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Al Grey

 
Artist: Al Grey
  • Born: June 06, 1925, Aldie, VA
  • Died: March 24, 2000, Scottsdale, AZ
  • Active: '40s, '50s, '60s, '70s, '80s, '90s
  • Genres: Jazz
  • Instrument: Trombone
  • Representative Albums: "Truly Wonderful," "Night Train Revisited," "Things Are Getting Better All the Time"
  • Representative Songs: "Things Ain't What They Used t," "Truly Wonderful," "Soft Winds"

Biography

Al Grey's trademark phrases and often humorous use of the plunger mute long made him quite distinctive. After getting out of the service, he was with the orchestras of Benny Carter (1945-1946), Jimmie Lunceford (1946-1947), Lucky Millinder, and Lionel Hampton (off and on during 1948-1953). Grey was a well-featured soloist with the classic Dizzy Gillespie globetrotting orchestra during 1956-1957 (taking an exciting solo at the 1957 Newport Jazz Festival on a blazing version of "Cool Breeze"). He was with Count Basie's orchestra on three separate occasions (1957-1961, 1964-1966, and 1971-1977), led a band with Billy Mitchell in the early '60s, and had a group with Jimmy Forrest after leaving Basie in 1977. In later years, Grey performed and recorded often with Clark Terry, made a CD with the Statesmen of Jazz, and for a time led a quintet that featured his son Mike Grey on second trombone. Al Grey recorded as a leader for Argo (1959-1964), Tangerine, Black & Blue, Stash, Chiaroscuro, and Capri, and co-led an excellent Pablo date in 1983 with J.J. Johnson. He died of complications from diabetes on March 24, 2000. ~ Scott Yanow, All Music Guide
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Wikipedia: Al Grey
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Al Grey (June 6, 1925 - March 24, 2000) was a jazz trombonist who is most remembered for his association with the Count Basie orchestra.

Grey is known for his plunger mute technique (comparable only to Tricky Sam Nanton, Bob Hunt and Wycliffe Gordon), and also wrote an instructional book called "Plunger Techniques".

Early life and career

Al Grey was born in Aldie, Virginia and grew up in Pottstown, Pennsylvania. During World War II he served in the Navy where he started playing the trombone. Soon after his discharge he joined Benny Carter's band and later the trombone section of Lionel Hampton. After some solo work Grey joined Dizzy Gillespie's big band in 1956. In October 1957 Count Basie urgently needed a fill-in for his European tour and Al Grey luckily was in the right place at the right time.

After 1961 Grey performed only occasionally with the Count. Apart from leading his own combos, he appeared with many jazz greats such as Herbie Hancock, Quincy Jones and even Ray Charles.

He is featured on Count Basie recordings with Ella Fitzgerald or Frank Sinatra and recorded "Snap your Fingers". His trombone skills were also featured on the award-winning soundtrack for Steven Spielberg's film The Color Purple.

Al Grey greatly contributed to the post-swing era jazz-trombone vocabulary and will be remembered for his charming personality as well as his ability to bond with audiences around the world.[citation needed]

His style

Al Grey's early trombone style was inspired by Trummy Young. He developed a wild, strong and full sound. Solos often consisted of short, pronounced phrases with precisely timed syncopation. When playing with the plunger, however, he would produce the most mellow fill-ins and shape melodic answers to the lead voice.

Discography

Recordings :

  • -Dizzy's Blues (with Dizzy Gillespie, 1957 )
  • -At Newport (With Gillespie, 1957)
  • - I needs to be bee'd with (with Basie, 1958 )
  • - Melba Liston and Her 'Bones (with Melba Liston , 1958)
  • - Rare Butterfly (with Basie, 1960 )
  • - Boss Bone (1964; John Young (piano), Leo Blevins (guitar), Ike Isaacs (bass))
  • - The New Al Grey Quintet (1988; Al Grey, Mike Grey (trombone), Joe Cohn (guitar, trumpet), J.J. Wiggins (bass), Bobby Durham (drums) )
  • - Live At the Floating Jazz Festival (1991)
  • - Things Are Getting Better All the Time (with fellow trombonist J. J. Johnson (1983)
  • - Me N' Jack (1995)
  • - Truly Wonderful (1978)
  • - The Basie Big Band (with Count Basie, arr. by Sammy Nestico, 1975) - recordings include what some argue is Grey's best plunger technique on tracks: "Midnight Freight" and "Tall Cotton"

 
 

 

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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