week.

Once the movie actually gets going, it looks a little better, though the screen is filled with names that would mainly be associated with television in the years to come, including Erik Estrada, Norman Fell, Conrad Janis, Efrem Zimbalist Jr., Sid Caesar, Ed Nelson, Beverly Garland, Christopher Norris, and Jerry Stiller, interspersed with such real movie veterans asMyrna Loy (trying to be this film's Helen Hayes) and Gloria Swanson, plus one former star (Dana Andrews) on his last legs. Add to all that one star treading water in his career (Charlton Heston); another collecting his biggest paychecks and on his way to the biggest billing of his career (George Kennedy); one pop singer (Helen Reddy) doing one of the most wretchedly miserable acting turns ever attempted by a vocalist; Linda Blair turning in a performance so frighteningly bad that she makes her role in The Exorcist look benign; and one genuinely talented actress (Karen Black) trapped in the middle of this mess, and you've got the makings for a real train-wreck of a movie.

That's what happened on subsequent entries in the series, but what averts the same outcome here is the presence of a suspenseful plot supported by excellent special effects and aerial photography (which can only be appreciated seeing the film letterboxed) and the fact that the three stars and the lesser-known supporting players (such as Alan Fudge and John Lupton) perform well enough so that the movie leaps over the seemingly impossible chasm of its schlocky casting and production and a script so bad that it even has Sid Caesar's character making light of the drinking problem that blighted his life. Needless to say, this was not a movie that producer Jennings Lang was going to be proud of. Like Jaws 2, Jaws 3, etc. from the same studio, it was made to generate easy money for Universal. Interestingly enough, there is one supremely ironic moment early in the film that should have shown anyone involved just how far removed they were from producing anything of real cinematic value. The in-flight movie is George Lucas' American Graffiti, which showed a level of invention and a loose, free-flowing approach to cinematic storytelling that makes this movie seem all the poorer. Indeed, American Graffiti has rated a serious Special Edition DVD from Universal, whereas no one would ever seriously propose a such a release of Airport 1975. ~ Bruce Eder, All Movie Guide

Cast

Gloria Swanson - Herself; Dana Andrews - Scott Freeman; Linda Blair - Janice Abbott; Sid Caesar - Barney; Gene Dynarski - 1st Friend; Erik Estrada - Navigator Julio; Norman Fell - Bill; Alan Fudge - Danton; Beverly Garland - Mrs. Scott Freeman; Sharon Gless - Sharon; Conrad Janis - Arnie; Myrna Loy - Tipsy Mrs. Devaney; John Lupton - Oringer; Ed Nelson - Maj. Alexander; Kip Niven - Lt. Thatcher; Christopher Norris - Bette; Nancy Olson - Mrs. Abbott; Ken Sansom - Gary; Martha Scott - Sister Beatrice; Laurette Spang - Arlene; Guy Stockwell - Col. Moss; Austin Stoker - Air Force Sgt.; Larry Storch - Purcell; Roy Thinnes - Urias; Charles White - Fat Man; Brian Morrison - Junior Patroni; Helen Reddy - Sister Ruth; Jerry Stiller - Sam; Irene Tsu - Carol

Credit

George C. Webb - Art Director, Edith Head - Costume Designer, Jack Smight - Director, J. Terry Williams - Editor, Terry Williams - Editor, John Cacavas - Composer (Music Score), Helen Reddy - Songwriter, Philip H. Lathrop - Cinematographer, William Frye - Producer, Jennings Lang - Producer, Mickey Michaels - Set Designer, Robert L. Hoyt - Sound/Sound Designer, Melvin M. Metcalfe Sr. - Sound/Sound Designer, Don Ingalls - Screenwriter

Similar Movies

Airport; The Towering Inferno; The High and the Mighty; Crash Landing: The Rescue of Flight 232; Mayday at 40,000 Feet; San Francisco International; Con Air; Air Crew; Panic in the Skies!; Airspeed
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Wikipedia: Airport 1975
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Airport 1975
Directed by Jack Smight
Produced by William Frye
Jennings Lang
Written by Don Ingalls (screenplay)
Starring Charlton Heston
Karen Black
George Kennedy
Efrem Zimbalist Jr.
Susan Clark
Gloria Swanson
Martha Scott
Helen Reddy
Linda Blair
Myrna Loy
Erik Estrada
Dana Andrews
Music by John Cacavas
Cinematography Philip H. Lathrop
Editing by J. Terry Williams
Distributed by Universal
Release date(s) October 18, 1974
Running time 106 min.
Language English
Budget $4,000,000
Gross revenue $47,000,000
Preceded by Airport
Followed by Airport '77

