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Albert-Ernest Carrier-Belleuse

 
Art Encyclopedia: Albert-Ernest Carrier-Belleuse

(b Anizy-le-Ch?teau, Aisne, 12 June 1824; d S?vres, 3 June 1887). French sculptor and designer. He was one of the most prolific and versatile sculptors of the 19th century, producing portrait busts, monuments and ideal works, as well as exploiting to the full the commercial opportunities offered by developing technology for the mass production of small-scale sculpture and decorative wares. His style ranged from the unembellished Realism of his male portraits to the neo-Baroque exuberance of his architectural decoration, and his art is particularly associated with the amiable opulence of the Second Empire. He signed his works A. Carrier until c. 1868, thereafter adopting the name Carrier-Belleuse.

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Wikipedia: Albert-Ernest Carrier-Belleuse
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bust of Carrier-Belleuse by Auguste Rodin
Sèvres porcelain vase designed by Carrier-Belleuse, 1884 (Petit-Luxembourg, Paris)

Albert-Ernest Carrier-Belleuse (June 12, 1824, Anizy-le-Château - June 4, 1887, Sèvres) was a French sculptor and painter. He was the father of Louis-Robert Carrier-Belleuse.[1]

Carrier-Belleuse made many terra cotta pieces, but possibly the most famous is The Abduction of Hippodameia depicting the Greek mythological scene of a centaur kidnapping Hippodameia on her wedding day.

He painted many portraits and landscapes on the Côte d'Opale, northern sea-borders facing England, chiefly in the village of Audresselles.

Auguste Rodin worked as an assistant in the studio of Albert-Ernest Carrier-Belleuse in between 1864 and 1870. The two travelled to Brussels in 1871.[2]

See also

External links

References

  1. ^ The Getty
  2. ^ V&A

 
 

 

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