Quotes:
"Freedom is just chaos with better lighting."
| Quotes By: Alan Dean Foster |
Quotes:
"Freedom is just chaos with better lighting."
| Actor: Alan Foster |
| Filmography: Alan Foster |
| Wikipedia: Alan Dean Foster |
| This article includes a list of references or external links, but its sources remain unclear because it has insufficient inline citations. Please help to improve this article by introducing more precise citations where appropriate. (April 2009) |
| Alan Dean Foster | |
|---|---|
Alan Dean Foster, 2007 |
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| Born | November 18, 1946 New York, New York |
| Occupation | novelist |
| Genres | science fiction, fantasy |
| Notable work(s) | For Love of Mother-Not |
| Official website | |
Alan Dean Foster (born November 18, 1946) is an American author of fantasy and science fiction. He currently resides in Prescott, Arizona, with his wife, and is also known for his novelisations of film scripts. He holds a bachelor's degree in political science and a MFA from the University of California, Los Angeles.
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He is best known for his science fiction novels set in the Humanx Commonwealth, an interstellar ethical/political union of species including humankind and the insectoid Thranx. Many of these novels feature Philip Lynx ("Flinx"), an empathic young man who has found himself involved in something which threatens the survival of the Galaxy. Flinx's constant companion since childhood is a minidrag named Pip, a flying, empathic snake capable of spitting a highly corrosive and violently neurotoxic venom.
Foster's best-known fantasy work is the Spellsinger series, in which a young musician is summoned into a world populated by talking creatures where his music allows him to do real magic whose effects depends on the lyrics of the popular songs he sings (although with somewhat unpredictable results).
Many of Foster's works have a strong ecological element to them, often with an environmental twist. Often the villains in his stories experience their downfall because of a lack of respect for other alien species or seemingly innocuous bits of their surroundings. This can be seen in such works as Midworld, about a semi-sentient planet that is essentially one large rainforest, and Cachalot, set on an ocean world populated by sentient cetaceans. Foster usually devotes a large part of his novels to descriptions of the strange environments of alien worlds and the coexistence of their flora and fauna. Perhaps the most extreme example of this is Sentenced to Prism, in which the protagonist finds himself trapped on a world where life is based on silicon rather than carbon, as on Earth.
Foster has been so prolific that he is often rumored to have been the ghostwriter on novels with which he had little direct involvement, such as the novelization of Star Trek: The Motion Picture, which was credited to (and actually written by) Gene Roddenberry. Foster wrote the treatment on which the film was based, perhaps accounting for the misattribution of the novel to him. He also authored 10 volumes of novelizations based upon Star Trek: The Animated Series, several of which involving taking the script for a half-hour episode and expanding it into a full-length novel. He later wrote the novelization of the 2009 film Star Trek, his first Star Trek novel in over 30 years.[1]
It has long been known that Foster co-wrote the original novelization of Star Wars (later retitled Star Wars Episode IV: A New Hope) which had been credited solely to George Lucas. When asked if it was difficult for him to see Lucas get all the credit for Star Wars, Foster said "Not at all. It was George's story. I was merely expanding upon it. Not having my name on the cover didn't bother me in the least. It would be akin to a contractor demanding to have his name on a Frank Lloyd Wright house."[2]
Foster won the 2008 Grand Master award from the International Association of Media Tie-In Writers.[3]
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