Career Highlights: Jonah, Who Will Be 25 in the Year 2000, Dans la Ville Blanche, La Salamandre
First Major Screen Credit: Nice Time (1957)
Biography
During the late '60s and early '70s, Swiss filmmaker Alain Tanner was the key figure in the development and popularization of the "new Swiss cinema." He remains one of his country's best-known directors. Born in Geneva to a writer/painter and an actress, Tanner attended Geneva's Calvin College where he studied economics and became fascinated by cinema. Following graduation and a brief stint as a merchant marine, Tanner began working for the British Film Institute in England where he worked in the information department organizing archives, adding subtitles to foreign films, translating, and other tasks. In 1957, Tanner made a short Free Cinema film, Nice Time, in collaboration with Claude Goretta. The film won a prize at that year's Venice Film Festival and received critical praise in Great Britain. By 1960, he had returned to Switzerland, after pausing in France where he assisted on the production of a few commercial films. It was in Paris that Tanner met a number of important French New Wave directors and Henri Langlois, the director of the Cinematheque Francaise. It was an influential period for Tanner who found the atmosphere too cutthroat and the filmmakers too "right-wing anarchist" for his more socialist sensibilities; still, his work bears the imprint of such directors as Godard, Renoir, and Bresson. He returned to Switzerland by 1960 and began making French-language television documentaries. He made over 40 such films over the decade. As part of Groupe Cinque, an association of young filmmakers, Tanner made his feature-film debut with Charles Dead or Alive (1969). The film won first prize at that year's Locarno Film Festival. His next two films were written and made in close collaboration with leftist art critic John Berger. Both La Salamandre (1971) and Jonah Who Will Be 25 in the Year 2000 (1976) were filmed with a blend of cinéma vérité and fantasy and are imbued with idealism and hope for a utopian future. Subsequent films have been considerably less upbeat and have met with mixed reviews. Tanner's work has been compared to that of Bertolt Brecht in that his films seek to keep the audience distanced and constantly aware that the film is not reality. ~ Sandra Brennan, All Movie Guide
Tanner studied economics at the University of Geneva. In 1951, he joined the film club which Claude Goretta had recently established at the university. After his graduation and a short time working for international shipping companies, he felt drawn to film.
Film career
Tanner found work at the British Film Institute in 1955, subtitling, translating, and organizing the archive.[1] His first film, Nice Time (1957), a short documentary film about Piccadilly Circus during weekend evenings, was made with Claude Goretta.[2] Produced by the British Film Institute Experimental Film Fund, it was first shown as part of the third Free Cinema programme at the National Film Theatre in May 1957. The debut film won a prize at the film festival in Venice and much critical praise.[1]
Tanner went to France for a while where he assisted with several commercial films. There, he met some of the most important directors of the French New Wave in Paris as well as Henri Langlois, the director of the Cinémathèque Française. Some critics have found the influences of Jean-Luc Godard and Robert Bresson in his films[citation needed]. But the atmosphere in the film circles of Paris displeased him; he described it as "cutthroat."
Between 1960 and 1968, Tanner returned to Switzerland, and he made more than 40 films as well as documentaries for French-language television there. In 1962, he became the co-founder of the Swiss young filmmakers' "Groupe Cinque."
His first feature film, Charles, Dead or Alive (1969), won the first prize at the international film festival in Locarno.[1] His next two films, La Salamandre (1971) and Jonah Who Will Be 25 in the Year 2000 (1976), were made in close collaboration with the art critic and novelist John Berger, who had also worked with him, to a lesser degree and without a credit, on the writing of Charles.[3]
Influenced by his involvement with the British "Free Cinema" movement in London and with the French New Wave during his years in Paris, Tanner is best known for his movies Jonas qui aura 25 ans en l'an 2000 (Jonah Who Will Be 25 in the Year 2000), Dans la ville blanche (In the White City) and Messidor.