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Alan Parker

 
Director: Alan Parker
  • Born: Feb 14, 1944 in London, England, UK
  • Occupation: Director, Writer, Actor
  • Active: '70s-2000s
  • Major Genres: Drama, Musical
  • Career Highlights: The Commitments, Fame, Angel Heart
  • First Major Screen Credit: Melody (1971)

Biography

An advertising gofer-turned-writer and director, Alan Parker began his film career through his association with producer David Puttnam, another ad man with cinematic aspirations, who hired Parker to write the screenplay for the preteen romance Melody (1971). After a stint directing television commercials and short films for the BBC, Parker made his first movie, Bugsy Malone, in 1976. He joined the front ranks of young filmmakers two years later with the fact-based thriller Midnight Express, a brilliant and brutal retelling of the experiences of a young American who escaped from a Turkish prison where he had been incarcerated for drug possession. Both an exposé of government corruption and an indictment of American pomposity, it earned lavish acclaim and a number of honors, including a Best Director Oscar nomination for Parker.

The director followed this success with the megahit Fame in 1980. A box-office smash, it spawned a long-running TV series and became a fixture in the American pop-culture lexicon. Parker's next movie, Shoot the Moon (1982), was a relative failure despite several superb performances, owing in part to its unpleasant subject matter, the agonizing breakup of a marriage. Later that same year, Parker rebounded with a spectacular achievement in a more difficult category of film with Pink Floyd: The Wall, an adaptation of a Pink Floyd concept album that received critical approval and attracted a substantial audience. Parker's next film, Birdy (1984), was similarly acclaimed. The tale of a Vietnam veteran who experiences flight fantasies, it won the Jury's Grand Prize award at the Cannes Film Festival. The director had his next major success with Mississippi Burning (1988). A recreation of the investigation of the murders of three civil rights workers in Mississippi in the mid-'60s, it struck a responsive chord with the public and critics alike. Parker's 1991 movie, The Commitments, a blissful, beautifully structured adaptation of Roddy Doyle's novel of the same name, proved to be a genuine sleeper hit and earned a number of honors, including a Best Director BAFTA award for Parker.

After the disappointment of his next film, The Road to Wellville (1994), Parker was back two years later with Evita, a high-profile version of Andrew Lloyd Webber's hit musical. Starring Madonna in the title role of the beloved, controversial Argentinean first lady Eva Peron, the film received mixed critical notices, although it did prove popular with many audience members. Parker returned to Irish soil in 1999 to direct Angela's Ashes, an adaptation of Frank McCourt's Pulitzer Prize-winning novel. Starring Emily Watson and Robert Carlyle, it was one of the year's more highly anticipated films.

Four years passed before Parker returned with a new directorial effort, the longest gap of his career. The Life of David Gale was due to be released in time for Oscar consideration in 2002, but was bumped to early 2003 after the studio realized the inane death penalty thriller would surly disappear from theaters in the face of such stiff year-end box office competition. It opened to almost unanimously negative criticism. ~ Bruce Eder, All Movie Guide
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Wikipedia: Alan Parker
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Alan Parker

Alan Parker, Warsaw (Poland), 15th October 2005
Born 14 February 1944 (1944-02-14) (age 65)
Islington, London, England

Sir Alan William Parker, CBE (born 14 February, 1944) is an English film director, producer, writer and actor. He has been active in both the British film industry as well as in Hollywood. He is a founding member of the Director's Guild of Great Britain.

Contents

Life and career

Parker was born into a working class family in Islington, North London, the son of Elsie Ellen, a dressmaker, and William Leslie Parker, a house painter.[1] He attended Dame Alice Owen's School. Parker started out as a copywriter for advertising agencies in the 1960s and 1970s and later began to write his own television commercial scripts. His most celebrated and enduring advertising work was when he worked for famed London agency Collett Dickenson Pearce where he directed many award winning commercials, including the famous Cinzano vermouth advertisement, starring Leonard Rossiter and Joan Collins, shown in the UK.

His start in film came through his association with producer David Puttnam, now Lord Puttnam, when he wrote the screenplay for the 1971 feature Melody. Puttnam would later produce a number of Parker's films including Midnight Express (1978). This, his breakthrough, was a gritty and highly controversial film set in a Turkish prison that was lauded by critics and ended up earning Parker a number of Oscar nominations, including Best Director and Best Picture. He was later nominated for Best Director with Mississippi Burning (1988).

Parker has directed a number of off-beat musicals including Bugsy Malone (1976), Fame (1980), Pink Floyd The Wall (1982), The Commitments (1991) and the 1996 film Evita.

He was knighted in the New Year's Honours for 2002. He received an Honorary Doctorate of Arts from the University of Sunderland in 2005 of which his long time associate Lord Puttnam is chancellor. Parker is an Arsenal fan and attends their home games.[2]

Controversy

One of his films, Midnight Express, stirred enormous controversy in the world especially in Turkey. The film derives from a book written by Billy Hayes. Oliver Stone wrote the screenplay of the film and David Puttnam is the producer. After the release of the film, it was and is condemned in Turkey for portrayal of Turkish people, Turkish institutions and consequently damaging the public image of Turkey. Turkish authorities expected Parker to apologise for his contribution to Midnight Express but he never did so far.

Unlike Parker, Putnam, Stone and Hayes who were producer, screenwriter and author of the original book respectively expressed their concerns with the film regarding its anti-Turkish agenda. Screenwriter of that film, Oliver Stone, who won an Academy Award for the film, visited Turkey in 2004, made an apology for the portrayal of the Turkish people in the film[3]. In parallel with Stone, an amateur interview with Billy Hayes who is the author of the book that Midnight Express is based on, appeared on YouTube (Part 1 - Part 2) recorded during the 1999 Cannes Film Festival, in which he expressed his disappointment with the film adaptation.[4]. In an article for the Seattle Post-Intelligencer, Hayes stated that the film 'depicts all Turks as monsters'.[5]

In an interview in 1984, David Puttnam, producer of the film, called the book dishonest[6]. In addition to Putnam, Parker and Stone, film reviewers described the film as "violent", "national hate-film", "a cultural form that narrows horizons", "confirming the audience’s meanest fears and prejudices and resentments"[7].

Filmography

He has also directed several commercials as well as the Madonna videos "You Must Love Me", "Don't Cry for Me Argentina" and "Another Suitcase in Another Hall" for Evita.

Bibliography

See also

References

  1. ^ Alan Parker Biography (1944-)
  2. ^ http://www.dolby.com/consumer/motion_picture/interviews_8.html
  3. ^ Smith, Helena. Stone sorry for Midnight Express. Guardian. December 16, 2004.
  4. ^ Interview with Billy Hayes about 'Midnight Express' on YouTube
  5. ^ The real Billy Hayes regrets 'Midnight Express' cast all Turks in a bad light - Seattle Post Intelligencer
  6. ^ Shipman D (1984). The Story Of Cinema. London: Hadder and Stoughton. [page needed]
  7. ^ John Wakeman(ed) (1988). World Film Directors. New York: T.H. W. Wilson Co. 

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