Al Jackson, Jr.

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  • Genres: Rhythm & Blues

Biography

Al Jackson, Jr. was the excellent drummer who kept Booker T. & the MG's in line, both on their own recordings as well as on dozens of sessions for artists contracted to Hi and Stax Records. Born in Memphis in 1934, he came up with producer Willie Mitchell at the Hi label and played on dozens of hits by Al Green and Ann Peebles, among others. Keyboard player Booker T. Jones, who had played in Mitchell's band as well, considered Jackson the best drummer in Memphis. In 1962, he persuaded Jackson to join Stax Records, where the pair joined guitarist Steve Cropper and (later) bassist Donald "Duck" Dunn to form Booker T. & the MG's, arguably the best house band in history. The group played on virtually every recording by Otis Redding, Wilson Pickett, Sam & Dave, Carla and Rufus Thomas, Eddie Floyd, and William Bell during the mid- to late '60s. Booker T. & the MG's were hitmakers as well, thanks to instrumental tracks like "Green Onions," "Hip Hug-Her," "Hang 'Em High," and "Time Is Tight."

By 1971, however, popularity drove the group apart as both Cropper and Jones spent much time away from Memphis. During the early '70s, Jackson spent time working as both a session drummer and producer, appearing on albums by Eric Clapton, Donny Hathaway, Freddie King, Herbie Mann, the Soul Children, Shirley Brown, and Rance Allen. In 1975, Booker T. & the MG's re-formed and began recording a reunion album. Later that year, however, Jackson was tragically shot and killed in his home; reports conflict on whether the culprit was a burglar or his wife. ~ John Bush, Rovi
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Al Jackson, Jr.
Birth name Alan Jackson
Born November 27, 1935(1935-11-27)
Memphis, Tennessee, U.S.
Died October 1, 1975(1975-10-01) (aged 39)
Memphis, Tennessee, U.S.
Genres R&B, funk, soul, Memphis soul
Instruments Drums
Years active 1940–1975
Labels Stax
Associated acts Booker T. & the M.G.'s

Al Jackson, Jr. (November 27, 1935 – October 1, 1975) was a drummer, producer, and songwriter. He is best known as a founding member of Booker T. & the M.G.'s, a group of session musicians who worked for Stax Records and produced their own instrumentals. Jackson was called "The Human Timekeeper" for his drumming ability.

Contents

Early life

Jackson's father, Al Jackson Sr., led a jazz/swing dance band in Memphis, Tennessee. The young Jackson started drumming at an early age and began playing on stage with his father's band in 1940 at the age of five. He later played in producer/trumpeter Willie Mitchell's band and at the same time was holding down a chair in the popular Ben Branch Band. Future band mates Steve Cropper and Donald "Duck" Dunn first saw Jackson playing in Mitchell's band at the all-white Manhattan Club.

In an interview with DRUM! Magazine, Mitchell says,

"Al Junior was about 14 years old then. I said to his father, 'Hey, let’s use your son!' He said, 'Oh, man, he can’t play this sh*t!' But he did make the gig. He set up his kit – a cymbal, a snare drum, and a bass drum – and I kicked the thing off. And, man, that thing went off at 20 tempos! But that was around 7:00 o'clock. And by the time Al Senior came in an hour later, at 8:00 o'clock, Al Jackson Jr. was swinging that damn band like a pro."[1]

Career

Jackson became one of the most important and influential drummers in the history of recorded music at Stax, providing an instantly recognizable backbeat behind the label's artists which included Rufus Thomas, Carla Thomas, Eddie Floyd, Sam & Dave, Otis Redding, and blues guitarist Albert King, who Jackson also produced. In the Seventies, Jackson co-wrote and played on several hits by Al Green, including "Let's Stay Together" and "I'm Still in Love with You".

Death

After researching the history of Stax for ten years, Canadian Grammy Award-winning musicology professor Rob Bowman wrote in Soulsville U.S.A.: The Story of Stax Records that four years after the last Booker T. & the MGs album, 1971's Melting Pot, the group got together and decided to wrap up all of their individual productions and devote three years to a reunion of the band. On September 30, 1975, Al Jackson was scheduled to fly to Detroit, Michigan, to produce a Major Lance session, when he heard the DJ on the radio reminding everyone of the Joe FrazierMuhammad Ali fight that night. Jackson called Detroit and said he was going to watch "The Thrilla in Manila" on the big screen at the Mid-South Coliseum. Though still legally married, Jackson was estranged from his wife. In July 1975 his wife had shot him in the chest. He decided not to press charges, but was in the process of a divorce and was planning to move to Atlanta, Georgia, to begin working with Stax singer/songwriter William Bell.[2]

Jackson attended the screening with Eddie Floyd and Terry Manning, and after the Ali–Frazier fight, he returned home and found intruders in his house. He was reportedly told to get down on his knees and then was shot fatally five times in the back. Around 3:00 a.m. on October 1, Barbara Jackson ran out in the street, yelling for help. She told police that burglars had tied her up and then shot her husband when he returned home. Police found nothing in the house out of place and Al Jackson's wallet and jewelry were still on his person. The man believed to have pulled the trigger had reportedly known someone in Memphis and after robbing a bank in Florida, told them to meet him over at Al Jackson's house. Tracked through Florida to Memphis to Seattle, Washington, the suspected triggerman was killed by a police officer on July 15, 1976 after a gun battle.[citation needed]

Equipment

Jackson used Rogers Drums with a 20" bass drum, 12" tom, 16" floor tom, and occasionally a 13" tom. He used a 14"x5" Ludwig aluminum shell snare drum with 8 lugs (Ludwig Acrolite). Zildjian 16" Crash, 18" Ride, and 14" Hi-Hats.

References

  • Soulsville USA: The Story of Stax Records by Rob Bowman

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Mentioned in

Alex Jackson (Gospel Artist, 2000s)
The MG's (Rhythm & Blues Band, '70s)
The Booker T. Set (1969 Album by Booker T. & the MG's)
The Ol' Blues Singer (1975 Album by Lowell Fulson)