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Albert Southworth

 
Photography Encyclopedia: Albert Sands Southworth

Southworth, Albert Sands (1811-94), and Hawes, Josiah Johnson (1808-1901), New England studio photographers who took up photography separately after attending demonstration lectures by Daguerre's disciple François Gouraud in 1840. Southworth, a drugstore owner, opened his first daguerreotype gallery in Chicopee, Massachusetts, with Joseph Pennell in 1840; the early experience of Hawes, a self-taught painter and former apprentice carpenter, probably included a partnership with Fred Somerby in Boston. But by 1843 the two men were principals of a business that was to last until the beginning of the 1860s. (Southworth temporarily joined the Gold Rush in 1849-51, and made daguerreotypes of San Francisco.) Their Boston studio flourished: they specialized in simple, high-quality daguerreotype portraits, capturing gravity and dignity without the stiffness and tension evident in the work of the average practitioner, and they firmly refused to adopt the increasingly common practice of hand tinting. They habitually used larger plates than their competitors, and boasted that they never needed to charge less than $5 for a picture. They also patented various items (including stereoscopic equipment), manufactured cameras, and sold photographic supplies. After the partnership was dissolved, Southworth lectured on photography for a number of years, and Hawes continued to photograph at least until the end of the century.

— Robert Pols

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Wikipedia: Albert Southworth
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Albert Southworth, circa 1848
Advertisement, Boston Directory, 1868

Albert Sands Southworth (1811–1894) operated Southworth & Hawes daguerreotype studio with Josiah Johnson Hawes (1808–1901) from 1843 to 1863.

Biography

Southworth was a student of Samuel F.B. Morse, who, in addition to his other more famous pursuits, was an avid daguerreotypist. The partnership's studio, located on the top floor of a Boston building, had enormous skylights to allow in copious amounts of light necessary for relatively "short" exposures of portraits of their subjects. While they worked in formats ranging from the more common locket-sized daguerreotype, up to a stereoscopic image (also gaining in popularity at the time), they specialized in "whole plate" images, an expensive size which measured 6-1/2 × 8-1/2 inches (16.5 × 21.6 cm)—rather large for a daguerreotype. Lawmaker Daniel Webster, author Harriet Beecher Stowe, and reformer Dorothea Dix were among the duo's more prominent clients, but they also photographed local businessmen, society ladies, and other Boston-area citizens.

Southworth & Hawes were not alone: Masury & Silsby, and also John Adams Whipple were prominent Boston daguerreotypists. Whipple's and Southworth & Hawes's operations were the largest in Boston, and were outshone in America (after 1853) only by the New York studios of Mathew Brady and M.M. Lawrence.

In what could perhaps be called the ancestor of the View-master, Southworth & Hawes invented a "grand parlor stereoscope", which allowed viewers to be presented with new daguerreotype views with the turn of a crank. Southworth & Hawes had one of these devices in the reception room of their gallery for the entertainment of their customers.

After wet-process plate printing came into vogue, Southworth also invented a device in 1855 that allowed up to eight exposures of the same sitter to be made in just two sequential exposures: by exposing half of a whole plate with a special four-lensed set of tubes, then moving the other half of the plate into place, the other half of the plate was then exposed.

References

  • Taft, Robert (1938), Photography and the American Scene, Dover Publications
  • Young America: The Daguerreotypes of Southworth & Hawes, Grant B. Romer and Brian Wallis (editors), Steidl Publishing.

 
 
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Photography Encyclopedia. The Oxford Companion to the Photograph. Copyright © 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Albert Southworth" Read more