Airport 1975 is a 1974 disaster film and the first sequel to the successful 1970 hit Airport. The movie is one among many of a class of Disaster films that became a movie-going craze during the 1970s. Its plot devices and characterizations, including a singing nun (Helen Reddy), a former glamorous star (Gloria Swanson as herself), an alcoholic (Myrna Loy), a child in need of an organ transplant (Linda Blair) and a chatterbox (Sid Caesar) were parodied in 1980's Airplane!. The characteristics of Airport 1975 were also used in numerous similar films to come, including the film's sequels Airport '77 and The Concorde...Airport '79.

Though derided by the critics upon its release, Airport 1975 was ultimately a success. With a budget of US$4 million, the film made over US$47 million[1] at the box office. Helen Reddy was nominated for a Golden Globe Award for Most Promising Newcomer - Female. The film was included, however, in the popular book The Fifty Worst Films of All Time three years later in 1978.

Contents

Plot

Columbia Airlines' Flight 409 is a red-eye Boeing 747-100 en route from Washington Dulles International Airport to Los Angeles International Airport. Scott Freeman is a New Mexican business man with an urgent sales meeting in Boise. Failure to make this meeting threatens half his sales commissions for the coming year. He is en route in his private Beechcraft Baron.

However, an occluded front has the entire West Coast socked in, with Los Angeles reporting zero visibility. That not only affects the Columbia flight but also precludes Freeman making his meeting in Boise, Idaho. Both flights are diverted to Salt Lake City International Airport.

Both the Baron and the Boeing 747 enter Salt Lake's entry pattern. Air traffic control assigns the jumbo to enter the pattern first, followed by the Beechcraft. As Columbia 409 is making its final approach, First Officer Urias feels a vibration on one of the adjacent panels and rises to check it out. Freeman, now rather anxious about his missed sales meeting makes a call to the Salt Lake Tower asking about the delay. The tower confirms that he is second to land after the big jet. Here, Freeman suffers a massive heart attack. As he grabs his chest the Baron falls out of the pattern and descends into the approach of Columbia 409.

"Columbia four-oh-niner heavy, the Baron is at twelve-thirty." Those are the last words before Captain Stacey looks up and sees the Baron just feet from the windshield. The Beechcraft impacts the flight deck just above the co-pilot seat. First Officer Urias, still standing, is instantly blown from the cockpit. Flight Engineer Julio receives massive cranial trauma. Captain Stacey receives debris in the face and is blinded.

The decompression is extreme and knocks one of the stewards from the upper lounge down to the cabin below. Nancy Pryor, the head flight attendant rushes up to the flight deck to find Urias gone, Julio dead, and Stacey badly maimed. Fortunately the captain is able to engage the autopilot and the altitude hold switch to keep the aircraft in the air before losing consciousness.

In a call from the Salt Lake control tower as to what happened to the flight, Nancy Pryor, in a panicky voice, informs the tower that the crew is dead or badly injured and that there is no one to fly the plane. The Salt Lake tower tells Pryor to stay on the same frequency. Pryor gives the assessment of the damage as a large hole on the starboard side of the flight deck that wiped out most of the instrument gauges over the engineer station.

Columbia vice president of operations Joe Patroni, recently a head mechanic for Trans World Airlines, is apprised of 409's situation. He seeks the advice of Captain Al Murdoch, Columbia's chief instructor on 747's for the previous four years. Patroni and Murdoch take Columbia's executive jet to Salt Lake. En route, they also communicate with Pryor who is still in the cockpit. While the autopilot is keeping the aircraft in level flight, it is inoperable for turns. Something has to be done, as the jet is heading into the Wasatch Mountains. After successfully guiding Pryor by radio on how to perform the turn, radio communications are interrupted and the Salt Lake tower is unable to restore contact.

