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| Alan Dean Foster | |
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Alan Dean Foster, 2007 |
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| Born | November 18, 1946 New York, New York |
| Occupation | novelist |
| Genres | science fiction, fantasy |
| Notable work(s) | For Love of Mother-Not |
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www.alandeanfoster.com |
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Alan Dean Foster (born November 18, 1946) is an American author of fantasy and science fiction, with many series to his credit as well as a large number of single novels. He is especially prolific in his novelizations of film scripts.
He earned a bachelor's degree in political science and a MFA from the University of California, Los Angeles and currently resides in Prescott, Arizona, with his wife.
He is best known for his science fiction novels set in the Humanx Commonwealth, an interstellar ethical/political union of species including humankind and the insectoid Thranx. Many of these novels feature Philip Lynx ("Flinx"), an empathic young man who has found himself involved in something which threatens the survival of the Galaxy. Flinx's constant companion since childhood is a minidrag named Pip, a flying, empathic snake capable of spitting a highly corrosive and violently neurotoxic venom.
One of Foster's best-known fantasy works is the Spellsinger series, in which a young musician is summoned into a world populated by talking creatures where his music allows him to do real magic whose effects depends on the lyrics of the popular songs he sings (although with somewhat unpredictable results).
Many of Foster's works have a strong ecological element to them, often with an environmental twist. Often the villains in his stories experience their downfall because of a lack of respect for other alien species or seemingly innocuous bits of their surroundings. This can be seen in such works as Midworld, about a semi-sentient planet that is essentially one large rainforest, and Cachalot, set on an ocean world populated by sentient cetaceans. Foster usually devotes a large part of his novels to descriptions of the strange environments of alien worlds and the coexistence of their flora and fauna. Perhaps the most extreme example of this is Sentenced to Prism, in which the protagonist finds himself trapped on a world where life is based on silicon rather than carbon, as on Earth.
It has long been known that Foster wrote the original novel of Star Wars which had been credited solely to George Lucas. Lucas brought to Foster the original screenplay, after which Foster fleshed out the backstory of time, place, planets, races, history and technology in such detail that it became canonical for all subsequent Star Wars novels. However, when asked if it was difficult for him to see Lucas get all the credit for Star Wars, Foster said "Not at all. It was George's story idea. I was merely expanding upon it. Not having my name on the cover didn't bother me in the least. It would be akin to a contractor demanding to have his name on a Frank Lloyd Wright house."
Foster wrote the novel Splinter of the Mind's Eye, a Star Wars sequel published prior to the release of The Empire Strikes Back. Foster's story relied heavily on abandoned concepts that appeared in Lucas' early treatments for the first film.
Foster was stunned when Return of the Jedi revealed the characters of Luke and Leia as brother and sister[1]; in Splinter, the characters exhibit quite a bit of romantic and sexual energy.
Although Splinter was contradicted by later entries in the Star Wars film canon, it was the first "expanded universe" entry written (although not the first published -- a Marvel Comics story holds that honor), and as such remains highly regarded by many fans.
Foster has the story credit for Star Trek: The Motion Picture. He also wrote 10 books based on episodes of Star Trek: The Animated Series, the first six books each consisting of three linked novella-length episode adaptations, and the last four being full-length novelizations of single episodes. He later wrote the novelization of the 2009 film Star Trek, his first Star Trek novel in over 30 years.[2]
Foster won the 2008 Grand Master award from the International Association of Media Tie-In Writers.[3]
Novelizations of the films.
In chronological order:
In chronological order. Note that Foster says in the recently republished Bloodhype that it is the 11th in the series, and should fall between "Running From the Diety" and "Trouble Magnet". (Forward "Bloodhype", Del Rey, March, 2002).
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