Unable to turn, leaking fuel, and dodging the peaks of the Wasatch Mountains, an air to air rescue attempt is undertaken from a jet-powered HH-53 Super Jolly Green Giant helicopter flown by the USAF Aerospace Rescue and Recovery Service. While the pilot is preparing to be released on a tether, it becomes apparent that 409 is heading straight into the side of a mountain. With radio communications still out Pryor flies unaided. Captain Stacey is able to give a cryptic clue regarding the decrease in airspeed during a climb in altitude. Pryor realizes that she must accelerate to be able to climb over the mountain and successfully does so. After 409 has leveled off, the pilot is released towards the stricken airliner. Just as Pryor is helping him in, the release cord from his harness becomes caught in the jagged metal surrounding the hole in the cockpit. As he climbs in, his harness is released from the tether and he falls to his death.

The only other person on the helicopter who can land a 747 is Captain Murdock, who is tethered to the rear of the helicopter and lowered to the jet and successfully enters it through the hole in the cockpit. He then lands the plane safely at Salt Lake City Airport.

Film Facts

  • Although this film was inspired by the original Arthur Hailey novel and its 1970 film-adaptation, the plot of this first Airport franchise sequel borrows more directly from the 1954 film The High and the Mighty; Mighty involves a mid-air calamity during a trans-Pacific crossing (from Hawaii to San Francisco), 1975 involves a transcontinental one (from Washington, DC to Los Angeles - the 747 is then re-routed to Salt Lake City); both films feature similar ensemble casting aboard a commercial aircraft, with time running out for the lives of the passengers before any possible safe landing of the aircraft.
  • Columbia Airlines is the name of a fictional airline used in the film. The plane used in the film was an American Airlines Boeing 747-123, registration number N9675, which was delivered to the carrier in 1971. The aircraft was redressed in the "Columbia Airlines" livery for this film. American flew the aircraft both as a passenger jet and later as a freighter only, under the "American Freighter" titles. The aircraft's current owner and operator is United Parcel Service under the registration number N675UP and, as of 2005, is now stored at Roswell, New Mexico.
  • The executive jet, Exec-1, used in the film was a Learjet 24A; Clay Lacy's N1972L, which later became N464CL (s/n 24A-096). Lacy's Learjet was also the camera ship for all the air to air filming on that movie.
  • Charlton Heston spent time training to fly a Boeing 747 during production, and several scenes show him actually flying a real 747.
  • The 1960 film The Crowded Sky tells a similar story of a U.S. Navy training aircraft involved in a midair collision with an airliner. In this film, Efram Zimbalist, Jr., played the U.S. Navy pilot killed in the collision while Dana Andrews is the captain of the airliner.[2]
  • The Beech Baron in the film uses the callsign 232 Zulu, which implies that its registration would be N232Z. Exterior shots show the registration as N9750Y. At the time, N232Z was registered to a later model B55 Baron.[3] In a tragic coincidence, N9750Y, a Beech model A55 Baron, was involved in a fatal midair collision with a Cessna 180 near Stockton, California on August 24, 1989 killing both pilots.[4]
  • Footage of the Boeing 747 featured in Airport 1975 has been re-used numerous times as stock footage in various other films (such as Elizabethtown and Sonic Impact), due to the fictional "Columbia Airlines" logo on the aircraft. The footage of takeoff was also re-used in the sequel, Airport '77 -- without editing out the "Columbia" logo on the tail of the aircraft.
  • First broadcast on NBC television, September 20, 1976.
  • Footage from the film (including alternate shots not used in the theatrical release) were used in The Incredible Hulk TV series Season 1, Episode 5: "747" Original Air Date: 7 April 1978.[5]
  • American Graffiti is depicted as in-flight movie, with scenes from that film shown.
  • The movie is referenced in an episode of Family Guy, where the actress Karen Black appears in order to land a plane. Peter Griffin mentions that she landed a plane in "Airport '75", but the cast of Dawson's Creek are too young to remember the movie.
  • This was Gloria Swanson's last film after an extensive 60 year career.

Cast

Sequels

Awards

References

External links


 
 

 

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